In this electric sequel to Grave Mercy, LaFevers tells the story of another 15th-century “handmaiden to Death” from the convent of St. Mortain, Lady Sybella. Raised in terror by her father, the monstrous nobleman D’Albret, Sybella was barely sane when she entered the convent. Years later, still filled with rage, she has returned home to spy on the traitorous D’Albret and foil his attempt to kidnap and forcibly marry his liege, the young Duchess of Brittany. Sybella must navigate a complex web of political subterfuge, violence, and self-hatred to stay alive, while secretly assassinating those traitors whom the god Mortain has “marqued” for death (“When I see a dark shadow covering his chest, my heart soars. He is marqued! This makes everything so much simpler”). Ordered to save the life of the ugly Beast of Waroch, a knight loyal to the duchess, Sybella soon ends up on the run from her father’s vengeance. Brimming with powerful emotions, thrilling sword fights, and accurate period detail, this tightly plotted tale will enthrall readers of romantic historical fantasy. Ages 14–up. Agent: Erin Murphy, Erin Murphy Literary Agency. (Apr.)
![Dark Triumph](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.12.6)
Dark Triumph
Narrated by Angela Goethals
Robin LaFeversUnabridged — 13 hours, 36 minutes
![Dark Triumph](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.12.6)
Dark Triumph
Narrated by Angela Goethals
Robin LaFeversUnabridged — 13 hours, 36 minutes
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Overview
Editorial Reviews
* "LaFevers is that wonderful sort of storyteller who so completely meshes events, descriptions, and characters that readers get lost in the world she's concocted. It's a place where history mingles with mystery and love is never expected."
—Booklist, starred review
* "The prose's beauty inspires immediate re-reads of many a sentence, but its forward momentum is irresistible. An intricate, masterful page-turner about politics, treachery, religion, love and healing."
—Kirkus, starred review
* "Brimming with powerful emotions, thrilling sword fights, and accurate period detail, this tightly plotted tale will enthrall readers of romantic historical fantasy."
—Publishers Weekly, starred review
"Personal where Grave Mercy was political and comprehensive, this story focuses tightly on Sybella as she seeks vengeance upon the many men who have wronged her. . . . Her romantic relationship with the imprisoned warrior unfolds with a sweet tenderness that romance fans will relish."
—Bulletin of the Center for Children's Books
"Romantic fantasy with a vengence. . . LaFevers offers a pungent mix of inner torment, costume drama, and dagger-, sword-, poison-, and garrote-play."
—Horn Book
"An expertly crafted novel, with deep characters and an interesting plot that is, at the same time, fantastic, yet realistic. LaFevers has agazin used great artistry to create an excellent tale for both young adult and adult audiences."
—VOYA, 4Q 4P S
* "As with the first book, LaFevers has filled the pages of her novel with adventure, and the pace is electrifyingly fast. The characters are well drawn, and even the secondary figures have dimension. Sybella's quick-thinking and fearless approach to terrifying personal and political situations renders her an incredibly strong protagonist with whom readers will identify."
—School Library Journal, starred review —
Gr 9 Up—In this sequel to Grave Mercy (Houghton Harcourt, 2012), Sybella leaves the convent where she has learned her assassin's skills and returns to Brittany, where she must endure her father's unspeakable cruelty and the incestuous love of her half brother. Determined to undermine D'Albret at every turn and stay loyal to Duchess Anne, she carries out covert operations and looks for opportunities to use her skills and bring evildoers to justice. She helps to foil a plot to capture Anne and frees the Beast of Waroch, the duchess's most loyal and fierce champion, from D'Albret's prison, all the while waiting for an opening to kill her father. When the knight knocks her out and takes her along with him, her cover is blown and she despairs that no one will be able to stop D'Albret's reign of terror. As with the first book, LaFevers has filled the pages of her novel with adventure, and the pace is electrifyingly fast. The characters are well drawn, and even the secondary figures have dimension. Sybella's quick-thinking and fearless approach to terrifying personal and political situations renders her an incredibly strong protagonist with whom readers will identify. The love that develops between her and Beast provides a model of a healthy relationship built on mutual trust and understanding. Realistic details of 15th-century Breton life abound, providing an overall clear and accurate picture of the times. There is much talk about St. Mortain as the Lord of Death, which some may find disturbing, but these topics are handled well and the story will leave readers eager for the series' finale.—Nancy Menaldi-Scanlan, formerly at LaSalle Academy, Providence, RI
