Constantin Brancusi: Sculpting the Essence of Things

CONSTANTIN BRANCUSI

By James Pearson

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, along with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive sculptural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left.

It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.'

As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed for Brancusi's photographs, and the way he would set up his sculptures in his studio and photograph them at particular times of the day, when the lighting was just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces).

Fully illustrated, including many photos of Constantin Brancusi's studio in Paris, Brancusi’s works in museums in New York, Washington and L.A., forerunners and influences, prehistoric art, and the art of his contemporaries.

REVISED AND UPDATED, WITH NEW ILLUSTRATIONS

With bibliography and notes. ISBN 9781861717412. 180 pages.

This new (4th) edition has been revised.

www.crmoon.com

1029258757
Constantin Brancusi: Sculpting the Essence of Things

CONSTANTIN BRANCUSI

By James Pearson

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, along with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive sculptural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left.

It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.'

As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed for Brancusi's photographs, and the way he would set up his sculptures in his studio and photograph them at particular times of the day, when the lighting was just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces).

Fully illustrated, including many photos of Constantin Brancusi's studio in Paris, Brancusi’s works in museums in New York, Washington and L.A., forerunners and influences, prehistoric art, and the art of his contemporaries.

REVISED AND UPDATED, WITH NEW ILLUSTRATIONS

With bibliography and notes. ISBN 9781861717412. 180 pages.

This new (4th) edition has been revised.

www.crmoon.com

18.99 In Stock
Constantin Brancusi: Sculpting the Essence of Things

Constantin Brancusi: Sculpting the Essence of Things

by James Pearson
Constantin Brancusi: Sculpting the Essence of Things

Constantin Brancusi: Sculpting the Essence of Things

by James Pearson

Paperback(4th Reprint ed.)

$18.99 
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Overview

CONSTANTIN BRANCUSI

By James Pearson

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, along with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive sculptural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left.

It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.'

As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed for Brancusi's photographs, and the way he would set up his sculptures in his studio and photograph them at particular times of the day, when the lighting was just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces).

Fully illustrated, including many photos of Constantin Brancusi's studio in Paris, Brancusi’s works in museums in New York, Washington and L.A., forerunners and influences, prehistoric art, and the art of his contemporaries.

REVISED AND UPDATED, WITH NEW ILLUSTRATIONS

With bibliography and notes. ISBN 9781861717412. 180 pages.

This new (4th) edition has been revised.

www.crmoon.com


Product Details

ISBN-13: 9781861717412
Publisher: Crescent Moon Publishing
Publication date: 11/12/2018
Series: Sculptors
Edition description: 4th Reprint ed.
Pages: 180
Product dimensions: 6.14(w) x 9.21(h) x 0.38(d)

Table of Contents

Contents

Note 13

Abbreviations 15

1 Essence 21

2 Fish 33

3 Gender 35

4 Phallus 38

5 Egg 40

6 Birds 42

Illustrations 45

7 Column 145

8 Head 147

9 Kiss 149

10 Influence 154

Notes 163

Bibliography 167

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