Damascus Gate

Damascus Gate

by Robert Stone

Narrated by George Guidall

Unabridged — 19 hours, 36 minutes

Damascus Gate

Damascus Gate

by Robert Stone

Narrated by George Guidall

Unabridged — 19 hours, 36 minutes

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Robert Stone receives critical acclaim for the philosophical layers of his writing, as well as the intensity of his multidimensional characters. Setting this deeply provocative, best-selling novel in modern day Jerusalem, Stone puts a disillusioned American journalist adrift in the supercharged atmosphere at the end of the millennium.

Christopher Lucas, unsure of his own beliefs, is wandering through Jerusalem, working on an article about religious mania. When he meets Sonia Barnes, dusky nightclub singer, devoted Sufi and mystic, he is entranced. As Sonia helps Lucas meet some of the visionaries and gurus who fill the city, the two suddenly find that they have become pawns in a fanatical bombing plot. Its target is no less than the Temple Mount, the ancient city's holiest site.

Through visions ranging from Armageddon to Paradise, Damascus Gate captures the whirlwinds of spiritual fervor that swirl through Jerusalem. George Guidall's narration adds dramatic shadings to the physical and psychological landscapes Lucas traverses in this crossroads of nations.

Editorial Reviews

Entertainment Weekly


Jonathan Rosen

Stone has faced his novel with the literary equivalent of Jerusalem stone, the luminous chiseled rock that lends authenticity to almost every building in Jerusalem.
The New York Times Book Review

Philadelphia Inquirer

Stunning achievement.

Daphne Merkin

The definitive novel about Israel....Brims over with plots, subplots, and an impressive array of incisively drawn characters.
The New Yorker

Publishers Weekly - Publisher's Weekly

From its sublime triumphs to its noble failures, Stone's first novel since Outerbridge Reach (1993) is a major work in every aspect, a sprawling, discordant prose symphony. In Jerusalem, which he depicts as a holy Bedlam, Stone finds the perfect setting for the spiritual agonies that have marked his most powerful writing. In that city, everyone suffers from the burden of faith, or lack of it, and everyone wants something, usually at any price. Expat American journalist Christopher Lucas wants a surer identityborn Christian and Jewish, he feels rooted to neither faithas well as love and, of course, a good story. But his desire has limits, drawn by conscience, and so he serves well as the reader's proxy, a normal man surrounded by seekers of the absolute. Around Lucas swirl addled saints, addicted sinners, con men, cruel members of Hamas and even crueler Israeli security forces. All the parties have their own agendas, most of which hinge on a conspiracy among extremist Israeli Jews and American Christians to blow up the Temple Mount and usher in Armageddon. Stone's presentation of this narrative backbone can be mechanical and sometimes seems extraneous to the novel's main theme of the wages of faith. More captivating is an ancillary plot involving a drug-blasted seeker's attempts to elevate a manic-depressive Jew as a world savior; one of his pawns, Sonia Barnes, an American Sufi who's also Lucas's love interest, proves as compelling as any Stone heroine. Most extraordinary, though, is the author's passionate etching of landscapes both physical and spiritual. The book opens slowly, with a diffuse if portentous ramble through the city, though the narrative intensifies through scenes of terror and moral gravityparticularly in a nightmare Gaza strip inflamed by riotuntil Jerusalem and its people coalesce to iridescent indelibility. Bold and bracing, ambitious and inspired, Damascus Gate is, even for its flaws, an astonishment. (May) (PW best book of 1998)

People Magazine

A lucid, if at time hallucinatory, novel set in modern Jerusalem, where a skeptical journalist investigates the zealots whose clashing faiths inspire both violence and hope.

Michiko Kakutani

Gripping...the endgame he plays is masterly.
The New York Times

Kirkus Reviews

Stone's inordinately ambitious sixth novel, which in several surface ways resembles his A Flag for Sunrise (1981), grapples with intractable issues of political and religious faith, compromise, and betrayal. Set in the early 1990s in a meticulously rendered Jerusalem, it explores the tangled relationships among a number of settlers and visitors to the Holy City who become involved in one or both of two diametrically opposed "missions": a plan, spearheaded by "a Christian study group," the House of the Galilean, to rebuild the Temple of Herod (thereby enticing the Messiah to reappear); and a bombing plot, undertaken by zealots from several "camps," "to destroy the enemy shrines on the Temple Mount." The fulcrum on which these contrasting actions pivot is focal character Christopher Lucas, an independent journalist, nonpracticing Catholic and half-Jewish, whose compulsive search for something to believe in leads him to an assignment investigating "Jerusalem Syndrome" (a clinically recognized species of religious mania), and to complicated relations with several other achingly conflicted fellow travelers. Among them: jazz singer Sonia Barnes ("biracial, the child of old lefties"), a devotee of Sufi mysticism; American-Jewish musician, drug addict, and visionary Raziel Melker (a fascinating compound of destructive and healing tendencies); and Adam De Kuff, a wealthy drifter whose immersion in Kabbalistic wisdom turns him into what many accept as a messianic prophet. These, and a dozen or so other superbly realized characters, combine in a series of dramatic actions that demonstrate the truth lodged in Lucas's dangerously exfoliating investigations: "To liberate into the worldthe ultimate goodness of God and man, it was necessary to walk deep into the labyrinth." Only Stone's tendency to overexplain unfamiliar religious concepts occasionally relaxes this big novel's powerful grip on the reader; and even in its most discursive passages, the intensity of its characters' emotions maintains high interest and irresistibly mounting suspense. Stone's boldest and, arguably, best novel is this year's Mason & Dixon or Underworld. Not to be missed.

