Coastliners

by Joanne Harris Narrated by Vivien Benesch

Overview

The island of Le Devin is shaped somewhat like a sleeping woman. At her head is the village of Les Salants, while the more prosperous village of La Houssinière lies at her feet. You could walk from one to the other in an hour, but they could not be farther apart, for between them lie years of animosity.

The villagers of Les Salants say that if you kiss the feet of their patron saint and spit three times, something you've lost will come back to you. And so Madeleine, who grew up on the island, returns after an absence of ten years spent in Paris. She is haunted by this place and has never been able to feel at home anywhere else.

But when she arrives, she finds her father -- who once built the fishing boats that fueled the village's livelihood -- has become more silent than ever, withdrawing almost completely. His decline seems reflected in the village itself, for when the only beach in Les Salants washed away, all of the tourists drifted to La Hodssinière.

Madeleine, herself adrift for a long time, soon finds herself united with the village's other lost souls in a struggle for survival and salvation.

Performed by Vivien Benesch

Editorial Reviews

Beth Kephart

In 1999 Harris burst onto the scene with Chocolat, a simple tale of sometimes quirky charm that captivated both a large readership and Hollywood executives. With Coastliners, her fourth novel in four years, Harris introduces readers to a sleepy French island and a narrator, Mado, who has returned to the place after many years away and quickly asserts herself in the mysterious politics of the locals. At issue here is the land itself—the way the sand has leaked away into the sea at one end of the island, and the way a savvy businessman on the island's other end is taking rather suspicious advantage of the tides. In seeking to rescue the part of the island that was her childhood home, Mado reenters the world of her nearly mute and disturbed father, becomes embroiled in local politics, falls in love and happens across the long-hidden secrets of her family. Impressively researched and filled to the brim with surprising plot twists, this deeply felt book is the best work yet of this prolific writer.

Publishers Weekly

Family history meets village rivalry in Harris's poignant fourth novel, an understated passion play set on the provincial French island of Le Devin. Madeleine Prasteau leaves her Paris apartment to return to the island village of Les Salants, where she discovers that her father, a widowed boat owner, is going downhill along with the village itself as the rival town of La Houssini re grows and prospers. Despite her father's chilly greeting, Madeleine spruces up the family home, and when she meets an attractive, mysterious stranger named Flynn she gets involved in a project to save Les Salants by building a homemade reef to restore the fast-eroding beach. The project gets complicated when Madeleine realizes that Flynn has ties to Brismand, a rival of her father's, who controls local commerce in La Houssini re. The reef project succeeds, but with a bitter aftertaste when Madeleine's older sister, Adrienne, moves back to the island and her father becomes infatuated with Adrienne's children. Sibling rivalry fades to the background when Madeleine learns that Flynn's ties to Brismand extend into her own family history, and she discovers that Flynn was an integral part of a romantic triangle involving her father and Brismand. Harris develops her beguiling story in layers, drawing Madeleine into the village life she loves and loathes while exploring the nuances of island living. Despite the narrowly focused setting, Harris exposes a wide range of passions and emotions as Madeline gets involved with Flynn against the effective backdrop of the various family and village rivalries. This book lacks the lurid erotic power of Chocolat, but Harris compensates for the lowered levels of passion and eros by writing with power and grace about the family ties that bind. 6-city author tour. (Sept.) Forecast: Chocolat and Five Quarters of the Orange were bestsellers, and Coastliners should match their performance so long as readers don't balk at the absence of a culinary hook.

Library Journal

As in her previous work, Harris (Chocolat) is a master at the long, quiet, atmospheric novel in which it appears that nothing much is happening. Here she describes the rich and rough shoreline of Le Devin, a small French island with a quickly eroding coastline, inhabited by generations of families whose feuds are the equal of the Montagues and the Capulets. Then there are smaller feuds between fishermen and tourist-mongers, plus a vague family feud between Madeleine and her sister Adrienne. At first it seems nothing much is happening, until we realize that landscape approaches the level of metaphor, and while listeners were dreamily lost in her lush descriptions read by Vivienne Benesch, the author has portrayed the lives of her characters as changing dramatically, and irreversibly. Only in the last third of the book do things happen quickly, and importantly enough one is tempted to go back and replay other sections. Yes, all the seeds are there, and we should have guessed them, but it's a tribute to Harris's writing that we did not. While a few events are clich d and almost predictable, there are enough surprises to satisfy listeners. Short, clearly focused chapters make this ideal for long, quiet drives, or while resting lazily before sleep. Highly recommended.-Rochelle Ratner, formerly with "Soho Weekly News," New York Copyright 2003 Reed Business Information.

Boston Herald

[Harris] proves she doesn’t need pantry ingredients to cook up a delectable story.

