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9780393979046
Coleridge's Poetry and Prose: A Norton Critical Edition / Edition 1 available in Paperback
Coleridge's Poetry and Prose: A Norton Critical Edition / Edition 1
by Samuel Taylor Coleridge, Nicholas Halmi, Paul Magnuson, Raimonda Modiano
Samuel Taylor Coleridge
- ISBN-10:
- 0393979040
- ISBN-13:
- 9780393979046
- Pub. Date:
- 07/18/2003
- Publisher:
- Norton, W. W. & Company, Inc.
- ISBN-10:
- 0393979040
- ISBN-13:
- 9780393979046
- Pub. Date:
- 07/18/2003
- Publisher:
- Norton, W. W. & Company, Inc.
Coleridge's Poetry and Prose: A Norton Critical Edition / Edition 1
by Samuel Taylor Coleridge, Nicholas Halmi, Paul Magnuson, Raimonda Modiano
Samuel Taylor Coleridge
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Overview
Coleridge combined the genius of a poet with the mind of a philosophical critic. His writings are wide-ranging in form and content, and vast in number. Norton’s long-awaited edition is the most comprehensive and user-friendly student edition available. Supporting apparatus includes detailed headnotes, footnotes (both Coleridge’s and the editors’), biographical register, glossary, and an index of poems and first lines. "Criticism" includes twenty assessments of Coleridge’s poetry and prose by British and American authors. A Chronology and Selected Bibliography are also included.
Product Details
ISBN-13: | 9780393979046 |
---|---|
Publisher: | Norton, W. W. & Company, Inc. |
Publication date: | 07/18/2003 |
Series: | Norton Critical Editions Series |
Edition description: | First Edition |
Pages: | 832 |
Product dimensions: | 5.60(w) x 9.30(h) x 1.00(d) |
Age Range: | 14 - 17 Years |
About the Author
Nicholas Halmi is Professor of English and Comparative Literature at the University of Oxford and Margaret Candfield Fellow of University College, Oxford. He is the author of The Genealogy of the Romantic Symbol (2007) and numerous articles on British and German Romanticism, editor of Fearful Symmetry: A Study of William Blake in the Collected Works of Northrop Frye (2004), co-editor (with Paul Magnuson and Raimonda Modiano) of the Norton Critical Edition of Coleridge’s Poetry and Prose (2003), textual editor of the Opus Maximum in The Collected Works of Samuel Taylor Coleridge (2002), and an advisory editor of Oxford Scholarly Editions Online.
Paul Magnuson was Professor of English at New York University.
Raimonda Modiano is Professor of English at the University of Washington. She is the author of Coleridge and the Concept of Nature, and co-editor of Volumes II-V of Coleridge’s Marginalia (Princeton).
Paul Magnuson was Professor of English at New York University.
Raimonda Modiano is Professor of English at the University of Washington. She is the author of Coleridge and the Concept of Nature, and co-editor of Volumes II-V of Coleridge’s Marginalia (Princeton).
Table of Contents
List of Illustrations | xiii | |
General Introduction | xv | |
Textual Introduction | xxi | |
Acknowledgments | xxiii | |
Permissions Acknowledgments | xxiv | |
Abbreviations | xxv | |
The Texts of Coleridge's Poetry and Prose | ||
Poems on Various Subjects (1796) | 3 | |
Preface | 4 | |
Monody on the Death of Chatterton | 5 | |
To a Young Lady with a Poem on the French Revolution | 10 | |
Effusions | 12 | |
Effusion I [To Bowles] | 12 | |
Effusion II [To Burke] | 14 | |
Effusion III [To Pitt] | 14 | |
Effusion IV [To Priestley] | 14 | |
Effusion V [To Erskine] | 14 | |
Effusion VI [To Sheridan] | 15 | |
Effusion XX. To the Author of the "Robbers" | 16 | |
Effusion XXII. To a Friend together with an Unfinished Poem | 16 | |
Effusion XXXV. Composed August 20th, 1795, at Clevedon, Somersetshire [The Eolian Harp] | 17 | |
Religious Musings | 20 | |
Ode on the Departing Year (1796) | 34 | |
To Thomas Poole, of Stowey | 35 | |
Ode on the Departing Year | 37 | |
Poems (1797) | 43 | |
To the Reverend George Coleridge, of Ottery St. Mary, Devon | 44 | |
From Preface to the Second Edition | 46 | |