From the Publisher

"But while the religious quests of Stone's characters help drive his story, the novel is ultimately concerned less with metaphysics and cosmic order than with the earthly realm of politics and the human craving for certainty. The characters in Damascus Gate may be "God- struck," they may dream insistently of a better world, but like so many Stone characters, they end up captives of history and their own very human illusions." The New York Times

"Heavy as a marble tablet, it delivers revelations about character and culture in the way that only a dense, textured novel can.... Precise and passionate, Damascus Gate is a stunning achievement." The Philadelphia Inquirer

"Damascus Gate asks enormous questions about cosmic truth—and its effect on those who think they own it—with intensity, intellectual rigor and abiding morality." The San Francisco Chronicle

"The writing, often dense with metaphor and landscape, is powerful, and the result is a pulsing, profound novel...." Entertainment Weekly —

JUN/JUL 99 - AudioFile

Narrator George Guidall must have had a lot of fun reading this book. It shows in his flawless pacing, his superb accents and his ability to relate Stone's multilayered story in a fascinating way. Guidall reads with his usual robust voice and inhabits his Israeli, Arab and American characters by using wonderful accents and inflections. Foolish characters sound foolish, skeptics sound skeptical, millenarians sound, well, millenarian. And at every turn Guidall is having fun, fun, fun. The story is right out of today's headlines: Militants will blow up a coveted shrine, and it's up to Chris Lucas, an American in Jerusalem writing about religious fanatics, to unravel the plot. This is truly a feast for the ears and mind. R.I.G. ©AudioFile, Portland, Maine

Product Details

BN ID: 2940170559510
Publisher: Recorded Books, LLC
Publication date: 11/06/2009
Edition description: Unabridged

Read an Excerpt

Chapter One

Jerusalem, 1992

That morning Lucas was awakened by bells, sounding across the Shoulder of Hinnom from the Church of the Dormition. At first light there had been a muezzin's call in Silwan, insisting that prayer was better than sleep. The city was well supplied with divine services.

He climbed out of bed and went into the kitchen to brew Turkish coffee. As he stood at the window drinking it, the first train of the day rattled past, bound over the hills for Tel Aviv. It was a slow, decorous colonial train, five cars of nearly empty coaches with dusty windows. Its diminishing rhythms made him aware of his own solitude.

When the train was gone, he saw the old man who lived in one of the Ottoman houses beside the tracks watering a crop of kale in the early morning shade. The kale was deep green and fleshy against the limestone rubble from which it somehow grew. The old man wore a black peaked cap. He had high cheekbones and a ruddy face like a Slavic peasant's. The sight of him made Lucas imagine vast summer fields along which trains ran, long lines of gray boxcars against a far horizon. Once Lucas dreamed of him.

He had grapefruit and toast for breakfast and read the morning's Jerusalem Post. A border policeman had been stabbed in the Nuseirat camp in the Gaza Strip but was expected to recover. Three Palestinians had been shot to death by Shin Bet hit squads, one in Rafah, two in Gaza City. Haredim in Jerusalem had demonstrated against the Hebrew University's archeological dig near the Dung Gate; ancient Jewish burial sites were being uncovered. Jesse Jackson was threatening to organize a boycott against major league base ancient city across the canyon. A hundred tour buses were parked in the streets under the Old City walls. At the distant Jaffa Gate, he could see the swaying forms of mounted policemen herding a pressing crowd of bright pilgrims. At the other end of the fortress, a line of devotees toiled single file up the slope to the Zion Gate.

He walked down into the shadow of the valley, over the bridge by the Sultan's Pool and past the Koranic verse carved in the shell of the Ottoman fountain. "All that is created comes of water," it read. Then, humbled by the looming walls, he trudged up the ascent to Zion.

