Vocalist
Jane Monheit is a technically adept performer with a style steeped in the resonant, swinging jazz tradition of idols like
Ella Fitzgerald and
Judy Garland. It's a sound that helped her finish as runner-up in the 1998 Thelonious Monk Institute vocal competition, and one which she has applied over the years to a mix of Broadway and jazz standards, as well as bossa nova and Latin songs. She brings all of this past experience to bear on her urbane 2021 album
Come What May -- her first since 2016's tribute
The Songbook Sessions: Ella Fitzgerald.
Come What May again finds her working with her longtime band comprising pianist and musical director
Michael Kanan, drummer and husband
Rick Montalbano, bassist
David Robaire, guitarist
Miles Okazaki, and percussionist
Kevin Winard. Early in the album, there's a brisk rendition of the
Frank Loesser standard "I Believe in You," perfectly setting the dinner club atmosphere to follow. There are also equally thrilling takes on
Irving Berlin's "Let's Face the Music and Dance," the lesser-performed
Harold Arlen &
Ira Gershwin number "The Man That Got Away," and a gorgeously rendered version of the
Billy Strayhorn ballad "Lush Life." Elsewhere,
Monheit draws upon her deep love of Brazilian music with an orchestral-backed reading of
Antonio Carlos Jobim's "Samba Do Aviao,'' and dives into upbeat medley of "On the Sunny Side of the Street"/"Get Happy."
Come What May is a sparkling, intimately rendered album built around the warm cabaret and jazz club vibes
Monheit and her band conjure. ~ Matt Collar
![Rollins in Holland [The 1967 Studio & Live Recordings]](http://prodimage.images-bn.com/pimages/0712758040589_p0_v1_s90x140.jpg "Rollins in Holland [The 1967 Studio & Live Recordings]")
