Dark Water Rising

by Marian Hale Narrated by Stephen Hoye

Overview

You'd think every dang person from Lampasas to Houston wanted to go to Galveston this hot August day. Everyone but Seth.

Galveston, Texas, may be the booming city of the brand-new twentieth century, filled with opportunites for all, but to Seth it is the end of a dream. He longs to be a carpenter like his father, yet Papa has moved the family to Galveston so that Seth can become a doctor. Still, the last few weeks of summer might not be so bad. Seth has landed his first real job as a builder, and there's that girl across the street, the one with the sun-bright hair. Things seem to be looking up . . . until a storm warning is raised one sweltering afternoon.

They say a north wind always brings change, but no one could ever have imagined this. Set during the Galveston Storm of 1900, this is an unforgettable story of survival in the face of natural disaster.

Editorial Reviews

School Library Journal

Gr 6 Up-Seth's family has just moved to Galveston, TX, and the 17-year-old is discontented with his life. His mother makes him look after his little sister, his younger brothers are completely annoying, and his father wants him to go to college rather than let him follow his dream of being a carpenter. Still, things get off to a pretty good start. His uncle finds him a summer job as a carpenter's helper, he meets a girl he likes, and Galveston is a fun place to live. However, on September 8, 1900, everything changes when a deadly storm devastates the area. This coming-of-age story describes how Seth struggles to reach safety, works for his own survival and that of others, and comes to terms with change and loss. Readers feel his concern over his loved ones during the horrifying hours when no one knows who has survived. Through his eyes, they see the destruction caused by one of the worst storms in U.S. history. Hale has captured well the essence of this natural disaster by using numerous personal accounts and journals and molding them into Seth's narrative. Fact and fiction are blended effortlessly together in an exciting read that leaves readers with a sense of hope. An author's note includes photos of the hurricane's aftermath.-Janet Hilbun, Texas Woman's University, Denton Copyright 2006 Reed Business Information.

Kirkus Reviews

In 1900, Seth Braeden's father moves his family to Galveston, Texas, "the New York City of Texas," with a booming economy perfect for a master carpenter intent on starting a new business. A master of her craft as well, Hale does a superb job of building the story, describing the architectural and natural beauties of the island city on the Gulf, then bringing on the deadly Galveston Storm of 1900, in which over 8,000 people were killed and 3,600 homes and businesses destroyed. Though as exciting as the best action and disaster movies, it's also a tale of friendships in unexpected places, the strength and courage of families and one boy's learning to walk in his father's shoes. Based on research and survivors' accounts, the novel's many historical details are nicely woven into the story, and a fascinating author's note details the rebuilding of the town. Exciting, tear jerking, and life affirming, this is historical fiction at is best. A good match with Hale's own The Truth About Sparrows (2004) and excellent context for discussions of Hurricane Katrina. (Historical fiction. 10+)

From the Publisher

As exciting as the best action and disaster movies. . . . Exciting, tear jerking, and life affirming, this is historical fiction at its best.” —Kirkus Reviews, Starred Review

“This fine example of historical fiction has something for almost everyone.” —Booklist, Starred Review

“Fact and fiction are blended effortlessly together in an exciting read that leaves readers with a sense of hope.” —School Library Journal

APR/MAY 08 - AudioFile

Marian Hale brings to life the devastating hurricane that virtually obliterated Galveston, Texas, in 1900. Stephen Hoye is the voice of 17-year-old Seth, who arrives in Galveston with his family in late August just before the storm. One of Hoye's gifts is his ability to give voice to boys growing into manhood, who are searching for their own identities as they yearn to be accepted as adults in their families. Hoye conveys the frustration of an eldest son feeling put-upon when called to care for his younger sibling, the shyness of his "first love," and the unbelievable devastation of the storm of the century, which he witnesses. While recommended for older children, this story will hold the interest of listeners of any age. N.E.M. © AudioFile 2008, Portland, Maine

Product Details

BN ID:	2940169146233
Publisher:	Penguin Random House
Publication date:	12/26/2007
Edition description:	Unabridged
Age Range:	10 - 13 Years

Read an Excerpt

Chapter 9

I took Broadway to work Saturday morning. The north wind remained brisk, and the dawn sky took on a mother-of-pearl iridescence unlike anything I'd ever seen before. I stumbled more than a few times, foolishly staring at the sky instead of watching where I was going.

I turned south toward the construction site and soon found tide water over the tops of my shoes. Startled, I searched the faces around me but didn't see a flicker of concern. People still walked to work, trolleys ran, and horses pulled loaded delivery wagons same as always, splashing through the light overflow. I glanced down the street to the gulf where great waves broke on the beach, sending showers of white spray into the air. Storms and overflows might be a normal occurrence around here, but I wasn't sure I'd ever get used to it. It made me feel like the whole island was sinking into the sea.