On the path to Zion Gate, he walked mainly among Orthodox Jewish men in black, bound for the Western Wall. Some of the Jews tried to converse with each other as they climbed, scrambling along the shoulder to keep pace. Besides the haredim, there were a few German Catholics on the path because the Dormition Abbey above them was a German church. These pilgrims were of the era before Germans had become once again thin and handsome; many were florid and overweight, too bulkily dressed and perspiring freely. Yet they seemed happy. Most of the men looked plain and decent; they wore sodality pins and carried missals. Some of the women had sweet angelic faces. If they were sixty, Lucas calculated...born 1932, thirteen at the end of the war. He had picked up the habit of calculating Germans' ages from the Israelis.

It was a cheerful climb, with a smell of sage and jasmine on the wind and desiccated wildflowers underfoot and voices in Hebrew, Yiddish, German. The great walls reduced everyone, confounding all kingdoms. As he neared the ridge, the bells began again.

Following the file toward the gate, he thought of a prophecy, in a Midrash someone had related to him. At the End of Days, multitudes would try to cross the Valley of Hinnom to the holy city. Christians, traversing a bridge of stone, would fall to perdition. Muslims, on a wooden bridge, would follow them. Then the Jews would cross, glorified, on a bridge of gossamer. What about me, Lucas wondered, not for the first time.

The top of the trail was paved and provided for by the Jews of Canada. At its end, the mild children of wicked Edom and the pious men of Israel parted in sweet mutual oblivion, the Germans to their hugely unfortunate yellow abbey, the Jews toward the Western Wall. Lucas went his own way, north on Armenian Patriarchate Road. There he encountered more haredim headed for the Wall, putting the confusions of Easter behind them. In front of St. James's Cathedral, teenage Armenian acolytes were dressing their ranks for a Sunday procession.

On this conjunction of sacred seasons, the Jews and the Armenians in the crowded street pretended each other's invisibility without colliding. A half-caste apologizing his way through the crush, Lucas was visited by a notion: that only he could see both sects. That where only the unseen mattered, he was reduced to mere utility, to petty observations and staying out of the way.

Passing under an arch where tilesmiths kept shop, he stopped to examine the posters on the wall beside it. They were all in Armenian and many showed the picture of the new president of the Armenian republic. There were also pictures of armed guerrillas with rifles and bandoliers and black-bordered photographs of young martyrs, slain far away in the Azerbaijani war. It was the season of martyrdom in a banner year for martyrs.

In the main street of the Christian Quarter, a promiscuous babble of pilgrims hurried down the sloping cobbled pavement. One group of Japanese followed a sandaled Japanese friar who held a green pennant aloft. There was a party of Central American Indians of uniform size and shape who stared with blissful incomprehension into the unconvincing smiles of merchants offering knickknacks. There were Sicilian villagers and Boston Irish, Filipinos, more Germans, Breton women in native dress, Spaniards, Brazilians, Québecois.

Palestinian hustlers hissed suggestively, offering guidance. Lucas noticed that the Caravan Bar, his favorite beer joint in the Old City, was shuttered. He had heard something about threats. Cutting through the New Bazaar, he became aware of another closing. Above one of the embroidery shops there had been a loft that once sold not only brass pipes and nargilehs but excellent hashish to smoke in them. Now both shop and loft were derelict. Since the intifada, Lucas had taken to buying his hashish where the thin, handsome German hippies bought theirs, at a kiosk near the Arab bus terminal on Saladin Street. The police never seemed to interfere, Lucas had noticed, probably because the seller was one of their informers.

In the courtyard before the Church of the Holy Sepulchre, he was reunited with the mass of pilgrims. Green-bereted troopers of the Border Police were stationed at every approach to the church and on the adjoining rooftops. Under their guns, the Japanese friar was addressing his flock above the noise of the throng.

The Japanese groups were composed largely of middle-aged women who wore dark jumpers and khaki rain hats of the sort on ce favored by kibbutzniks. The priest would be telling them, Lucas imagined, the story of Constantine and his mother, Saint Helena -- how she had discovered the Holy Sepulchre and the very Rood itself. The Japanese ladies were a motherly lot, and Lucas thought they appeared to like the story. Why not, since it had a pious mother, a dutiful son and a miracle? Then, all at once, he found himself calculating ages again. It had occurred to him that the Franciscan and his party might have come from Nagasaki. Nagasaki had been the most Christian of Japan's cities. All through the war, the Japanese had thought the Americans spared it air raids for that reason.

In the sooty, incensed hollows of the church, he made his way through the rotunda to the undistinguished Catholic chapel in the far corner, moving just ahead of the Japanese. A glum Italian monk stood at the door, snubbing pilgrims who tried to smile at him.

Inside the chapel, some Americans with guitars were plinking unhappily away, accompanying their own sad sing-along of a few socially responsible, with-it numbers from the sacred liturgy of whatever cow college town they called home. Like many visitors, they had been unnerved by the inimitable creepiness of the Holy Sepulchre, a grimly gaudy, theopathical Turkish bathhouse where their childhood saints glared like demented spooks from every moldering wall. Lucas, once born, once baptized, put his hand in the holy water and crossed himself.

