Dance for Export: Cultural Diplomacy and the Cold War / Edition 1

by Naima Prevots

Overview

A little-known episode in the history of dance that illuminates the broader subject of cultural policy during the Cold War era.

At the height of the Cold War in 1954, President Eisenhower inaugurated a program of cultural exchange that sent American dancers and other artists to political "hot spots" overseas. This peacetime gambit by a warrior hero was a resounding success.

Among the artists chosen for international duty were José Limón, who led his company on the first government-sponsored tour of South America; Martha Graham, whose famed ensemble crisscrossed southeast Asia; Alvin Ailey, whose company brought audiences to their feet throughout the South Pacific; and George Balanchine, whose New York City Ballet crowned its triumphant visits to Western Europe and Japan with an epoch-making tour of the Soviet Union in 1962. The success of Eisenhower's program of cultural export led directly to the creation of the National Endowment for the Arts and Washington's Kennedy Center.

Naima Prevots draws on an array of previously unexamined sources, including formerly classified State Department documents, congressional committee hearings, and the minutes of the Dance Panel, to reveal the inner workings of "Eisenhower's Program," the complex set of political, fiscal, and artistic interests that shaped it, and the ever-uneasy relationship between government and the arts in the US.

CONTRIBUTORS: Eric Foner.

Product Details

ISBN-13:	9780819564641
Publisher:	Wesleyan University Press
Publication date:	04/16/1999
Series:	Studies in Dance History Series
Edition description:	New Edition
Pages:	188
Product dimensions:	7.00(w) x 9.90(h) x 0.50(d)
Age Range:	18 Years

About the Author

NAIMA PREVOTS is Professor of Dance at American University and the author of American Pageantry: A Movement for Art and Democracy (1990) and Dancing in the Sun: Hollywood Choreographers, 1915 - 1937. (1987).

Table of Contents

Eisenhower's Fund
Starting OUt
ANTA, the Dance Panel, and Martha Graham
The Avant-Garde Conundrum
Ballet and Soviet-American Exchange
African-American Artists
How Broad a Spectrum?
On the Home Front

What People are Saying About This

From the Publisher

"Prevots mines the wealth of primary source documents available, from accounts of Congressional hearings and foreign service dispatches to Boston Symphony archives, to unearth a wealth of information on the creation of American cultural diplomacy through dance. Her clear, concise, and accessible book integrates appropriate historical material relating to the artists and key players which gives the text a deep contextual richness."—Shelley C. Berg, Southern Methodist University

""Prevots mines the wealth of primary source documents available, from accounts of Congressional hearings and foreign service dispatches to Boston Symphony archives, to unearth a wealth of information on the creation of American cultural diplomacy through dance. Her clear, concise, and accessible book integrates appropriate historical material relating to the artists and key players which gives the text a deep contextual richness.""—Shelley C. Berg, Southern Methodist University

""Dance for Export provides a wealth of primary source material documenting the role of the State Department in promoting American artists and raises issues regarding the ways in which 'American' dance came to be defined in the 1950s. A significant contribution, it is particularly timely as battles over Federal aid to the arts and issues of government censorship loom large.""—Ellen Graff, author of Stepping Left

Shelley C. Berg

"Prevots mines the wealth of primary source documents available, from accounts of Congressional hearings and foreign service dispatches to Boston Symphony archives, to unearth a wealth of information on the creation of American cultural diplomacy through dance. Her clear, concise, and accessible book integrates appropriate historical material relating to the artists and key players which gives the text a deep contextual richness."
— Shelley C. Berg, Southern Methodist University

Editorial Reviews

"Prevots mines the wealth of primary source documents available, from accounts of Congressional hearings and foreign service dispatches to Boston Symphony archives, to unearth a wealth of information on the creation of American cultural diplomacy through dance. Her clear, concise, and accessible book integrates appropriate historical material relating to the artists and key players which gives the text a deep contextual richness."—Shelley C. Berg, Southern Methodist University

""Prevots mines the wealth of primary source documents available, from accounts of Congressional hearings and foreign service dispatches to Boston Symphony archives, to unearth a wealth of information on the creation of American cultural diplomacy through dance. Her clear, concise, and accessible book integrates appropriate historical material relating to the artists and key players which gives the text a deep contextual richness.""—Shelley C. Berg, Southern Methodist University

""Dance for Export provides a wealth of primary source material documenting the role of the State Department in promoting American artists and raises issues regarding the ways in which 'American' dance came to be defined in the 1950s. A significant contribution, it is particularly timely as battles over Federal aid to the arts and issues of government censorship loom large.""—Ellen Graff, author of Stepping Left

From the Publisher

Prevots (dance, American Univ.) has mined many previously unexamined resources in her study of the relationship between government and the arts during the 1950s. In order to strengthen strained relations with Cold War enemies, President Eisenhower initiated a program of cultural exchange. Prevots emphasizes the dance programs that were exported and reconstructs a history that takes the reader behind the scenes to congressional hearings and Dance Panel committee meetings. Her study reveals the selection and funding processes in this country and the reception and difficulties facing by touring companies like Martha Graham and the New York City Ballet when abroad. Since the success of Eisenhower's program eventually led to the creation of the National Endowment for the Arts, this volume is interesting reading in this time of severe cutbacks. The subject and academic tone, however, insure that the largest audience will be found among dance scholars and historians.--Joan Stahl, National Museum of American Art, Washington, DC Copyright 1999 Cahners Business Information.

Library Journal