Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years, 1960-1975

In Confessional Cinema, Jorge Pérez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco’s dictatorship. Pérez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain’s modernization processes.

Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Pérez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. Confessional Cinema offers a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975.

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Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years, 1960-1975

In Confessional Cinema, Jorge Pérez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco’s dictatorship. Pérez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain’s modernization processes.

Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Pérez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. Confessional Cinema offers a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975.

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Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years, 1960-1975

Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years, 1960-1975

by Jorge Perez
Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years, 1960-1975

Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years, 1960-1975

by Jorge Perez

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Overview

In Confessional Cinema, Jorge Pérez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco’s dictatorship. Pérez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain’s modernization processes.

Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Pérez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. Confessional Cinema offers a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975.


Product Details

ISBN-13: 9781487512453
Publisher: University of Toronto Press
Publication date: 06/16/2017
Series: Toronto Iberic
Sold by: Barnes & Noble
Format: eBook
Pages: 280
File size: 3 MB

About the Author

Jorge Pérez is Peter T. Flawn Centennial Professor of Spanish at the University of Texas at Austin.

Table of Contents

Acknowledgements
Introduction: Film, Religion, and the Desarrollismo periodChapter 1: Lighting Sainthood in the Time of Technocracy
Chapter 2: Praying for Development in Post-Vatican II Comedies
Chapter 3: Gender and Modernization in Nun Films
Chapter 4: Narratives of Suspicion: Religion in the Nuevo Cine Español

Conclusion
Notes
Works Cited
Filmography

What People are Saying About This

Jorge Marí

"Confessional Cinema is a sophisticated work that elegantly intertwines cultural theory, history, and film criticism. Jorge Pérez's analyses are invariably superb, tremendously perceptive, and illuminating. Confessional Cinema is bound to be a most influential work and a fundamental referent in Spanish cultural and film studies for years to come."

Matthew Marr

"This is an outstanding book, and I look forward to referencing it in future graduate courses."

Jorge Marí

"Confessional Cinema is a sophisticated work that elegantly intertwines cultural theory, history, and film criticism. Jorge Pérez's analyses are invariably superb, tremendously perceptive, and illuminating. Confessional Cinema is bound to be a most influential work and a fundamental referent in Spanish cultural and film studies for years to come."

Samuel Amago

"Jorge Pérez has crafted a readable and well organized overview of Spain's desarrollismo years. He successfully fills the gap in scholarly writing with his compelling analysis of the evolving importance played by religion in the Spanish project of modernity."

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