This collection of short stories by Banana Yoshimoto features five women and centers on the common theme of recovery from life-changing events. These include consuming a poisoned curry meant for someone else; encountering the ghosts of a kindly, elderly couple; and finding hope for new romance following a sexual assault. Narrator Kathleen Li matches Yoshimoto's spare, straightforward writing with a performance featuring little in the way of flourishes. Her delivery is as unadorned as the text is as the protagonists pursue peace and, ultimately, happiness. Li does add more vocal variation when narrating sections of dialogue. Overall, Li's cadence is comfortably relaxed, which adds to the unembellished feeling of the audiobook. S.E.G. © AudioFile 2023, Portland, Maine
Dead-End Memories: Stories
Narrated by Kathleen Li
Banana YoshimotoUnabridged — 4 hours, 38 minutes
Dead-End Memories: Stories
Narrated by Kathleen Li
Banana YoshimotoUnabridged — 4 hours, 38 minutes
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Overview
First published in Japan in 2003, Dead-End Memories collects the stories of five women who, following sudden and painful events, quietly discover their ways back to recovery.
Among the women we meet in Dead-End Memories is one betrayed by her fiancé who finds a perfect refuge in an apartment above her uncle's bar while seeking the real meaning of happiness. In "House of Ghosts," the daughter of a yoshoku restaurant owner encounters the ghosts of a sweet elderly couple who haven't yet realized that they've been dead for years. In "Tomo-chan's Happiness," an office worker who is a victim of sexual assault finally catches sight of the hope of romance.
Yoshimoto's gentle, effortless prose reminds us that one true miracle can be as simple as having someone to share a meal with, and that happiness is always within us if only we take a moment to pause and reflect. Discover this collection of what Yoshimoto herself calls the "most precious work of my writing career."
Editorial Reviews
★ 06/13/2022
Yoshimoto’s resonant collection centers on women struggling through challenging events. Though the characters in each of the five stories have been struck by bad luck and duplicity, they are intrinsically good-natured and are also greatly influenced by the generational traditions of their forebears, as evidenced in the heartwarming opener, “House of Ghosts,” in which the college-student daughter of restaurant owners observes a pair of ghosts in a classmate’s apartment, thus setting the mood for the young couple’s unexpected and lifelong romance. After the book editor in “Mama!” consumes poisoned curry in the publishing company’s cafeteria, the ordeal is followed by an emotionally disturbing revelation. Yoshimoto’s characters share a staunch, unfailing allegiance to the idea of love, and they work toward closure amid heartbreak, as in the title story in which a betrayal recalibrates a young girl’s understanding of contentment. Similarly, in “Tomo-chan’s Happiness,” a sexual assault victim discovers hope, catharsis, and new love after years of internal torment. Yoshimoto embellishes these gorgeously written entries with sensual descriptions of food and sex, and makes them memorable by showing how the women set themselves free from misfortune via friendship and resilience. This is a gem. (Aug.)
