Daughters of Eve: A Cultural History of French Theater Women from the Old Regime to the Fin de Siècle

by Lenard R. Berlanstein

Overview

Famous and seductive, female stage performers haunted French public life in the century before and after the Revolution. This pathbreaking study delineates the distinctive place of actresses, dancers, and singers within the French erotic and political imaginations. From the moment they became an unofficial caste of mistresses to France's elite during the reign of Louis XIV, their image fluctuated between emasculating men and delighting them.

Drawing upon newspaper accounts, society columns, theater criticism, government reports, autobiographies, public rituals, and a huge corpus of fiction, Lenard Berlanstein argues that the public image of actresses was shaped by the political climate and ruling ideology; thus they were deified in one era and damned in the next. Tolerated when civil society functioned and demonized when it faltered, they finally passed from notoriety to celebrity with the stabilization of parliamentary life after 1880. Only then could female fans admire them openly, and could the state officially recognize their contributions to national life.

Daughters of Eve is a provocative look at how a culture creates social perceptions and reshuffles collective identities in response to political change.

Product Details

ISBN-13:	9780674020818
Publisher:	Harvard University Press
Publication date:	07/01/2009
Sold by:	Barnes & Noble
Format:	eBook
Pages:	314
File size:	7 MB

About the Author

Lenard R. Berlanstein is Professor of History at the University of Virginia.

Table of Contents

Contents Acknowledgments Introduction 1. Setting the Scene 2. Theater Women and Aristocratic Libertinism, 1715–1789 3. Defining the Modern Gender Order, 1760–1815 4. Magdalenes of Postaristocratic France, 1815–1848 5. The Erotic Culture of the Stage 6. The Struggle against Pornocracy, 1848–1880 7. Imagining Republican Actresses, 1880–1914 8. Performing a Self 9. From Notorious Women to Intimate Strangers Conclusion Notes Index

What People are Saying About This

Berlanstein makes a fundamental contribution to gender studies, while also offering original perspectives on nineteenth-century French political culture and the contested position of 'exceptional women' within it. He demonstrates in a particularly compelling way the potential in gender studies for reinterpreting relationships of power in public life. This is a major work.

Sarah Maza

Berlanstein introduces readers to some of the most famous and fascinating women in French history, while offering a provocative thesis about the meaning of their very public lives. From the age of Mademoiselle Clairon in the eighteenth century to that of Madame Bernhardt in the early twentieth, commentators projected onto the celebrated actresses all of the tensions of a rapidly changing society. This book offers, along with an abundance of vivid detail, a model of how historians can combine gender history with the social history of women.

— Sarah Maza, Northwestern University

Philip J. Nord

Berlanstein's book is a wonderful and lively evocation of Paris theater life across two centuries. But more than that, it tracks how the French public imagined and dealt with powerful women. A rich array of issues is dealt with along the way: the professionalization of acting, the rise of celebrity culture, and, not least of all, women's sell-fashioning in a public realm not of their making.

— Philip J. Nord, Princeton University

Jo Burr Marcadant

Berlanstein makes a fundamental contribution to gender studies, while also offering original perspectives on nineteenth-century French political culture and the contested position of 'exceptional women' within it. He demonstrates in a particularly compelling way the potential in gender studies for reinterpreting relationships of power in public life. This is a major work.

— Jo Burr Marcadant, Editor Of The New Biography: Perforating Femininity in Nineteenth--Century France

Robert A. Nye

Berlanstein's innovative and deeply engaging study reveals the surprising ways in which French theatrical women are good for thinking about power, politics, and gender in modern French history. It is a delightful bonus that a book which so insightfully problematizes our understanding of the history of gender in French society is so much fun to read.
— Robert A. Nye, Author Of Masculinity and Male Codes of Honor in Modern France

Editorial Reviews

Students of French literature and culture will welcome this study of female performers, women who historically achieved great prominence because of their sexuality and public presence. Yet this is much more than simply a descriptive history. Berlanstein (history, Univ. of Virginia) puts theater women into the context of the evolving French debate over the role of women in the public sphere. Using a variety of sources newspapers, official reports, public rituals, and works of fiction he argues that the popular perception and cultural representation of such women followed a "complicated trajectory." When confidence in men's potential for self-governance was low (as in the 18th century), public women such as actresses were perceived as dangerous and threatening; whereas when confidence was high (1815-48), the public was more tolerant and accepting of female exceptionalism. In the Third Republic, actresses were honored for their contributions to French culture, a development that paralleled the public acceptance of an enlarged role for women by the turn of the century. This fascinating new work is an important addition to the scholarship on French gender history. Recommended for specialists in French history and culture. Marie Marmo Mullaney, Caldwell Coll., NJ Copyright 2001 Cahners Business Information.

Library Journal

Berlanstein's book is a wonderful and lively evocation of Paris theater life across two centuries. But more than that, it tracks how the French public imagined and dealt with powerful women. A rich array of issues is dealt with along the way: the professionalization of acting, the rise of celebrity culture, and, not least of all, women's sell-fashioning in a public realm not of their making.

Philip J. Nord

Berlanstein makes a fundamental contribution to gender studies, while also offering original perspectives on nineteenth-century French political culture and the contested position of 'exceptional women' within it. He demonstrates in a particularly compelling way the potential in gender studies for reinterpreting relationships of power in public life. This is a major work.

Jo Burr Marcadant

Berlanstein's innovative and deeply engaging study reveals the surprising ways in which French theatrical women are good for thinking about power, politics, and gender in modern French history. It is a delightful bonus that a book which so insightfully problematizes our understanding of the history of gender in French society is so much fun to read.

Robert A. Nye

Berlanstein introduces readers to some of the most famous and fascinating women in French history, while offering a provocative thesis about the meaning of their very public lives. From the age of Mademoiselle Clairon in the eighteenth century to that of Madame Bernhardt in the early twentieth, commentators projected onto the celebrated actresses all of the tensions of a rapidly changing society. This book offers, along with an abundance of vivid detail, a model of how historians can combine gender history with the social history of women.

Sarah Maza