AUG/SEP 03 - AudioFile

Fans of Joanne Harris's novels will anticipate details that convey sensory experiences and a sense of place. While Harris creates a strongly evoked island world in this title, Anne Cater's voice is so soft that it’s sometimes hard to distinguish which character is speaking. While the main character, Mado, is a spirited young woman, Cater overplays her as an ingenue. Furthermore, Cater's muffled delivery makes it difficult to pay attention to which character is speaking. R.F. © AudioFile 2003, Portland, Maine

Product Details

BN ID:	2940173543523
Publisher:	HarperCollins Publishers
Publication date:	08/16/2005
Edition description:	Unabridged

Read an Excerpt

Chapter One

I returned after ten years' absence, on a hot day in late August, on the eve of summer's first bad tides. As I stood watching the approach from the deck of Brismand 1, the old ferry into La Houssinière, it was almost as though I had never left. Nothing had changed: the sharp smell of the air; the deck beneath my feet; the sound of the gulls in the hot blue sky. Ten years, almost half my life, erased at a single stroke, like writing in the sand. Or almost.

I'd brought scarcely any luggage, and that reinforced the illusion. But I'd always traveled light. We both had, Mother and I; there had never been much to weigh us down. And at the end it had been I who paid the rent for our Paris flat, working in a dingy late-night café to supplement the income from the paintings Mother hated so much, while she struggled with her emphysema and pretended not to know she was dying.

All the same I should have liked to have returned wealthy, successful. To show my father how well we'd managed without his help. But my mother's small savings had run out long ago, and my own -- a few thousand francs in a Crédit Maritime; a folder of unsold paintings -- amounted to little more than we'd taken with us the day we left. Not that it mattered. I was not planning to stay. However potent the illusion of time suspended, I had another life now. I had changed.

No one looked at me twice as I stood slightly apart from the others on the deck of the Brismand 1. It was high season, and there were already a good number of tourists aboard. Some were even dressed as I was, in sailclothtrousers and fisherman's vareuse -- that shapeless garment halfway between a shirt and a jacket -- town people trying too hard not to look it. Tourists with rucksacks, suitcases, dogs, and children stood crammed together on the deck among crates of fruit and groceries, cages of chickens, mailbags, boxes. The noise was appalling. Beneath it, the hissshh of the sea against the ferry's hull and the screee of gulls. My heart was pounding with the surf.

As Brismand 1 neared the harbor I let my eyes travel across the water toward the esplanade. As a child I had liked it here; I'd often played on the beach, hiding under the fat bellies of the old beach huts while my father conducted whatever business he had at the harbor. I recognized the faded Choky parasols on the terrasse of the little café where my sister used to sit; the hot dog stand; the gift shop. It was perhaps busier than I remembered; a straggling row of fishermen with pots of crabs and lobsters lined the quay, selling their catch. I could hear music from the esplanade; below it, children played on a beach that, even at high tide, seemed smoother and more generous than I remembered. Things were looking good for La Houssinière.

I let my eyes roam along the Rue des Immortelles, the main street, which runs parallel to the seafront. I could see three people sitting there side by side in what had once been my favorite spot: the seawall below the esplanade overlooking the bay. I remembered sitting there as a child, watching the distant gray jawbone of the mainland, wondering what was there. I narrowed my eyes to see more clearly; even from halfway across the bay I could see that two of the figures were nuns.

I recognized them now as the ferry drew close -- Soeur Extase and Soeur Thérèse, Carmelite volunteers from the nursing home at Les Immortelles, were already old before I was born. I felt oddly reassured that they were still there. Both nuns were eating ice creams, their habits hitched up to their knees, bare feet dangling over the parapet. The man sitting beside them, face obscured by a wide-brimmed hat, could have been anyone.

The Brismand 1 drew alongside the jetty. A gangplank was raised into place, and I waited for the tourists to disembark. The jetty was as crowded as the boat; vendors stood by selling drinks and pastries; a taxi driver advertised his trade; children with trolleys vied for the attention of the tourists. Even for August, it was busy.

“Carry your bags, mademoiselle?” A round-faced boy of about fourteen, wearing a faded red T-shirt, tugged at my sleeve. “Carry your bags to the hotel?”

“I can manage, thanks.” I showed him my tiny case.

The boy gave me a puzzled glance, as if trying to place my features. Then he shrugged and moved on to richer pickings.

The esplanade was crowded. Tourists leaving; tourists arriving; Houssins in between. I shook my head at an elderly man attempting to sell me a knot work key ring; it was Jojo-le-Goëland, who used to take us for boat rides in summer, and although he'd never been a friend -- he was an Houssin, after all -- I felt a pang that he hadn't recognized me.

“Are you staying here? Are you a tourist?” It was the round-faced boy again, now joined by a friend, a dark-eyed youth in a leather jacket who was smoking a cigarette with more bravado than pleasure. Both boys were carrying suitcases.

“I'm not a tourist. I was born in Les Salants.”

“Les Salants?”

“Yes. My father's Jean Prasteau. He's a boatbuilder. Or was, anyway.”

“GrosJean Prasteau!” Both boys looked at me with open curiosity.

They might have said more, but just then three other teenagers joined us. The biggest addressed the round-faced boy with an air of authority.

“What are you Salannais doing here again, heh?” he demanded. “The seafront belongs to the Houssins, you know that. You're not allowed to take luggage to Les Immortelles!”

“Who...”

Coastliners. Copyright © by Joanne Harris. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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