A New York Times Notable Book
A Bustle Most Anticipated Book Of The Month
A Millions Most Anticipated Book of the Year
"Dead-End Memories is a collection of stories, each of which, while specific and distinct, has at its center a woman both losing and finding something of herself. In Asa Yoneda’s elegant translation of this collection—whose title story Yoshimoto herself considers her best—the soothing rhythm of the everyday and the mundane is broken by equally quiet moments of profundity." —Ilana Masad, A NPR Best Book of the Year
"These stories made me believe again that it was possible to write honestly, rigorously, morally, about the material reality of characters; to write toward human warmth as a reaffirmation of the bonds that tie us together. This is a supremely hopeful book, one that feels important because it shows that happiness, while not always easy, is still a subject worthy of art." —Brandon Taylor, The New York Times Book Review
"This collection offers plenty of Yoshimoto’s signature themes: lonely women, betrayal, relationship upsets—and grace, too." —The New York Times
"Deftly translated by Bristol-based translator Asa Yoneda, Dead-End Memories contains five stories exploring the lives of five women struggling through challenging events. The dreamy, sometimes surreal stories explore emotionally heavy-hitting themes like life, love, death, happiness, identity, loneliness and grief, delivered with the author’s characteristic light touch. In other words, it’s classic Yoshimoto—great news for existing fans . . . One of the great pleasures of reading Yoshimoto is her gift for creating exceptional imagery out of simple language . . . Like your average lo-fi playlist, this is a late-night read to heighten a melancholy, nostalgic or contemplative state of mind, one you dive into to be transported to a kinder, gentler world for an hour or two." —Florentyna Leow, Japan Times
"Nineteen years have passed between Dead-End Memories' original publication in Japan in 2003 and its arrival in the United States in 2022. The translation of this volume from Japanese into English was well worth the wait. Yoshimoto offers five stories that read like tiny miracles, facilitated by Asa Yoneda's thoughtful translation. Even when Yoshimoto's characters face tragedy or due reason for hopelessness, they quietly find a path toward hope." —Harper's Bazaar
"Available for the first time in English, this collection of five stories about extraordinarily ordinary women facing hardships is a wonderful introduction to her masterful work." —Karla Strand, Ms.
"Yoshimoto’s writing style is economical. Most of her protagonists are, at heart, well-meaning people. And her stories assert, unabashedly, that good stories don’t have to have unhappy endings." —Alison Fincher, Asian Review of Books
"Yoshimoto gracefully explores the beauties and sorrows of everyday life, offering an overall feeling of hope and gentleness that is refreshing in our current times." —Electric Literature, A Best Book of the Year
"Dead-End Memories follows several women, each one coming back to her life after a traumatic event. Although you will find heartbreak, ghosts, and betrayal humming in the background of these tales, you will also encounter a great deal of heart and optimism. Don’t we all need that right now? It’s the kind of collection that leaves you a little lighter." —Katie Yee, A Literary Hub Most Anticipated Book of the Year
"Once upon a time, Yoshimoto (born 1964) debuted as one of Japan’s youngest literary phenoms. In the decades since, she continues to produce brilliantly relevant fiction, notable for an open, accessible simplicity that belies revelatory observations about life, love, happiness, and more . . . Her latest collection contains five short stories translated again by Yoneda, who English-enabled Yoshimoto's novel Moshi Moshi (2016). Each tale features women examining significant relationships, and each involves food-related settings—restaurants, cafeterias, a bar—seeming to suggest emotional needs transformed into something achingly physical . . . Bittersweet yet radiant, poignant yet promising, Yoshimoto once again showcases her dazzling appeal." —Booklist (starred review)
"Yoshimoto’s resonant collection centers on women struggling through challenging events. Though the characters in each of the five stories have been struck by bad luck and duplicity, they are intrinsically good-natured and are also greatly influenced by the generational traditions of their forebears . . . Yoshimoto embellishes these gorgeously written gems with sensual descriptions of food and sex, and makes them memorable by showing how the women set themselves free from misfortune via friendship and resilience. This is a gem." —Publishers Weekly (starred review)
"A new short story collection from one of Japan’s most beloved authors features five women seeking peace in the face of uncertainty . . . One of the things that separates Yoshimoto from many contemporary writers is her refusal to linger on her characters’ dark nights of the soul: All her protagonists are ultimately changed irrevocably by kindnesses—from others, from the natural world, from themselves—that lead them on paths toward the light. This, coupled with Yoshimoto’s gentle prose (translated here by Yoneda), makes the collection perfect for readers looking for stories that will leave a sweet taste in their mouths without sacrificing depth or intelligence." —Kirkus Reviews