"Dark is life, is death," he thought. It was all that came to mind. The text was from Mahler's Song of the Earth but he supposed it might be considered a sort of prayer.

"My heart is still and awaits its hour."

He still owned an old record, now n early unplayable, of his mother singing it in German. In any case, he offered it up to whatever was out there, for whatever purpose. Then he made his way through the press of Japanese and across the gloomy spaces of the Anastasis and up the worn stairs to the Chapel of St. James to hear the Armenian liturgy. Theirs was his favorite.

After a while the Armenians arrived in procession, pausing near the entrance of the church so that their patriarch could kiss the Stone of Unction. Then, preceded by youths carrying candles and monks in pointed hoods, the Armenians of the city trooped up to the chapel and the service began. Lucas, as was his custom, stood off to one side.

For a time, he secretly watched the lustrous-eyed worshipers absorbed in their devotions. The night was always dark in their prayers and everybody far from home. Then -- because it was Easter for someone, because the Armenian liturgy was sublime, because it couldn't hurt -- he lowered his head in the Jesus Prayer. It was another thing he had picked up around, the mantra of the Oriental Christians, a little like repeating Nam myoho renge kyo but with a measure of Berdyayevian soul.

"Lord Jesus Christ, Son of God, have mercy upon me, a sinner."

Properly prayed, repeated, the gaze fixed upon the heart, the breathing controlled -- it was supposed to be good for you.

At the very moment of uttering this vain hesychastic repetition, while reflecting on the fond, silly regard for religion he had come to Jerusalem to cure himself of, he was startled from his mooning by a dreadful bellow from the rotunda. Then a rasping scream, echoing dismally through the blasted caverns, freezing the pilgrims in midbliss. Even the Armenians mis sed a beat, and a few of the children moved to the edge of the loft to see what the matter was. Lucas followed, looking down over the railing.


Below, in the candle-lit spaces of the Anastasis, a majnoon, a madman, was running wild. Potbellied, bespectacled, arms spread wide, hands dangling, the majnoon appeared to be a Western visitor. Around the Chapel of the Tomb he ran, in fluttery, short-legged, birdlike steps. Worshipers fled him. Under the Emperor's Arch and along the wall of the Greek Catholicon, the man ran screaming, setting the hanging sacristy lamps to swing and clatter on their chains. He seemed to be flapping in an attempt at flight, as though he might take wing and sail up to the vault like a church owl. His face was red and round. His eyes bulged sickly blue. A few young Greek Orthodox acolytes in black cassocks were chasing him.

With formidable agility, the madman succeeded in doubling back on his pursuers toward the Chapel of the Tomb. A candle stand full of burning tapers overturned and people fought their way back from the flames. Around and around the tomb he ran, leading the Greeks in a comic rondelay. Then he peeled off and headed for the Chapel of St. Mary. The gathered Catholics gasped and screamed. The friar at the chapel door moved to close it.

Then the majnoon began to shout at length in German. Something about blasphemy, Lucas thought. Something about heathen and thieves. Then he began to swear mechanically. "Fick...Gott in Himmel...Scheiss...Jesusmaria." Echoes ricocheted crazily through the interconnected vaults that made up the church. When the Greeks caught him, he switched to English.

"A den of thieves," t he deranged German shrieked. "Fornication," he shouted at a prim young Catholic woman in a white mantilla. "Strangulation. Blood."

Some of the Greek Orthodox posse stomped out the flaming tapers while the rest hauled their prisoner toward the door and the shafts of spring sunlight. A party of Israeli policemen were waiting there to receive him, looking as though they had seen it all before. Around Lucas, the Armenians prayed harder.

The pilgrims pouring out into the forecourt after the service were abuzz with the untoward incident. The soldiers and border policemen lining the route back toward the Jaffa Gate looked more wary and purposeful than usual. Braced for something more serious, they were hoping to herd the mass of tourists out of the Old City. At the same time, they were under orders to let the Christian pilgrims wander at will, as a demonstration of normalcy and order.

He soon drifted with the crowd into the vaulted souks between the Damascus Gate and the Haram al-Sharif. Lucas had come to move confidently through the Old City, although he sometimes questioned his own confidence. He believed his appearance to be more or less foreign, which, in the Muslim Quarter, was a point in his favor. At a kiosk in the Khan al-Sultan souk, he bought an English-language copy of the PLO newspaper Al-Jihar. Displayed in hand, it might be a precaution against attack as well as a way of keeping up with the situation.