Introduction to the Sonnets | 48 | |
Sonnet IV. To the River Otter | 50 | |
Sonnet IX. Composed on a journey homeward ... | 51 | |
Sonnet X. To a Friend ... | 52 | |
Reflections on Having Left a Place of Retirement | 52 | |
Lyrical Ballads (1798, 1800) | 54 | |
The Rime of the Ancyent Marinere, in Seven Parts (1798) | 58 | |
The Rime of the Ancient Mariner (1834) | 59 | |
The Foster-Mother's Tale, A Dramatic Fragment | 100 | |
The Nightingale; A Conversational Poem, Written in April, 1798 | 102 | |
The Dungeon | 105 | |
Love | 106 | |
Fears in Solitude (1798) | 108 | |
Fears in Solitude | 110 | |
France. An Ode | 116 | |
Frost at Midnight | 120 | |
The Morning Post and the Annual Anthology (1800) | 123 | |
The Visions of the Maid of Orleans | 125 | |
Recantation, Illustrated in the Story of the Mad Ox | 129 | |
Lines Written in the Album at Elbingerode, in the Hartz Forest | 133 | |
To a Friend | 134 | |
This Lime-Tree Bower My Prison | 136 | |
Sonnet XII. To W. L. Esq. | 139 | |
Fire, Famine, & Slaughter. A War Eclogue | 140 | |
Dejection: An Ode (1802) | 143 | |
A Letters to--[Sara Hutchinson] | 145 | |
Dejection: An Ode | 155 | |
Christabel, Kubla Khan, and the Pains of Sleep (1816) | 158 | |
Christabel | 161 | |
Preface | 161 | |
Christabel | 162 | |
Kubla Khan: or A Vision in a Dream | ||
Of the Fragment of Kubla Khan | 180 | |
Kubla Khan | 182 | |
The Pains of Sleep | 184 | |
Sibylline Leaves (1817) | 185 | |
Preface | 186 | |
Love-Poems | 188 | |
The Picture, or The Lover's Resolution | 188 | |
The Visionary Hope | 192 | |
Recollections of Love | 193 | |
Meditative Poems in Blank Verse | 194 | |
Hymn Before Sun-rise, in the Vale of Chamouny | 195 | |
Inscription for a Fountain on a Heath | 198 | |
A Tombless Epitaph | 198 | |
To a Gentleman [William Wordsworth] | 200 | |
Poetical Works (1828, 1829, 1834) | 203 | |
Poetical Works (1828). Prose in Rhyme: or, Epigrams, Moralities, and Things Without a Name | 206 | |
Phantom or Fact? A Dialogue in Verse | 206 | |
Work Without Hope | 207 | |
A Day Dream | 208 | |
Lines Suggested by the Last Words of Berengarius | 209 | |
Constancy to an Ideal Object | 210 | |
Prefatory Note to The Wanderings of Cain | 211 | |
The Wanderings of Cain | 214 | |
Poetical Works (1829) | ||
The Garden of Boccaccio | 218 | |
Poetical Works (1834). Miscellaneous Poems | ||
Phantom | 221 | |
Youth and Age | 221 | |
Love's Apparition and Evanishment | 223 | |
A Character | 224 | |
--E coelo descendit [characters not reproducible]--Juvenal | 226 | |
Epitaph | 227 | |
Uncollected Poetry | 227 | |
[Apologia pro vita sua] | 228 | |
The Day Dream | 228 | |
[Metrical Experiments, 1805] | 229 | |
A Thought Suggested by a View of Saddleback | 230 | |
[Notebook Fragment, 1806] | 231 | |
[Notebook Fragment, 1807] | 231 | |
[Notebook Fragment, 1810] | 232 | |
[Notebook Fragments, 1811] | 233 | |
From a Moral and Political Lecture (1795) | 236 | |
Conciones ad Populum. or Addresses to the People (1795) | 248 | |
From On the Present War | 250 | |
Lectures on Revealed Religion (1795) | 258 | |
from Lecture 2 | 259 | |
from Lecture 5 | 263 | |
from Lecture 6 | 269 | |
0rom the Plot Discovered; or an Address to the People, Against Ministerial Treason (1795) | 274 | |
The Watchman (1796) | 280 | |
Prospectus | 282 | |
Modern Patriotism | 284 | |
On the Slave Trade | 287 | |
Once a Jacobin Always a Jacobin (1802) | 299 | |
Lectures on Literature (1811-12, 1818) | 306 | |
[On Romeo and Juliet] | 309 | |
[On Ancient and Modern Drama and The Tempest] | 320 | |
[On Hamlet] | 332 | |
[On Dramatic Illusion] | 336 | |
Essays on the Principles of Genial Criticism (1814) | 338 | |
from Essay 2 | 340 | |
from Essay 3 | 344 | |
Lay Sermons (1816-17) | 351 | |
From The Statesman's Manual; or The Bible the Best Guide to Political Skill and Foresight | 354 | |
From Appendix C of The Statesman's Manual | 362 | |
From A Lay Sermon ("Blessed are ye that sow beside all Waters!") | 369 | |
Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions (1817) | 372 | |
From Volume 1 | ||
Chapter 1 | 377 | |
From Chapter 2 | 393 | |
From Chapter 3 | 398 | |
Chapter 4 | 407 | |
From Chapter 5 | 421 | |
From Chapter 6 | 423 | |
From Chapter 7 | 427 | |
From Chapter 8 | 433 | |
From Chapter 9 | 439 | |
From Chapter 10 | 449 | |
From Chapter 11 | 461 | |
From Chapter 12 | 463 | |
Chapter 13 | 481 | |
From Volume 2 | ||
Chapter 14 | 489 | |
From Chapter 17 | 496 | |
From Chapter 18 | 505 | |
From Chapter 19 | 516 | |
From Chapter 20 | 517 | |
From Chapter 22 | 523 | |
From Chapter 24 | 544 | |
The Friend (1818) | 552 | |
[Reason and Understanding] | 555 | |
From Essays on the Principles of Method | 560 | |
Aids to Reflection (1825) | 568 | |
from Preface | 570 | |
from Moral and Religious Aphorisms | 573 | |
from Aphorisms on Spiritual Religion | 575 | |
On the Constitution of the Church and State (1830) | 576 | |
From Chapter 2 | 579 | |
Chapter 5 | 582 | |
Miscellaneous Prose | ||
Androgynous Minds | 587 | |
The Bible | 587 | |
Death | 588 | |
Dreams and Sleep | 589 | |
Education | 591 | |
Evil | 592 | |
Feelings | 592 | |
The French Revolution | 593 | |
John Keats | 594 | |
Language | 594 | |
Life | 596 | |
Love, Lust, and Friendship | 597 | |
Madness | 598 | |
Nature | 599 | |
Opium | 601 | |
Pantheism | 602 | |
Parliamentary Reform | 603 | |
Philosophy | 604 | |
Platonists and Aristotelians | 605 | |
Poetry | 605 | |
Prayer | 605 | |
Religion | 606 | |
Self-Analysis | 607 | |
Symbol | 608 | |
Women | 609 | |
William Wordsworth | 609 | |
The Letters (1796-1820) | 610 | |
To John Thelwall (November 19, 1796) | 611 | |
To Thomas Poole (February 6, 1797) | 613 | |
To Thomas Poole (March 1797) | 614 | |
To Joseph Cottle (April 1797) | 617 | |
To Thomas Poole (October 9, 1797) | 618 | |
To Thomas Poole (October 16, 1797) | 620 | |
To Thomas Poole (February 19, 1798) | 624 | |
To George Coleridge (c. March 10, 1798) | 626 | |
To Thomas Poole (March 16, 1801) | 627 | |
To Thomas Poole (March 23, 1801) | 628 | |
To William Sotheby (September 10, 1802) | 630 | |
To Sara Coleridge (November 23, 1802) | 632 | |
To Thomas Wedgwood (September 16, 1803) | 633 | |
To Thomas Poole (October 14, 1803) | 636 | |
To J. J. Morgan (May 14, 1814) | 637 | |
To J. J. Morgan (May 15, 1814) | 639 | |
To Thomas Allsop (March 30, 1820) | 640 | |
Criticism | ||
Nineteenth Century: Britain | ||
The Prelude (1805), book 6, lines 249-331 | 645 | |
from Christ's Hospital Five and Thirty Years Ago | 647 | |
from Letters | 648 | |
from [The Album of a London Bookseller] | 649 | |
from Lectures on the English Poets | 649 | |
from The Spirit of the Age | 650 | |
from The Life and Correspondence of Charles Mathews the Elder, Comedian | 653 | |
from Samuel Taylor Coleridge | 654 | |
from Autobiography | 657 | |
from The Life of John Sterling | 658 | |
from Coleridge | 662 | |
Fineteenth Century: United States | ||
from Letters | 665 | |
from Journals and Miscellaneous Notebooks | 666 | |
from First Visit to England | 666 | |
from Letter to B-- | 668 | |
from a Review of Letters, Conversations and Recollections | 668 | |
from Art, Literature and the Drama | 669 | |
Twentieth Century | ||
0rom A Poem of Pure Imagination: An Experiment in Reading | 671 | |
from Structure and Style in the Greater Romantic Lyric | 682 | |
Coleridge and the Deluded Reader: "The Rime of the Ancient Mariner" | 696 | |
From "Christabel": The Wandering Mother and the Enigma of Form | 710 | |
From Wordsworth and Coleridge: The Radical Years | 722 | |
Coleridge on Shakespeare: Method Amid the Rhetoric | 731 | |
from The Biographia Literaria and the Contentions of English Romanticism | 738 | |
[Coleridge's Theory of the Imagination] | 750 | |
from The Idea of the Clerisy: Samuel Taylor Coleridge | 755 | |
Biographical Register | 769 | |
Glossary | 775 | |
Coleridge: A Chronology | 779 | |
Selected Bibliography | 785 | |
Index of Poem Titles and First Lines | 793 |
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