Committed to Disillusion: Activist Writers in Egypt from the 1950s to the 1980s
Can a writer help to bring about a more just society? This question was at the heart of the movement of al-adab al-multazim, or committed literature, which claimed to dominate Arab writing in the mid-twentieth century. By the 1960s, however, leading Egyptian writers had retreated into disillusionment, producing agonized works that challenged the key assumptions of socially engaged writing. Rather than a rejection of the idea, however, these works offered reinterpretation of committed writing that helped set the stage for activist writers of the present.
David DiMeo focuses on the work of three leading writers whose socially committed fiction was adapted to the disenchantment and discontent of the late twentieth century: Naguib Mahfouz, Yusuf Idris, and Sonallah Ibrahim. Despite their disappointments with the direction of Egyptian society in the decades following the 1952 revolution, they kept the spirit of committed literature alive through a deeply introspective examination of the relationship between the writer, the public, and political power. Reaching back to the roots of this literary movement, DiMeo examines the development of committed literature from its European antecedents to its peak of influence in the 1950s, and contrasts the committed works with those of disillusionment that followed.
Committed to Disillusion is vital reading for scholars and students of Arabic literature and the modern history and politics of the Middle East.

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Committed to Disillusion: Activist Writers in Egypt from the 1950s to the 1980s
Can a writer help to bring about a more just society? This question was at the heart of the movement of al-adab al-multazim, or committed literature, which claimed to dominate Arab writing in the mid-twentieth century. By the 1960s, however, leading Egyptian writers had retreated into disillusionment, producing agonized works that challenged the key assumptions of socially engaged writing. Rather than a rejection of the idea, however, these works offered reinterpretation of committed writing that helped set the stage for activist writers of the present.
David DiMeo focuses on the work of three leading writers whose socially committed fiction was adapted to the disenchantment and discontent of the late twentieth century: Naguib Mahfouz, Yusuf Idris, and Sonallah Ibrahim. Despite their disappointments with the direction of Egyptian society in the decades following the 1952 revolution, they kept the spirit of committed literature alive through a deeply introspective examination of the relationship between the writer, the public, and political power. Reaching back to the roots of this literary movement, DiMeo examines the development of committed literature from its European antecedents to its peak of influence in the 1950s, and contrasts the committed works with those of disillusionment that followed.
Committed to Disillusion is vital reading for scholars and students of Arabic literature and the modern history and politics of the Middle East.

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Committed to Disillusion: Activist Writers in Egypt from the 1950s to the 1980s

Committed to Disillusion: Activist Writers in Egypt from the 1950s to the 1980s

by David DiMeo
Committed to Disillusion: Activist Writers in Egypt from the 1950s to the 1980s

Committed to Disillusion: Activist Writers in Egypt from the 1950s to the 1980s

by David DiMeo

Hardcover

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Overview

Can a writer help to bring about a more just society? This question was at the heart of the movement of al-adab al-multazim, or committed literature, which claimed to dominate Arab writing in the mid-twentieth century. By the 1960s, however, leading Egyptian writers had retreated into disillusionment, producing agonized works that challenged the key assumptions of socially engaged writing. Rather than a rejection of the idea, however, these works offered reinterpretation of committed writing that helped set the stage for activist writers of the present.
David DiMeo focuses on the work of three leading writers whose socially committed fiction was adapted to the disenchantment and discontent of the late twentieth century: Naguib Mahfouz, Yusuf Idris, and Sonallah Ibrahim. Despite their disappointments with the direction of Egyptian society in the decades following the 1952 revolution, they kept the spirit of committed literature alive through a deeply introspective examination of the relationship between the writer, the public, and political power. Reaching back to the roots of this literary movement, DiMeo examines the development of committed literature from its European antecedents to its peak of influence in the 1950s, and contrasts the committed works with those of disillusionment that followed.
Committed to Disillusion is vital reading for scholars and students of Arabic literature and the modern history and politics of the Middle East.


Product Details

ISBN-13: 9789774167614
Publisher: American University in Cairo Press, The
Publication date: 09/07/2016
Pages: 272
Product dimensions: 6.10(w) x 9.10(h) x 0.90(d)

About the Author

David DiMeo is an associate professor and director of the Arabic program at Western Kentucky Universityand has taught Arabic for over twenty years. He holds a PhD from Harvard Universityand an MA from Princeton University. He is co-author with Inas Hassan of The Travels of Ibn Battuta: A Guided Arabic Reader (AUC Press, 2016), and hosts the podcast The Golden Age of Islam.

Table of Contents

Note on Transliteration and Translation vii

Preface and Acknowledgments ix

Introduction 1

Chapter 1 Early Influences on Arabic Committed Literature 15

The Theoretical Problem of Committed Literature 17

The Soviet Legacy of Directed Literature 18

Sartre's Call to Engagement in Post-War France 26

Brecht and Lukács Debate Literature for Social Change 33

Chapter 2 Al-Adab al-Multazim: A Distinctive Arabic Model of Committed Literature 41

Commitment before Iltizam 41

Iltizam in Arabic Literature 46

An Arabic Model of Committed Literature 50

Iltizam in the Nasser Era 54

Committed Literature in the Sadat Era 59

Chapter 3 Naguib Mahfouz: The Exemplar of Multazim Writing in a Period of Disillusion 63

Early Influences 64

Al-Adab al-Multazim in Practice: Mahfouz's A Beginning and an End 68

A Dramatic Change in Style 80

Inverting the Paradigm of Iltizam 88

The Beggar 89

Gossip on the Nile 93

Karnak Café 99

Wedding in the Dome 106

Chapter 4 Yusuf Idris, a Writer of the Revolutionary Era 113

The Multazim Writing of Yusuf Idris: "An Errand" 116

A Turn from Realism 122

"The Alif in al-Ahrar" 126

The Black Policeman 136

"The Aorta" 142

"The Sunken Mattress" 145

"The Piper Dies" 148

Chapter 5 Sonnallah Ibrahim, Son of the Revolution 155

That Smell 158

August Star 167

The Committee 173

Conclusion: From Literary Disillusion to Electronic Revolution 189

An Inversion of al-Adab al-Multazim 191

Activist Writing after al-Adab al-Multazim 195

The Activist Writer in the Electronic Age 198

Defection of the Artists 203

Notes 207

Bibliography 223

Index 231

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