An assassin with a will of steel fights her way through deadly palace deceptions, sickening sexual servitude and baffling assignments from her convent, becoming a major player in Brittany's 15th-century resistance of French occupation. Readers last glimpsed Sybella through Ismae's eyes (Grave Mercy, 2012), serving in the entourage of d'Albret, a bloodthirsty Breton noble. Unknown to Ismae, Sybella is d'Albret's daughter, raised in a household in which her kindest brother demanded sex from her and their father murdered wife after wife. Now Sybella's a trained assassin, serving Mortain, the god of Death. In a castle that d'Albret stole from Brittany's steadfast 13-year-old duchess, Sybella waits to see a marque on d'Albret's body so she can kill him with Mortain's grace. Living there requires a soul-breaking dance of flirtation and survival, and she is never safe. Is Mortain her real father, and has he rejected her? When an unexpected assignment arrives--a rescue, shockingly, not an assassination--it requires all of Sybella's physical and emotional strength and stealth, plus the use of her sterling assassin skills in active battle. LaFevers weaves the "crazed, tangled web" of Sybella's life (including her tortured past) with force, suspense and subtle tenderness. The prose's beauty inspires immediate re-reads of many a sentence, but its forward momentum is irresistible. An intricate, masterful page-turner about politics, treachery, religion, love and healing. (map, list of characters, author's note) (Historical fantasy. 14 & up)
Product Details
BN ID: | 2940171113612 |
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Publisher: | Recorded Books, LLC |
Publication date: | 05/10/2013 |
Series: | His Fair Assassin Series , #2 |
Edition description: | Unabridged |
Read an Excerpt
Chapter One
Nantes, Brittany 1489
I did not arrive at the convent of Saint Mortain some green stripling. By the time I was sent there, my death count numbered three, and I had had two lovers besides. Even so, there were some things they were able to teach me: Sister Serafina the art of poison, Sister Thomine how to wield a blade, and Sister Arnette where best to strike with it, laying out all the vulnerable points on a mans body like an astronomer charting the stars.
If only they had taught me how to watch innocents die as well as they taught me how to kill, I would be far better prepared for this nightmare into which Ive been thrust.
I pause at the foot of the winding steps to see if I am being watched. The scullery woman scrubbing the marble hall, the sleepy page dozing against the doorwayeither one of them could be a spy. Even if neither has been assigned to watch me, someone is always willing to tattle in the hopes of earning a few crumbs of favor.
Caution prevails and I decide to use the south stairs and then double back through the lower hall to approach the north tower from that side. I am very careful to step precisely where the maid has just washed, and I hear her mutter a curse under her breath. Good. Now I can be certain she has seen me and will not forget if she is questioned.
In the lower hall, there are few servants about. Those who have not been driven out are busy with their duties or have gone to ground like clever, prudent rats.
When at last I reach the north wing of the palace, it is empty. Quickening my pace, I hurry toward the north tower, but I am so busy looking behind me that I nearly stumble over a small figure sitting at the base of the stairs.
I bite back an oath of annoyance and glare down to see it is a child. A young girl. What are you doing here? I snap. My nerves are already tightly strung, and this new worry does them little good. Where is your mother?
The girl looks up at me with eyes like damp violets, and true fear clutches at my gut. Has no one thought to warn her how dangerous it is for a pretty child to wander these halls alone? I want to reach down and shake hershake her motherand shout at her that she is not safe here, not on these steps, not in this castle. I force myself to take a deep breath instead.
Mama is dead, the child says, her voice high and quivery.
I glance to the stairs, where my first duty lies, but I cannot leave this child here. What is your name?
Odette, she says, uncertain whether to be frightened of me or not.
Well, Odette, this is no place to play. I nearly stepped on you. Have you no one to look after you?
My sister. But when she is working, I am to hide like a little mouse.
At least her sister is no fool. But this is not a good place to hide, is it? Look how easily I found you!
For the first time, the girl gives me a shy smile, and in that moment, she reminds me so much of my youngest sister, Louise, that I cannot breathe. Thinking quickly, I take her hand and lead her back to the main hallway.
Hurry, hurry, hurry nips at my heels like a braying hound.
See that door? She nods, watching me uncertainly. Go through that door, then down the stairs. The chapel is there, and it is a most excellent hiding place. And since dAlbret and his men never visit the chapel, she will be safe enough. Who is your sister?
Tilde.
Very well. I will tell Tilde where you are so she may come and get you when her work is done.
Thank you, Odette says, then skips off down the hall. I long to escort her there myself, but I already risk being too late for what I must do.