"Banana Yoshimoto is one of our greatest writers; in Dead-End Memories, she is absolutely at her best. Written with tenderness, complexity, generosity, and warmth, Yoshimoto’s characters are entirely singular, and also a finely wrought reflection of ourselves. This book is masterful––a portrait of the absurdity, brilliance, horror, and love encompassing daily life––and, in her delivery, Yoshimoto is a master." ––Bryan Washington, author of Memorial
“Reading Banana Yoshimoto is like taking a bracing, cleansing bath. These gentle yet formidable stories in Dead-End Memories rinse away the unimportant minutiae of life, leaving behind only the essential.” ––Ling Ma, author of Severance
Praise for Banana Yoshimoto
"Yoshimoto has an effortless ability to penetrate her characters’ hearts." —The New York Times
"Her ability to make everyday events seem romantic is a rare gift." —Harper’s Bazaar
"A sure and lyrical writer . . . Yoshimoto transforms the trite into the essential." —The New Yorker
"A master storyteller . . . The sensuality is subtle, masked, and extraordinarily powerful." —Chicago Tribune
"There is no such thing as a stock character in Yoshimoto’s fiction. She writes utterly without pretense." —The Washington Post
"Her achievements are already legend." —The Boston Globe
03/01/2022
A debut author at 80, Campbell resists stereotyping as she explores the lives and desires of women aged 60 to 90 in Cat Brushing. From public school teacher and NYU MFA graduate Fofana, the eight linked portraits in Stories from The Tenants Downstairs plumb the lives of tenants in the Banneker Homes, a low-income high rise in Harlem threatened by gentrification (150,000-copy first printing). The author of five books of poetry and winner of F. Scott Fitzgerald Short Story and Robert Bausch Fiction awards, combat veteran Glose tells what it was like to fight the "forever" war in All the Ruined Men. First published in Japan in 2003, popular author Yoshimoto's Dead-End Memories limns women making unusual discoveries as they find ways to heal from trauma.
This collection of short stories by Banana Yoshimoto features five women and centers on the common theme of recovery from life-changing events. These include consuming a poisoned curry meant for someone else; encountering the ghosts of a kindly, elderly couple; and finding hope for new romance following a sexual assault. Narrator Kathleen Li matches Yoshimoto's spare, straightforward writing with a performance featuring little in the way of flourishes. Her delivery is as unadorned as the text is as the protagonists pursue peace and, ultimately, happiness. Li does add more vocal variation when narrating sections of dialogue. Overall, Li's cadence is comfortably relaxed, which adds to the unembellished feeling of the audiobook. S.E.G. © AudioFile 2023, Portland, Maine
2022-07-27
A new short story collection from one of Japan’s most beloved authors features five women seeking peace in the face of uncertainty.
All the main characters in Yoshimoto’s newest volume are similar enough that you might find them all at the same neighborhood cafe, dreamily gazing out a window and contemplating the nature of fate or the vastness of the universe. They are young Japanese women, all professionals, who are often forced, by some precipitating event, to reckon with heartache in their pasts or worry in their presents. In the long opening story, “House of Ghosts,” two college friends try to define their relationship over a shared love of food and the presence of two ghosts in the apartment where they gather together. In “ ‘Mama!’ ” Matsuoka, an editor, is the victim of a shocking criminal act at her workplace and in the aftermath must deal with unpleasant childhood memories. In “Tomo-chan’s Happiness,” the titular main character gathers her courage to forge a connection with a co-worker in spite of past traumas that have rendered her passive. The shortest story, “Not Warm at All,” features the narrator, a writer, contemplating the difficult life of her first childhood best friend and what his loss taught her about true humanity. One of the things that separates Yoshimoto from many contemporary writers is her refusal to linger on her characters’ dark nights of the soul: All her protagonists are ultimately changed irrevocably by kindnesses—from others, from the natural world, from themselves—that lead them on paths toward the light. This, coupled with Yoshimoto’s gentle prose (translated here by Yoneda), makes the collection perfect for readers looking for stories that will leave a sweet taste in their mouths without sacrificing depth or intelligence.
An uncommonly warmhearted set of tales.
Product Details
| BN ID: | 2940174980211 |
|---|---|
| Publisher: | HighBridge Company |
| Publication date: | 09/06/2022 |
| Edition description: | Unabridged |
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