The Damascus Gate, with its Ottoman towers and passages and barbarous Crusader revetments, was his favorite place in the city. He took a simple tourist's pleasure in the crowds and the blaring taped Arab music, in the rush provided by the open sacks of spices that were piled in wh eelbarrows beside the vendors' stalls. To the Palestinians it was the Bab al-Amud, the Gate of the Column, but Lucas rejoiced in the common English name, the suggestion of a route toward mystery, interior light, sudden transformation. He sat for a while over a Sprite, taking in the sensations of the gate, and then set out quixotically in search of something stronger.

Both his regular spot in Christian Quarter Road and the rooftop garden in the souk had inexplicably closed. The one place he found open was a disreputable tourist trap on the edge of the Christian Quarter that catered to Wandervogel and other riffraff from the cheap hostels of East Jerusalem. Like many of the bars on the Palestinian side, it displayed pictures of Christian saints lest the Hamas enforcers mistake the management for bad Muslims.

Three young Scandinavian women with shorn hair were drinking mineral water near the street end of the place. He was surprised to find, tending bar in the back, a middle-Aged Palestinian named Charles Habib, who had been his host at the Caravan. He ordered a cold Heineken, and Charles served it to him in a frosted glass.

"I've just come from church," he told his host. "There was a majnoon."

Charles was a Greek Catholic from Nazareth. He had come to Jerusalem by way of South Bend, Indiana.

"Lots of majnoon," he told Lucas. "Plenty."

"I suppose," Lucas said, "God tells them to come."

Charles stared at him without sympathy.

"I mean," Lucas added, "they form that impression."

"The Protestants are worst," Charles said. "They should stay in America and watch television." He paused and regarded Lucas. "You're Protestant?"

"No," Lucas said. He felt uneasy under Char les's scrutiny. "Catholic."

"Every religion has majnoon," Charles observed.

Surprisingly, this was a somewhat new concept in town, where screaming infants had burned before Moloch and the gutters on many occasions had run with blood. But each year, it seemed, the equinoctial moon inspired stranger and stranger doings, usually vaguely Pentecostal in spirit, the spontaneous outpourings of many lands. Once, to be a Protestant had meant to be a decent Yankee schoolmarm or kindly clerical milord. No longer. There had commenced a regular Easter Parade, replete with odd headgear. Anglophone crazies bearing monster sandwich boards screeched empty-eyed into megaphones. Entire platoons of costumed Latin Cristos, dripping blood both real and simulated, appeared on the Via Dolorosa, while their wives and girlfriends sang in tongues or went into convulsions.

Locally decorum, in religion as well as devotion, was prized. One Easter an outraged citizen tossed a bottle at some salsa-dancing fugitives from Cecil B. DeMille; the street stirred and the army ended by firing a few tear-gas canisters. At this, insulted heaven opened and there ensued the melancholy penitential drama "Tear Gas in the Rain," familiar to any all-weather student of the twentieth century's hopes and dreams. The Via Dolorosa became a sad place indeed. Its narrow alleys and their inhabitants were soundly poisoned, and many a mournful wet towel went round that night in the city's hospices and hotels.

"Every religion has," Lucas replied agreeably. His surprise at seeing Charles in such a seedy, possibly druggy joint piqued his curiosity. From time to time, Lucas had thought of recruiting him as a source. In his more daring moods, he imagined writing up a story the other guys had thus far left unexamined.

There were rumors, as the intifada ran its course, that some of the shebab -- the young Palestinian activists who collected taxes for the Front in East Jerusalem -- had entered into certain financial arrangements with some hoodlums on the Israeli side. It was a story related to the tales one heard about official corruption in the Occupied Territories. Something of the sort had surfaced in Belfast the previous year, involving connivance between some IRA protection squads and the Protestant underground across town.

Documenting any projected piece on such a subject sounded like dangerous work, but it was the kind of story that appealed to Lucas. He liked the ones that exposed depravity and duplicity on both sides of supposedly uncompromising sacred struggles. He found such stories reassuring, an affirmation of the universal human spirit. Lucas desperately preferred almost anything to blood and soil, ancient loyalty, timeless creeds.

Since rashly quitting his comfortable and rather prestigious newspaper job the year before, he had been finding life difficult. It was constantly necessary to explain oneself. His calling cards impressed new acquaintances as somehow incomplete. Sometimes he felt like a dilettante. And as a freelance he had become less thrifty, less disciplined and more ambitious. Without the constraints of the newspaper format, the stories he wrote went on and on -- naturally enough, since things tended to, and things knew nothing of formats or of newspapers, and it was only a beautiful pretense that the daily paper's readers could be informed. A noble pretense, honestly and diligently pretended. Still, th ere were alternatives, as far as a story went. Fortunately, though the whole world attended the place, there continued to be more people in Jerusalem who liked to talk than liked to listen.

"It's hard to get a drink in town these days," he told Charles.

Charles made an unpleasant face and opened a beer for himself. Then he glanced toward the street and quickly touched glasses with Lucas.