I turn back around and take the stairs two at a time. The thick wooden door on the landing has a new latch, stiff with disuse. I lift it slowly to be certain it will not creak out an alarm.
As I step into the cold winter sunshine, a bitter wind whips at my hair, tearing it from the net that holds it in place. All my caution has cost me precious time, and I pray that I have not been brought up here only to see those I love slaughtered.
I hurry to the crenellated wall and look down into the field below. A small party of mounted knights waits patiently while an even smaller party confers with that braying ass Marshal Rieux. I recognize the duchess immediately, her dainty figure poised on her gray palfrey. She looks impossibly small, far too small to carry the fate of our kingdom on her slender shoulders. That she has managed to hold off a French invasion for this long is impressive; that she has done so in spite of being betrayed by a full half of her councilors is close to a miracle.
Behind her and to the right is Ismae, sister of my heart and, possibly, my blood, if what the nuns at the convent told us is true. My pulse begins to race, but whether in joy that I am not too late or in panic at what I know is coming, I cannot tell.
Keeping my gaze fixed on Ismae, I gather up all my fear and dread and hurl them at her, like stones in a catapult.
She does not so much as glance in my direction.
From deep in the bowels of the castle, off toward the east, comes a faint rumble as the portcullis is raised. This time when I cast my warning, I fling my arms out as well, as if I am shooing away a flock of ducks. I hopepraythat some bond still exists between us that will allow her to sense me.
But her eyes remain fixed on the duchess in front of her, and I nearly scream in frustration. Flee, my mind cries. It is a trap. Then, just as I fear I must throw myself from the battlements to gain her attention, Ismae looks up. Flee, I beg, then sweep my arms out once more.
It works. She looks away from me to the eastern gate, then turns to shout something to the soldier next to her, and I grow limp with relief.
The small party on the field springs to life, shouting orders and calling to one another. Ismae points again, this time to the west. Good. She has seen the second arm of the trap. Now I must only hope that my warning has not come too late.
Once Marshal Rieux and his men realize what is happening, they wheel their mounts around and gallop back to the city. The duchess and her party move to fall into a new formation but have not yet left the field.
Flee! The word beats frantically against my breast, but I dare not utter it, afraid that even though I stand on this isolated tower someone from the castle might hear. I lean forward, gripping the cold, rough stone of the battlements so hard that it bites into my gloveless fingers.
The first line of dAlbrets troops rides into my sight, my half brother ierre in the vanguard. Then, just when I am certain it is too late, the duchesss party splits in two, and a paltry dozen of the duchesss men turn their mounts to meet the coming onslaught. Twelve against two hundred. Hollow laughter at the futility of their actions escapes my throat but is snatched up by the wind before anyone can hear it.
As the duchess and two others gallop away, Ismae hesitates. I bite my lip to keep from shouting. She cannot think she can help the doomed knights? Their cause is hopeless, and not even our skills can help the twelve who so valiantly ride to their deaths.
Flee. This time I do utter the word aloud, but just like my laughter, it is caught up by the cold, bitter wind and carried high above, where no one can hear it. Not the one it is meant to warn, nor those who would punish me for the betrayal.
But perhaps something has carried my warning to Ismae all the same, for she finally wheels her mount around and gallops after the duchess. The iron band squeezing my lungs eases somewhat, for while it is hard enough to watch these men meet their deaths, I could not bear to watch Ismae die.
Or worse, be captured.
If that happened, I would kill her myself rather than leave her to dAlbret, for he will grant her no mercy. Not after she ruined his plans in Gurande and nearly gutted him like a fish. He has had many days to hone his vengeance to a razor-sharp edge.
It is folly for me to linger. I should leave now while there is no chance of being discovered, but I cannot turn away. Like the rushing water of a swollen river, dAlbrets forces swarm the duchesss guard. The resounding clash is like thunder as armor crashes into armor, pikes break through shields, and swords meet.
I am astounded at the ferocity of the duchesss men. They all fight as if they are all possessed by the spirit of Saint Camulos himself, slashing through their attackers much as farmers scythe through stalks of grain. By some miracle, they hold the oncoming line, and their efforts delay dAlbrets forces long enough for the duchesss party to reach the safety of the trees. DAlbrets greater number of men will be less of an advantage if they all must duck and dodge branches and bracken.
From the east, a trumpet sounds. I frown and look that way, fearing dAlbret has thought to arrange for a third mounted force. But no, the black and white banner of the Rennes garrison stands in stark relief against the crisp blue sky as an additional dozen men ride into the melee. When the duchess and the others finally disappear over the horizon, I allow myself to draw my first full breath.
