The author argues that while some manuscript fragments came about by accident, many were actually created on purpose and used in a number of ways, from binding materials, to anthology excerpts, and some fragments were even incorporated into sacred objects as messages of good luck. Examining four main motifs of fragmentation, including intention, physical appearance, metonymy, and performance, this work reveals the centrality of the fragment to manuscript studies, highlighting the significance of the fragment to Iberia’s multicultural and multilingual manuscript culture.
The author argues that while some manuscript fragments came about by accident, many were actually created on purpose and used in a number of ways, from binding materials, to anthology excerpts, and some fragments were even incorporated into sacred objects as messages of good luck. Examining four main motifs of fragmentation, including intention, physical appearance, metonymy, and performance, this work reveals the centrality of the fragment to manuscript studies, highlighting the significance of the fragment to Iberia’s multicultural and multilingual manuscript culture.
![Cultures of the Fragment: Uses of the Iberian Manuscript, 1100-1600](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.10.4)
Cultures of the Fragment: Uses of the Iberian Manuscript, 1100-1600
272![Cultures of the Fragment: Uses of the Iberian Manuscript, 1100-1600](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.10.4)
Cultures of the Fragment: Uses of the Iberian Manuscript, 1100-1600
272Product Details
ISBN-13: | 9781487502409 |
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Publisher: | University of Toronto Press |
Publication date: | 06/18/2018 |
Series: | Toronto Iberic |
Pages: | 272 |
Product dimensions: | 6.00(w) x 9.20(h) x 1.20(d) |
Age Range: | 18 Years |