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Overview
“A subtle yet striking collection of sepia-like photographs depicting life in Cuba, coupled with the perceptive observations of a Cuban exile returning home.” —Miami Herald
Imagine being unable to return to your homeland for thirty-six years. What would you do if you finally got a chance to go back?
In 1996, after travel restrictions between the United States and Cuba were relaxed, Cuban exile Tony Mendoza answered that question. Taking his cameras, notebooks, and an unquenchable curiosity, he returned for his first visit to Cuba since the summer of 1960, when he emigrated with his family at age eighteen. In this book he presents over eighty evocative photographs accompanied by a beautifully written text that mingles the voices of many Cubans with his own to offer a compelling portrait of a resilient people awaiting the inevitable passing of the socialist system that has failed them.
His photographs and interviews bear striking witness to the hardships and inequalities that exist in this workers’ “paradise,” where the daily struggle to make ends meet on an average income of eight dollars a month has created a longing for change even in formerly ardent revolutionaries. At the same time, Cuba—Going Back is an eloquent record of a personal journey back in time and memory that will resonate with viewers and readers both within and beyond the Cuban American community. It belongs on the shelves of anyone who values excellent photography and well-crafted prose.
“This book, based on the photos and interviews he conducted on his trip, is a remarkable first-hand account of today’s Cuba.” —Library JournalProduct Details
ISBN-13: | 9780292788152 |
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Publisher: | University of Texas Press |
Publication date: | 02/24/2022 |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 155 |
File size: | 6 MB |
About the Author
Table of Contents
Preface | xi | |
Acknowledgments | xv | |
Introduction | xvii | |
Section I | The Interior Exile ("insilio") | 1 |
Testimonio de un artista | 3 | |
Oh, La Habana | 4 | |
Manena's Cuban American Recipes | 13 | |
Life in Exile | 13 | |
The "Sandwich" Generation | 20 | |
The Thirteenth Suitcase | 26 | |
Sin calcetines | 34 | |
Beyond Fear | 43 | |
Dead Rafter II | 47 | |
Balsero Singing | 48 | |
Section II | "Merely a Player" | 51 |
Los que se alejan siempre son los ninos | 53 | |
Merely a Player | 54 | |
Portrait of Wendy, At Fifty, With Bra | 58 | |
The Wooden Suitcase | 64 | |
Once upon a Time in May of 1961 ... | 66 | |
Crossing into the Mainstream | 67 | |
Fragmented Memories | 69 | |
Going Back | 78 | |
Section III | Crossing the Generational Divide | 83 |
An Afternoon with Ernesto F. Betancourt | 85 | |
Growing Up Cuban American | 92 | |
My Life in Exile | 98 | |
Lost Memories and Nostalgic Obsessions | 100 | |
Thirty-Two Years Later | 107 | |
Island of Color | 112 | |
Life al reves | 116 | |
On Being Cuban | 121 | |
One Mother's Testimonial | 124 | |
Tia Ada's Arroz con leche | 128 | |
Losing Eden | 128 | |
Section IV | Snapshots | 133 |
La hora de los mameyes | 135 | |
Abui | 137 | |
A Cuban American Memoir | 143 | |
Song for the Royal Palms of Miami | 146 | |
Photograph of My Parents | 148 | |
First Shift at Hershey's, 4 A.M. | 149 | |
Inhabited Woman | 151 | |
Burialground | 152 | |
A Journal from the Bay of Mariel | 153 | |
Political Exile | 165 | |
Section V | The Culture Wars | 171 |
The Facts of Life on the Hyphen | 173 | |
Against the Grain: Writing Spanish in the USA | 177 | |
From "The Necessary Treasons" | 179 | |
Understanding del Casal | 181 | |
A Cubana in New York | 187 | |
Arroz | 192 | |
What Kind of Cuban Are You? | 193 | |
Tropical Flavor | 195 | |
Flags and Rags (On Golden Lake) | 196 | |
Next Stop Ninety Miles | 202 | |
Section VI | "The Bite of Exile" | 207 |
The Bite of Exile | 209 | |
Autobiography | 210 | |
Culture and Exile | 211 | |
The Wages of Exile | 214 | |
Foreigner's Notebook | 223 | |
In the Wilderness | 225 | |
Living on Borrowed Ground | 225 | |
Clotheslines | 226 | |
Letter to His Niece | 228 | |
exilio | 230 | |
sombras | 231 | |
Paradox | 232 | |
Where Are You From? A Cuban Dilemma | 233 | |
The Chosen | 235 | |
Even Names Have Their Exile | 236 | |
The Photo That Watches | 238 | |
Section VII | "Grace under Pressure" | 243 |
Cubans in the U.S. | 245 | |
Exile: Reality or Imagination | 248 | |
Entre el gato y la casa | 249 | |
Musicians in Motion | 252 | |
From "Celia Cruz" | 253 | |
From "La magia musical de Cachao" | 255 | |
Yesterday/Ayer | 257 | |
El descanso del heroe | 258 | |
Head and Vessel | 259 | |
From Outside Cuba/Fuera de Cuba | 260 | |
Historia rota (Broken History) | 260 | |
Exilio | 262 | |
Abode | 265 | |
Lluvia y primaveras | 267 | |
Autobiography, Historiography, and Mythography in Matias Montes Huidobro's Desterrados al fuego | 269 | |
Section VIII | "Inheriting Exile" | 277 |
On Being an American-Born Cuban from Miami | 279 | |
From "Stories My Mother Never Told Me" | 284 | |
ABCs in South Florida Suburbia | 289 | |
Appropriated Memories | 299 | |
Inheriting Exile | 306 | |
Un Testimonio | 309 | |
The Grand Finale | 312 | |
Memoirs of a Tampena | 313 | |
Una cubanita pasada por agua | 317 | |
Cata's "pie" de guayaba | 320 | |
Select Bibliography | 321 |