Compact Bedford Introduction to Drama / Edition 6

by Lee A. Jacobus

Overview

Offering a carefully chosen selection of plays from the ancient Greeks to the present — including many new contemporary prize-winners — The Compact Bedford Introduction to Drama has the plays you want to teach and the features students need at a compact size and an affordable price. Twenty-eight chronologically arranged plays are illuminated by insightful commentaries and casebooks that enrich students’ contextual understanding and encourage critical thinking. Concise introductions for each historical period and play emphasize theater design, staging, and acting style, and a wealth of photographs and illustrations help students visualize plays in performance. A fresh new design highlights the contextual features and additional help for students including a guide to writing about drama, a glossary, and new cross-references to a robust companion Web site.

Product Details

ISBN-13:	9780312474898
Publisher:	Bedford/St. Martin's
Publication date:	09/12/2008
Edition description:	Sixth Edition
Pages:	1088
Product dimensions:	7.80(w) x 9.90(h) x 1.40(d)

About the Author

LEE A. JACOBUS is professor emeritus of English at the University of Connecticut and the author/editor of popular English textbooks, among them A World of Ideas: Essential Readings for College Writers, Sixth Edition (Bedford/St. Martin's, 2002); The Longman Anthology of American Drama; and Literature: An Introduction to Critical Reading. Professor Jacobus has written scholarly books on Paradise Lost, on the works of John Cleveland, and on the works of Shakespeare, including Shakespeare and the Dialectic of Certainty. He is also a playwright; two of his plays — Fair Warning and Long Division — were produced in New York by the American Theater of Actors; Dance Therapy , three one-act plays, was produced in New York at Where Eagles Dare Theatre. He is a member of the Dramatists Guild of America. Volcanic Jesus, his book of short stories, is set in Hawaii.

Table of Contents

*New to this edition

Preface for Instructors

INTRODUCTION: THINKING ABOUT DRAMA

What Is Drama?

Drama and Ritual

Drama: The Illusion of Reality

Seeing a Play Onstage

Theaters and Their Effect

Reading a Play

The Great Ages of Drama

  Egyptian Drama

  Greek Drama

  Roman Drama

  Medieval Drama

  Renaissance Drama

  Late Seventeeth- and Eighteenth-Century Drama

  Nineteenth-Century Drama through the Turn of the Twentieth Century

  Drama in the Early and Mid-Twentieth Century

  Contemporary Drama

Genres of Drama

  Tragedy

  Comedy

  Tragicomedy

Elements of Drama

  Plot

  Characterization

  Setting Dialogue

  Music

  Movement

  Theme

Lady Gregory, The Rising of the Moon

GREEK DRAMA

The Development of Greek Drama

The Greeks and Their Gods

The Greek Stage

The Greek Actor

Genres of Greek Drama

  Tragedy

  Satyr Plays

  Comedy

The Great Age of Greek Drama

Greek Drama Timeline

Sophocles, Oedipus Rex

  Oedipus Rex in Performance

  Commentaries

   Aristotle, Poetics: Comedy and Epic and Tragedy

    Sigmund Freud, The Oedipus Complex

    Claude Lévi-Strauss, From The Structural Study of Myth

Aristophanes, Lysistrata

　ROMAN DRAMA

Indigenous Sources

The Greek Influence

The Roman Stage

The Roman Actor

Roman Drama Timeline

Roman Dramatists

  Plautus, Excerpt from The Twin Menaechmi (Act III)

  Terence, Excerpt from The Brothers (Act V)

  Seneca, Excerpt from Thyestes (Act V, Scene ii)

MEDIEVAL DRAMA

The Role of the Church

Miracle Plays

Mystery Plays

Morality Plays

Japanese Drama

The Medieval Stage

The Medieval Actor

Medieval Drama Timeline

Anonymous, Everyman

  Everyman in Performance

RENAISSANCE DRAMA

The Italian Theater

Commedia dell’Arte

Elizabethan Drama

  The Elizabethan Theater

  The Elizabethan Actor

  The Elizabethan Audience

  Female Characters on the English Stage

  The Masque

Spanish Drama

Renaissance Drama Timeline

*William Shakespeare, Hamlet

  *Hamlet in Performance

  Commentaries

    *A. C. Bradley, Hamlet’s Melancholy

    *T. S. Eliot, Hamlet and His Problems

*William Shakespeare, The Tempest

  *The Tempest in Performance

  *A Critical Casebook: The Tempest

  *William Strachey, from True Repertory of the Wreck, 1610

  *Michel de Montaigne, from Of Cannibals, 1580

  *Samuel Taylor Coleridge, Ariel and Caliban, from The Lectures of 1811-1812, Lecture IX