When I got to work, Mr. Farrell was already there, standing on the fourth house gallery, looking out over the beach. I climbed up beside him, and he pointed toward the streetcar trestle strung across the surf. Swells crashed against pilings and across rails, hurling plumes of white spray as high as telephone poles. Further down, spent waves had already reached the Midway. Fingers of foam raced around the ramshackle restaurants and shops as if searching for something to drag back into the sea.

We watched till everyone arrived, then Mr. Farrell put us to trimming doors and windows inside the first two houses. Concentrating on work wasn't easy, though. Even Zach had a hard time with such a spectacle going on outside.

Streets and yards around us filled with rain and tidewater, but still, people trickled in from trolleys, buggies, and on foot. Men in suits, dressed for work, and women gripping the hands of children gathered to see a sight as grand as fireworks on the Fourth of July.

As the morning wore on, the storm increased, and so did the crowds. Streetcars stopped three blocks short of the beach, no longer venturing out over the wild surf, and still people braved the rising water to see the show. Some of them even wore their bathing suits.

Skies darkened. Wind stripped umbrellas inside out and blew hats tumbling toward the surf. A driving rain soaked sightseers' backs and peppered the north side of the house where I'd been working, striking like pebbles against windows and siding.

I heard cries as waves picked up the two-wheeled, portable bathhouses and flung them into the row of flimsy buildings that made up the Midway, showering brightly painted pieces of wood over the roofs. Further down, swells rolled in, one upon the other, exploding against creosoted pilings under the Pagoda and slamming against floor joists with such force I could feel the gallery railing shudder beneath my hands.

Mr. Farrell shouted from the house next to us. "Looks like it might get worse before it gets better. You boys best get on home."

Zach nodded and waved. We dropped our tools inside the unfinished parlor and headed out into the rain.

"You live pretty far out, don't you, Seth?" Zach asked. "You're welcome to come wait out the storm with us if you want."

I shook my head. "Thanks, but I'll feel better knowing that things are okay at home."

"I guess I would, too." He held up a hand. "Monday morning, then."

I nodded. "I'll be here."

We all struck out in almost knee-deep water, headed toward higher ground—Zach with Frank and Charlie, and Henry with Mr. Farrell. Josiah and I trudged behind them but stopped when we heard excited yells behind us. We turned in time to see the Midway buildings lift on the waves and crash to the ground like kindling. Josiah gave me a stunned look as debris washed toward the shocked crowds. Many people turned to leave, but some stayed on, their faces lit with excitement.

"Let's go," I yelled over the sound of the surf. Josiah nodded, and we bent our heads into the rain, wading toward the higher ground on Broadway where I hoped we'd have an easier time of getting home.

Rising water and high curbs had turned the south streets into rushing, brown rivers, but buggies and drays still moved along them as if overflows were a daily occurrence. Kids floated by on homemade rafts or paddled along in washtubs, bumping into broken tree limbs and odd bits of bobbing lumber. They laughed while wet hair whipped around their faces.

Everywhere I looked I saw tiny green frogs, thousands of them, covering floating debris, sitting on fence posts and porches, and even riding astride a horse's back.

We waded out of the water just one block shy of Broadway and made our way west toward Thirty-Fifth Street. It wasn't long before I saw whole families struggling in from the beach roads just like we had, leaving their homes for higher ground. They carried clothing, food, and framed photographs, and ahead of them, they pushed muddy kids hugging kittens and puppies to their chests.

"The bay and the gulf have joined!" one of them yelled, pointing to the street.

I looked and saw water rushing in from Galveston Bay on one side and from the gulf on the other. The two seas met in the middle of Broadway, swirling over the wooden paving blocks, and I couldn't help but shudder at the sight. All of Galveston appeared to be under water.

When we reached Twenty-Fourth Street, I looked south toward the gulf, trying to keep an eye on the stalking sea. Wild waves rose up like a great hand and wrenched loose the Pagoda's long staircase, sending planks tumbling through the air. With horror I watched the end of one twin building sway and dip into the surf.

I yelled at Josiah, but my words disappeared on the wind. I grabbed his arm, pointed, and we stood together, shoulder to shoulder, mouths gaping, watching the impossible.

Like a wounded Goliath, the great bathhouse shuddered, folded in on its long legs, and collapsed into the sea.

Copyright © 2006 Marian Hale

This text is from an uncorrected proof

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