Dancing Revelations: Alvin Ailey's Embodiment of African American Culture
In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations, Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He not only charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century. DeFrantz examines the most celebrated Ailey dances, including Revelations, drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the relationship between Ailey's works and African American culture as a whole. He illuminates the dual achievement of Ailey as an artist and as an arts activist committed to developing an African American presence in dance. He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution. Throughout Dancing Revelations, DeFrantz illustrates how Ailey combined elements of African dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. By re-interpreting these tropes of black culture in his original and well-received dances, DeFrantz argues that Ailey played a significant role in defining the African American cultural canon in the twentieth century. As the first book to examine the cultural sources and cultural impact of Ailey's work, Dancing Revelations is an important contribution to modern dance history and criticism as well as African-American studies.
"1101396176"
Dancing Revelations: Alvin Ailey's Embodiment of African American Culture
In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations, Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He not only charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century. DeFrantz examines the most celebrated Ailey dances, including Revelations, drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the relationship between Ailey's works and African American culture as a whole. He illuminates the dual achievement of Ailey as an artist and as an arts activist committed to developing an African American presence in dance. He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution. Throughout Dancing Revelations, DeFrantz illustrates how Ailey combined elements of African dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. By re-interpreting these tropes of black culture in his original and well-received dances, DeFrantz argues that Ailey played a significant role in defining the African American cultural canon in the twentieth century. As the first book to examine the cultural sources and cultural impact of Ailey's work, Dancing Revelations is an important contribution to modern dance history and criticism as well as African-American studies.
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Dancing Revelations: Alvin Ailey's Embodiment of African American Culture

Dancing Revelations: Alvin Ailey's Embodiment of African American Culture

by Thomas F. DeFrantz
Dancing Revelations: Alvin Ailey's Embodiment of African American Culture

Dancing Revelations: Alvin Ailey's Embodiment of African American Culture

by Thomas F. DeFrantz

eBook

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Overview

In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations, Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He not only charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century. DeFrantz examines the most celebrated Ailey dances, including Revelations, drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the relationship between Ailey's works and African American culture as a whole. He illuminates the dual achievement of Ailey as an artist and as an arts activist committed to developing an African American presence in dance. He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution. Throughout Dancing Revelations, DeFrantz illustrates how Ailey combined elements of African dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. By re-interpreting these tropes of black culture in his original and well-received dances, DeFrantz argues that Ailey played a significant role in defining the African American cultural canon in the twentieth century. As the first book to examine the cultural sources and cultural impact of Ailey's work, Dancing Revelations is an important contribution to modern dance history and criticism as well as African-American studies.

Product Details

ISBN-13: 9780199882434
Publisher: Oxford University Press
Publication date: 01/15/2004
Sold by: Barnes & Noble
Format: eBook
File size: 5 MB

About the Author

Thomas DeFrantz earned degrees from Yale, the City University of New York, and the Performance Studies Department of New York University. He organized the dance history program at the Ailey School, and is editor of Dancing Many Drums: Excavations in African American Dance. His writings have appeared in the Encyclopedia of African American Culture and History, and the Village Voice. Also a performer and choreographer, DeFrantz has taught at NYU and Stanford University. He is currently Associate Professor of Theater Arts at the Massachusetts Institute of Technology.

Table of Contents

Introductionxi
1Revelations 19623
Why Revelations Worked14
Break: Black Modernism19
Situating Revelations in African American Cultural Life23
2Early Dances26
Ailey's Childhood: Race Matters27
Break: Unquenchable Racial Desire35
Blues Suite38
Ailey's Early Dances44
Hermit Songs46
3Early Company51
Early Years in New York54
Early Residencies57
Southeast Asia Tour60
Break: "Official" African American Culture69
Riedaiglia73
4Revelations II: 196975
Break: Versioning82
Multiracial Concert Dance85
Revelations 197589
5Touring, Touring, Touring93
Quintet94
Swelling Popularity99
Break: Jazz Dance101
Flowers104
The Popular Audience108
Break: No Exit from Racism112
6Reflecting a Spectrum of Experience115
Masekela Language117
The Lark Ascending127
Hidden Rites130
7Other Dances136
Feast of Ashes137
Break: Black Dancer, White Dance145
The River148
8Ailey Celebrates Ellington160
The Ellington Connection161
Break: Heroes167
Ailey Celebrates Ellington171
Pas de "Duke"174
Ellingtonia177
9Gender and Spectatorship180
Cry182
Love Songs185
Masked Spectatorship: Ailey's Representation of Sexuality188
Break: Sex189
Streams192
Break: Black Atlantic Dance197
10Later Dances200
Memoria205
Au Bord du Precipice213
Survivors223
Break: Alvin Ailey, Public and Private229
11Concluding Moves232
The Ailey after Ailey235
Revelations 2003236
AppendixChoreography241
Notes257
Bibliography275
Index289
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