  *E. K. Chambers, The Tempest

  *Robert Browning, Caliban Upon Setebos

  *Aimé Césaire, from A Tempest

  *Ania Loomba, Sycorax

  *Marjorie Garber, The Tempest and Colonialism

LATE SEVENTEENTH- AND EIGHTEENTH-CENTURY DRAMA

Theater on the Continent: Neoclassicism

  French Tragedy

  French Comedy: Molière

Theater in England: The Restoration

  Restoration Comedy

Eighteenth-Century Drama

The Seventeenth- and Eighteenth-Century Actor

Drama in Japan

Late Seventeenth- and Eighteenth Century Drama Timeline

Molière, Tartuffe

  Tartuffe in Performance

  Commentary

    Mel Gussow, Review of Tartuffe

Chikamatsu Monzaemon, The Love Suicides at Sonezaki

  The Love Suicides at Sonezaki in Performance

  Commentary

    Donald H. Shively, The Development of Theater Buildings

NINETEENTH-CENTURY DRAMA THROUGH THE TURN OF THE TWENTIETH CENTURY

The Nineteenth-Century Theater

The Nineteenth-Century Actor

Romantic Drama

Melodrama

The Well-Made Play

The Rise of Realism

Nineteenth-Century Drama Timeline

Henrik Ibsen, A Doll House

  A Doll House in Performance

  Commentary

    Henrik Ibsen, Notes for the Modern Tragedy

    Muriel C. Bradbrook, A Doll’s House: Ibsen the Moralist

August Strindberg, Miss Julie

  Miss Julie in Performance

  Commentary

    August Strindberg, From the Preface to Miss Julie

Oscar Wilde, The Importance of Being Earnest

  The Importance of Being Earnest in Performance

  Commentary

    Joseph Donohue, Interview with Sir Peter Hall, Director of The Importance of Being Earnest

Anton Chekhov, The Cherry Orchard

  The Cherry Orchard in Performance

  Commentaries

    Anton Chekhov, From Letters of Anton Chekhov

    Peter Brook, On Chekhov　

DRAMA IN THE EARLY AND MID-TWENTIETH CENTURY

The Heritage of Realism

Realism and Myth

Myth and Culture

Poetic Realism

Social Realism

Realism and Expressionism

Antirealism

Epic Theater

Absurdist Drama

The Early- and Mid-Twentieth-Century Stage

The Early- and Mid-Twentieth-Century Actor

Early- and Mid-Twentieth-Century Drama Timeline

*Susan Glaspell, Trifles

  *Trifles in Performance

  Commentary

    *Christine Dymkowski, On the Edge: The Plays of Susan Glaspell

Luigi Pirandello, Six Characters in Search of an Author

  Six Characters in Search of an Author in Performance

Eugene O'Neill, Desire Under the Elms

  Desire Under the Elms in Performance

  Commentary

    *Roger Asselineau, "The Quest for God in Desire Under the Elms"

Bertolt Brecht, Mother Courage and Her Children

  Mother Courage and Her Children in Performance

  Commentaries

    Bertolt Brecht, The Alienation Effect

    Bertolt Brecht, Notes for Mother Courage, Scene 12

*Tennessee Williams, Cat on a Hot Tin Roof

  *Cat on a Hot Tin Roof in Performance

  Commentaries

    *Tennessee Williams, Memoirs

    *Brenda Murphy, Tennessee Williams and Elia Kazan Collaborate on Cat

Arthur Miller, Death of a Salesman

  Death of a Salesman in Performance

  Commentary

    Arthur Miller, Tragedy and the Common Man

  A Production Casebook: Death of a Salesman

  Jo Mielziner, Designing a Play: Death of a Salesman

  Elia Kazan, Directing Death of a Salesman

  Arthur Miller, From "The American Theater"

  Brenda Murphy, Racial Consciousness in Casting Death of a Salesman

  June Schluetter and James K. Flanagan, Memorable Willy

  Catherine Diamond, Death of a Salesman in Taipei

*Samuel Beckett, Endgame

  *Endgame in Performance

  Commentary

    Martin Esslin, The Theater of the Absurd

Lorraine Hansberry, A Raisin in the Sun

  A Raisin in the Sun in Performance　

CONTEMPORARY DRAMA

Experimentation

  Theater of Cruelty

  Environmental Theater

  "Poor Theater"

  Theater of Images

  Gay and Lesbian Theater and Other New Ensembles

Experimentation within the Tradition

  *Drama in the United States

  *Drama in Europe: England, Ireland, and France

  *Drama in Asia and Africa

The Contemporary Theater

The Contemporary Actor

Contemporary Drama Timeline

*Caryl Churchill, Cloud Nine

  *Cloud Nine in Performance

Athol Fugard, "MASTER HAROLD" . . . and the Boys

  "MASTER HAROLD"…and the Boys in Performance

  Commentary

    Athol Fugard, From Notebooks 1960-1977

August Wilson, Fences

  Fences in Performance

  Commentary

    Joan Herrington, The Development of Fences

Tony Kushner, Angels in America: Millennium Approaches

  Angels in America in Performance

  Commentary

    Andrea Bernstein, Interview with Tony Kushner

*Suzan-Lori Parks, Topdog / Underdog

  *Topdog/Underdog in Performance

*Sarah Ruhl, Eurydice

  *Eurydice in Performance

*John Patrick Shanley, Doubt

  *Doubt in Performance

*Lynn Nottage, Ruined

  *Ruined in Performance

  Commentary

    *Randy Gener, In Defense of Ruined

Writing about Drama

Writing Criticism about Drama

Approaches to Criticism

  Reader Response Criticism

  Close Reading

From Prewriting to Final Draft: A Sample Essay on The Rising of the Moon

Writing a Review

   What Is the Purpose of a Review?

  What You Need to Write a Good Review

  Preparing to Review a Classic Play

  Preparing to Review a New Play

  Guidelines for Writing Reviews

  Sample Review

Glossary of Dramatic Terms