"They say there are more drugs in town," Lucas rashly offered. Charles owed Lucas a few minor favors, mainly having to do with the expediting of American visas for his relatives, and they had an understanding that, within the limits of a strict discretion, Lucas might use Charles as a source.

"Correct," said Charles.

"I thought there might be some surprises there. I thought I might write about it."

Charles gave him a long, dark look and glanced from side to side. "You're wrong."

"I'm wrong?"

"You're wrong. Because you know and I know what everyone knows, so it's not a surprise."

"What's not?"

"One," Charles said, "no surprise. Two, you can't write about it."

"Well..." Lucas began.

"You can't. Who you think you are? Who you got behind you?"

It was a question much to the point, Lucas considered.

"Tell me," Charles asked, "do you know Woody Allen?"

"Not personally."

"Woody is a good guy," Charles declared. "On account of that he suffers."

"Is that right?"

"Woody came to Palestine," Charles said, savoring his ice-cold Heineken. "He is himself a Jew. But he saw the occupation and spoke out. He spoke out against the beatings and shootings. So what happened? The American papers slandered him. They took the wife's side."

Lucas affected to ponder the case of Woody Allen.

Charles shrugg ed with the self-evidentness of it all. "So," he told Lucas, "forget it. Write about Woody."

"Come on," Lucas said. "Woody Allen never came here." The cold beer made his eyebrows ache.

"He did," Charles insisted. "Many saw him."

They let the subject drop.

"Write about majnoon," Charles suggested.

"Maybe I will. Can I bring them here?"

"Bring them. Spend money."

"Maybe I'll just go away somewhere for a while," Lucas said, surprising himself with his own confiding impulse.

"I won't be here when you get back," Charles said quietly. "Soon I'm the last Nazareth Habib around. Then, goodbye."

"Au revoir," Lucas said, and went out and wandered on down the Via Dolorosa, past St. Anne's Church by the Bethesda Pool. It was one place he would not go that day; for several reasons, he dared not. Taxis and sheruts waited at the Lions' Gate; he passed them. Across Jericho Road, more pilgrims were descending the Mount of Olives. All at once, Lucas found himself out of energy. The force that had impelled him out into the Easter morning was spent.

One of the drivers accosted him, and he bargained over the price of a taxi ride to the Intercontinental Hotel up the slope. He had the notion of looking down at the city. When they arrived the hotel seemed closed; its glass surfaces were soapy and dark. He got out anyway and crossed the street and looked across to Jerusalem. From where he stood, he could see down into the Temple Mount and over all the rooftops of the walled town. Bells began to sound again, from every direction, their tolling scattered on the incessant wind.

The bright onion-domed cluster of St. Mary Magdalen was below him as he went down the steep cobbled road. Tur ning the corner, he walked along the church's wall and at the next bend found himself surrounded. Worshipers streamed out through the garden gates outside the church. Two small Russian nuns swathed in black were bowing them home. A Russian priest in vestments stood smoking a cigarette beside the church doors, chatting with two Arab men in stiff Sunday suits.

About half the worshipers were Palestinian, but there was a strong Russian contingent among them. The Russians were mostly women. Many were done up in the distinctly Central European overdressed look that Israeli women of a certain age sometimes affected for special occasions, with more hat than one was used to seeing and fashion boots and a little fur in spite of the weather. Lucas was sure most of them had Israeli passports. And though they chatted happily on the way down to Jericho Road, there was about them a kind of guilty wariness. One or two of the Russians seemed to sense Lucas's gaze on them as they walked, and turned to see that he was not one of them.

They would be surprised, Lucas thought, to know how much he and they had in common. Seeds of light scattered in darkness. Whose? Which?

A young woman not much older than a teenager was walking beside him. Their eyes met and Lucas smiled. She had a haunted look and long, dark eyelashes. Then she spoke to him in Russian, and Lucas could only shake his head and keep smiling. Uneasily, she slowed and let him go on. When everyone levitates, Lucas thought, we'll still be here, looking up Mount Olivet, wondering which way to run.

Lucas had recently had a heated conversation with a fellow journalist on a drive through the Gaza Strip, a Frenchman who was a passionate believer in the Pales tinian cause. In the conversation Lucas had tried, as usual, to carry water on both shoulders. The Frenchman had told him off, dismissed him as nothing more than an American. And Israel itself was no better, the Frenchman said, than an American colony, more American than America.

At the time they were deep in the Strip, driving between the unspeakable hovels of the Bureij camp that stretched endlessly toward the desert and those of the Nuseirat camp that were spread out toward the sea. All day they had been seeing angry and despairing faces. They were alone.

"If this place exploded now," Lucas had challenged the Frenchman, "which way would you run? If the balloon went up?"

The Frenchman had replied haughtily that he chose not to think in such a way. This had made Lucas angry. As if there were any other way to think.

