Corridors of Death

by Ruth Dudley Edwards

Overview

Battered to death with a piece of abstract sculpture titled "Reconciliation", Whitehall departmental head Sir Nicholas Clark is claimed by his colleagues to have been a fine and respected public servant cut off in his prime. Bewildered by the labyrinthine bureaucracy of Whitehall, Scotland Yard's Superintendent Jim Milton recognizes a potential ally in Clark's young Private Secretary, Robert Amiss.

Milton soon learns from Amiss how Whitehall works: that it can be Machiavellian and potentially homicidal, that Sir Nicholas was obnoxious and widely loathed, that he had spent the weeks before his murder upsetting and antagonizing family and associates, and that his last morning on earth had been spent gleefully observing the success of his plan to embarrass his minister and his department publicly. And they still need to discover who wielded the blunt instrument.

This is the first of Ruth Dudley Edwards' witty, iconoclastic but warm-hearted satires about the British Establishment

Product Details

ISBN-13:	9781615950584
Publisher:	Sourcebooks
Publication date:	04/02/2024
Series:	Robert Amiss/Baroness Jack Troutbeck Mysteries , #1
Sold by:	Barnes & Noble
Format:	eBook
Pages:	249
Sales rank:	791,024
File size:	1 MB

About the Author

Ruth Dudley Edwards is a historian and journalist as well as a mystery writer. The targets of her satirical crime novels include the gentlemen's clubs, Cambridge University, the House of Lords, journalism and literary prizes. The British Crime Writers' Association short-listed Corridors of Death for the John Creasy Award for best first novel, and Clubbed to Death and Ten Lords A-Leaping for their Last Laugh Award. She won the CrimeFest Last Laugh Award for Murdering Americans in 2008 and in 2010 the CWA Non-fiction Gold Dagger for Aftermath: the Omagh bombings and the families' pursuit of justice. Her twelfth mystery, Killing the Emperors, is a black comedy about conceptual art.

Editorial Reviews

"Cleverly constructed and lightly written, this novel shows that, in the age of postmodernism and metaphysical detection, the unembellished story can still hold its own."

Books and Bookmen - Patricia Craig