Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832
This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.
1111390049
Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832
This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.
48.99 In Stock
Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832

Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832

by James Watt
Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832

Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832

by James Watt

Paperback(Reissue)

$48.99 
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Overview

This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.

Product Details

ISBN-13: 9780521024815
Publisher: Cambridge University Press
Publication date: 03/16/2006
Series: Cambridge Studies in Romanticism , #33
Edition description: Reissue
Pages: 220
Product dimensions: 5.98(w) x 9.02(h) x 0.59(d)

Table of Contents

Acknowledgements; Introduction; 1. Origins: Horace Walpole and The Castle of Otranto; 2. The Loyalist Gothic romance; 3. Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis; 4. The first poetess of Romantic fiction: Ann Radcliffe; 5. The field of Romance: Walter Scott, the Waverley novels, the Gothic; Notes; Bibliography; Index.
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