"I suggest you try running toward Mecca," Lucas had told him. "Me, I'm gonna run for Fink's."

Fink's was a bar on King George Street in Jerusalem where they knew how to make a martini.

Above the Garden of Gethsemane, he left the Russians and turned off toward the vast Jewish cemeteries above Kidron. Among the white tombs stood black-clad figures, some alone, some in knots of two or three. They were religious Jews reciting psalms at the graves of their dead. Lucas found himself following a limestone ridge between the Hellenistic tombs at the top of the ridge and Jericho Road below. Soon he was a dozen rows above one group of three men. Two were elderly, with broad-brimmed fedoras and huge overcoats. The third was younger; he wore dark slacks and a navy-blue windbreaker. A black and gold kippa was pinned in his hair. Slung around his shoulder on a strap was an automatic rifle.< P>As he watched, the young man with the rifle slowly turned his head as though he had sensed Lucas's presence behind him. When he saw Lucas there, he turned around to face him. His brow furrowed. The two older men beside him were deep in prayer, their heads bobbing together. Lucas walked on past the young man's stare. He was at loose ends, he thought, distracted.

He strolled back through the Lions' Gate the way he had come. Finding himself in the midst of Easter again, he turned left to follow Tariq al-Wad, where things were quieter. Approaching an open juice shop, he had a moment's craving for something cool and sweet. The old proprietor and his nervous, pockmarked son watched Lucas's approach with frowning concern.

"Tamarhindi?" Lucas asked. He stepped up to the counter and saw that in one corner of the shop, concealed from the street, a majnoon sat with an odd smile. The majnoon wore a Western-style suit and a buttoned-up white shirt. He bore a slight resemblance to Jerry Lewis and his delusions gave him the look of buoyant dementia peculiar to Jerry Lewis fools.

The younger merchant served Lucas a small paper cup of tamarind juice as the majnoon watched cheerfully. Lucas took it and sat in an unpainted straight-backed chair where he could see the vaulted street.

In the next instant, a plump young mullah walked past, a teacher at one of the madrasahs of the Bab al-Nazir, probably a Hamas neighborhood warden. He had a quietly exalted look. When he saw Lucas there, his face changed. Hot eyes, the brow of Jehu, then blankness, nullity. From his chair, Lucas returned the imperception.

He had been lured into Jerusalem poker, the game of mutually hostile invisibili ty he had seen earlier that morning in the Armenian Quarter. At this game he was hardly a contender; with his lack of faith and vague identity he could easily be made to disappear. As his friend Charles had pointed out, he had no one behind him. He sipped his swallow of sweet nectar and thought it over.

If he heeded Charles's warning, Lucas considered, and left the corruption and contraband story alone, he had a different piece in reserve: a human rights number in Gaza. It was a place he liked very little to go. Unlike Judea, it had neither relics nor scenery, and the only antiquities were squalid piles in which, for all the world knew or cared, Samson might still be turning a wheel -- blind, in irons, supervised by bored, unhappy young men chain-smoking in their green berets and slung machine guns. Gaza's only resource was bad history on a metaphysical scale; it sat on a joint aslant the beam in the Almighty Eye, attracting retribution in advance, forsaken on credit. Long ago Jeremiah had recommended howling as the most suitable public activity there, and the locals had never been allowed to unlearn it.

Gaza was the data that threatened the human reference point, the degree at which informed engagement began its metabolic breakdown. For the journalistic traveler, the big attraction had always been unrequited man, the thing itself. Seven hundred thousand strong, unrequited man could still support a feature.

A woman Lucas knew in the International Children's Foundation had given him a tip about some Israeli hoodlums who specialized in the beating of teenagers and children whom they suspected of rock throwing near the settlements. The beatings were egregious, and outside the rules as generally u nderstood by both sides. Two Foundation workers and a UN Relief and Works Agency employee, trying to protect the kids, had also been attacked.

In the hours before dawn the hoodlums would turn up at the alleged miscreants' homes and beat them senseless, usually leaving a few broken bones. At least one of the band was Arabic-speaking, and their leader had assumed the nom de guerre Abu Baraka, the Father of Mercy. He was said to be a North American and a serving soldier in the Israel Defense Forces.

Nuala Rice, the story's source at the Children's Foundation, was an odd number herself. She was Irish, a hard-case aid worker, a veteran of Beirut, Somalia and the Sudan, who seemed to divide her time between good works and various intrigues, erotic and otherwise. Lucas was somewhat smitten with Nuala but their relationship had always proceeded on the understanding that he was not her type.

Nor, he was discovering, was he necessarily the type for freelancing. It was so hard to get it right, working without the assignment, the rubric, the refuge of a word count. No one behind you. And you represented no one, nothing but your own claim to rectitude in a world of mirages, obsidian mirrors and the mist of battle.