But even with the infusion of new troops, it is a crushing defeat. The duchesss guards have no chance, not against so many. My hand itches for a weapon, but the knives I carry will do no good from this distance. A crossbow would work, but they are nigh unto impossible to conceal, and so I watch helplessly.
DAlbret had only ever planned for a trapa quick in-and-out, thrust and parry, and then return with the prize. Once he realizes the quarry has escaped and he no longer has the element of surprise, he gives the signal for his soldiers to fall back behind the castle walls. Better to cut his losses than waste any more men in this failed gambit.
The battle below is nearly over. Only one soldier continues to fight, a great big ox of a man who doesnt have the sense to die quickly like the others. His helm has been knocked from his head, and three arrows pierce his armor, which is dented in a dozen places. His chain mail is torn, and the cuts beneath it bleed profusely, but still he fights with a nearly inhuman strength, stumbling ever forward into the mass of his enemies. It is all right, I long to tell him. Your young duchess is safe. You may die in peace, and then you will be safe as well.
His head jerks up from the blow he has just taken, and across the distance our eyes meet. I wonder what color they are and how quickly they will film over once Death claims him.
Then one of dAlbrets men lunges forward and cuts the knights horse out from under him. A long, despairing bellow escapes him as he goes down, and like ants swarming a scrap of meat, his enemies are upon him. The mans death cry reaches all the way up to the tower and wraps itself around my heart, calling for me to join it.
A fierce wave of longing surges through me, and I am jealous of that knight and the oblivion that claims him. He is free now, just like the gathering vultures who circle overhead. How easily they come and go, how far above danger they fly. I am not sure I can return to my own cage, a cage built of lies and suspicions and fear. A cage so full of darkness and shadow it may as well be death.
I lean forward, pushing my body out past the battlements. The wind plucks at my cloak, buffets me, as if it would carry me off in flight, just like the birds or the knights soul. Let go, it cries. I will take you far, far away. I want to laugh at the exhilarating feeling. I will catch you, it whistles seductively.
Would it hurt? I wonder, staring down at the jagged rocks below. Would I feel the moment of my landing? I close my eyes and imagine hurtling through space, rushing down, down, down, to my death.
Would it even work? At the convent, the sisters of Mortain were as stingy with their knowledge of our deathly skills and abilities as a miser is with his coin. I do not fully understand all the powers Death has bestowed upon me. Besides, Death has already rejected me twice. What if He did so a third time and I had to spend the rest of my life broken and helpless, forever at the mercy of those around me? That thought has me shuddering violently, and I take a step away from the wall.
Sybella?
Fresh panic flares in my breast, and my hand reaches for the cross nestled among the folds of my skirt, for it is no ordinary crucifix but a cunningly disguised knife designed for me by the convent. Even as I turn around, I widen my eyes as if excited and curve the corners of my mouth up in a brazen smile.
Julian stands in the doorway. What are you doing out here? he asks.
I let my eyes sparkle with pleasureas if Im glad to see him rather than dismayedthen turn back around to the battlement to compose myself. I shove all my true thoughts and feelings deep inside, for while Julian is the kindest of them all, he is no fool. And he has always been skilled at reading me. Watching the rout. I am careful to make my voice purr with excitement. At least he did not find me until after I warned Ismae.
He joins me at the wall, so close that our elbows touch, and casts me a look of wry admiration. You wanted to watch?
I roll my eyes in disdain. It matters not. The bird slipped the net.
Julian tears his gaze away from me and looks out onto the field for the first time. The duchess got away?
Im afraid so.
He glances quickly back at me, but I keep the look of contempt plastered to my face like a shield. He will not be happy, Julian says.
No, he will not. And the rest of us will pay the price. I look at him as if just now noticing he is not dressed for battle. Why are you not on the field with the others?
I was ordered to stay behind.
A brief spasm of fear clutches my heart. Is dAlbret having me watched so very closely, then?
Julian offers me his arm. We need to get back to the hall before he does.
I dimple at him and cozy up to his arm, letting it almost but not quite brush against my breast. It is the one power I have over himdoling out favors just often enough that he does not need to grab for them.
As we reach the tower door, Julian glances back over his shoulder at the battlement then turns his unreadable gaze on me. I will not tell anyone that you were up here, he says.
I shrug, as if it is of no difference to me. Even so, I fear he will make me pay for this kindness of his.
Already I regret not jumping while I had the chance.
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