In a dedication to the late bassist
Fred Hopkins,
Shepp returns to the recording studio armed with his no-compromise, no-nonsense way of playing the tenor saxophone. It's still as cutting-edge dour as ever, supported by the beautiful underpinnings of the trio, with
Ari Brown mostly on piano instead of saxophone as he is more widely heard, the peerless bassist
Malachi Favors Maghostut, and Afrocentric drummer/percussionist/leader
Kahil El'Zabar. As dictated by the art of improvisors, much ground is covered, and a track-by-track rundown is warranted. The introductory
"Conversations" is based on a floating piano, free-time excursion rife for
Shepp's tenor to express itself.
"Kari" is a rambling swinger with
Brown back to his tenor sax and
Shepp on piano, the latter embellishing the melody with some
Erroll Garner-like flourishes.
"Whenever I Think of You" is a drop-dead gorgeous, mid-tempo meditative piece, sans
Shepp, showcasing
Brown's piano stylings. The 7/4 chant
"Brother Malcolm," with
Brown on tenor sax plus bass and conga, has the collective group vocally echoing Harlem nocturnes about
Malcolm X, and the closer
"Revelations" is a definitive workout for
Shepp, a robust swinger where his more melodic but still pungent sax sound revels in its own free-spirited, outspoken glory. To say
Shepp is back would be shortsighted; he's always been around, especially as a teacher at the University of Massachusetts-Amherst. This is a resolute affirmation of his powers, punctuating that he's still a vital force in the new music, as are his backup constituents on this very fine CD, a perfect introduction for the uninitiated and a must-buy for longtime fans. ~ Michael G. Nastos
