Table of Contents
Acknowledgments General Introduction
Brian Price PART ONE: COLOR TECHNOLOGY AND VISUAL STYLE Introduction 1. Technicolor
Steve Neale 2. Color Consciousness
Natalie Kalmus 3. Minor Hazards: Disney and the Color Adventure
J.P. Telotte 4. The Post-War Struggle for Color
Dudley Andrew PART TWO: COLOR THEORY Introduction 5. Remarks on Color Film
Rudolf Arnheim 6. A Bergsonian Film: The Picasso Mystery
André Bazin 7. from
Chromophobia David Batchelor 8. Color, the Formless and Cinematic Eros
Brian Price 9. The Colours of Haptic Space: Black and White in Moving Images
Trond Lundemo PART THREE: THE FILMMAKER AS COLOR THEORIST Introduction 10. On Colour
Sergei Eisenstein 11. Banishing Green
Nagisa Oshima 12. Reflections on Color
Eric Rohmer 13. Of Taste and Colors
Eric Rohmer 14. Painting Film
Stan Brakhage PART FOUR: CASE STUDIES Introduction 15. Hitchcock’s Color Designs
Richard Allen 16. All that Heaven Allows: Color, Narrative Space, Melodrama
Mary Beth Haralovich 17. Demonstrating Three-Strip Technicolor:
Becky Sharp Scott Higgins 18. Costuming and the Color System:
Leave Her to Heaven Marshall Deutelbaum 19. The Articulation of Color in a Filmic System:
Deux ou trois chosesque je sais d’elle Edward Branigan 20. Michelangelo Antonioni’s Red Desert: Painting as Ventriloquism and Color as Movement (Architecture and Painting)
Angela Dalle Vacche 21. Blue
Peter Wollen Select bibliography, compiled by Angela Dalle Vacche Index