He was still pondering it when the mullah wandered back along the cobbled street. The majnoon went out from the shop and smiled his Jerry Lewis smile on the young mullah and kissed him. A biblical kiss, Lucas thought. The mullah beamed and glanced at Lucas to see if the foreigner had seen, in turn, the tenderness, the compassion. Life was so self-conscious in Jerusalem, so lived at close quarters, by competing moralizers. Every little blessing demanded immediate record.

As soon as he s tood up, the proprietors of the juice shop commenced to haul their corrugated shutters down. Lucas wandered along the old street in the direction of the Haram. The Bab al-Nazir, the Watchman's Gate, was a treasure trove of Islamic history. He had once been conducted through it by a colleague who knew the Mamluk lintels from the Ottoman, and Umayyad from Ayyubid springing.

The one structure he remembered from the previous tour was an ancient building with five windows and a wide arch of rosy stone, as dizzying and inviting a doorway as Lucas had seen in the city. It was close by the Haram gate itself and according to his colleague had been a guesthouse for Sufis visiting Jerusalem. Passing, he saw that the doorway was open and, on impulse, he went in. Inside he found a hallway with an ornate vaulted ceiling supported by columns that looked older than the Crusades. Lucas took off his shoes and carried them in his hand.

The hallway led to a dusty open courtyard in which potted trees grew. It was overlooked by arched windows covered in filigreed screens. Beyond the courtyard was another, even larger one, surrounded by flat, single-story rooftops with trellises and flower boxes planted with marigolds.

When Lucas turned to retrace his steps, he found a child in his path. The child was about five years old, wearing a gorgeous, velvety flowered dress that looked as though it had once clad the ornament of some faraway cold-weather Christian nursery. She was deeply dark-skinned, as black as a West African, her woolly hair arranged in twin pigtails.

"Hello," said Lucas to the little girl.

The child stood motionless and regarded him sternly. Her eyes were huge and profound. Two small wrinkles of disap proval appeared above one eyebrow. When he stepped toward her she fled, padding barefoot across the court, increasing her speed with each stride. Then Lucas saw that lean figures had appeared at the far end of the court. Men in white turbans, tall, black and lean, were staring at him. Some stood in the courtyard he had passed through earlier, and there were others watching from the low roofs where the marigolds grew. From somewhere inside, he heard a trilling female voice.

It occurred to Lucas that he might have gone where he was unwelcome. He was glad he had taken off his shoes. Ahead of him, the courtyard ended in another doorway that he thought might lead to the street. When he followed it, though, it led nowhere, ending at an ocher wall in which the outline of a sealed doorway still showed faintly.

He turned and walked as briskly as he could in stocking feet, back into the courtyard he had just left. The tall men in turbans stood exactly where they had been, motionless. Lucas nodded cheerfully as he went by. The men were utterly without expression, simply alert, offering neither menace nor comfort. He went by them into the first courtyard, not troubling to look over his shoulder, and went back into the hall of columns. The street door through which he had come was now closed, and the hallway was in cool semi-darkness. The street outside seemed strangely quiet. Then the call to prayer sounded from the Haram a short distance away, and its amplified verses echoed among the columns.

Lucas found himself fascinated by the stone vaulting overhead. It was a beautifully fluted half dome, with lacy lines suggesting the metaphysical. He could well imagine it as the work of dervishes; it seemed imposs ibly old. And how typical of the city, he thought, that it should be tucked away so obscurely, on an unvisited street behind a moldering door.

Absorbed in the fluting overhead, he was surprised by the slamming of a door. Unshod footsteps sounded from an upper story of the inner court. Out of instinct he moved into the shadow of a column.

A young Arab woman appeared in the hallway. She was drawing a wrap about herself, disappearing into a whirl of cloth. As he watched, she went to the street door and opened it, bringing the daylight down on herself.

Her face and hair were still uncovered, and Lucas saw to his surprise that she was wearing a close-cut afro. Her eyes were striking, enhanced with kohl. Leaning against the doorway, she put her sandals on. Flower patterns were traced on her ankles and the brown skin of her feet, and under her djellaba she appeared to be wearing khaki slacks. Lucas pressed himself farther into the column's shadow. He had the feeling that his several weeks of Arabic classes at the Aelia Capitolina YMCA would not support the weight of explanation that might be required for his eccentric concealment.

Struggling with one sandal, the young woman began to sing.

"Something cool," she sang, to Lucas's astonishment. "I'd like to order something cool."

She flatted her fifth very nicely, and Lucas, who happened to know the next verse, was tempted to sing along. Indeed, he could hardly resist. But he watched silently as she put on the second sandal, pulled up the hood of her robe and hurried outside, leaving Lucas in the timeless gloom.

When he got to the street, she had vanished. He wiped his brow. Who knew to what arcane aspect of the city she might attach? The place w as full of secrets.

Copyright © 1998 by Robert Stone

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