Dark Fear, Eerie Cities: New Hindi Cinema in Neoliberal India

by %Sarunas Paunksnis

Overview

Dark Fear, Eerie Cities analyzes a film form that began to emerge in Hindi cinema in early 21st century - a form that is marked by realism, by focusing on urban life and culture of the new middle class, as well as pessimism, violence, fear and the presence of the 'other' in many forms. The author locates new cinematic developments in a much broader context of sociocultural change in contemporary India, and traces the roots of imagining India 'darkly'. The book looks at the new Hindi cinema from different angles and through analysis of crime thrillers and horror films aims to answer some fundamental questions, Why is there so much of pessimism?; What impact does neoliberalism have on the city and cinematic representations?; Why does the darkness, actual and metaphorical, proliferate?; What haunts the city, and why?; Why is the city so dark and eerie?; And what is the relationship between fear and violence on screen and the actual "dark side" of urban life, crime, insecurity one may feel while living in a metropolis, physical insecurity as well as a psychological, one of competition, a desire to succeed and to belong to 'global India'.

Product Details

ISBN-13:	9780199493180
Publisher:	Oxford University Press
Publication date:	08/27/2019
Pages:	152
Product dimensions:	8.70(w) x 5.60(h) x 0.70(d)

About the Author

Sarunas Paunksnis, Associate Professor, Department of Philosophy, Kaunas University of Technology in Kaunas, Lithuania

Sarunas Paunksnis teaches Philosophy at Kaunas University of Technology in Kaunas, Lithuania. His main research areas include but are not limited to Indian cinema, media philosophy, postcolonial theory, globalization and cultural theory. He has recently edited a book titled, Dislocating Globality: Deterritorialization, Difference and Resistance (Brill, 2016).

Table of Contents

AcknowledgementIntroduction 1. Understanding Cinematic Tranformations and Neoliberal Culture in India2. Objects in the Mirror are Closer Than They Appear: Imagination and the Other3. Haunting and Uncanny Cities of Neoliberal India4. Film Noir and the Dark Spaces of New Hindi Cinema5. Screening Masculine Anxiety: Men, Women, and ViolenceBibliographyIndexAbout the Author