Closing Costs

Closing Costs

by Seth Margolis

Narrated by Susan Denaker

Unabridged — 12 hours, 19 minutes

Closing Costs

Closing Costs

by Seth Margolis

Narrated by Susan Denaker

Unabridged — 12 hours, 19 minutes

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Overview

When Peggy Gimmel decides to sell the apartment she bought decades ago for a few thousand dollars, she's thrilled to discover that it's worth almost $2 million. But her sudden windfall triggers a cascade of unexpected events and plunges her into the dizzying orbit of Lucinda Wells, one of Manhattan's most successful and ruthless real-estate agents. Peggy's not the only one at Lucinda's mercy. There's also the technology entrepreneur struggling to salvage his sinking company while gut-renovating his home. The socialite exiled from Park Avenue to the pullout sofa of her parents' West Side apartment. The illegal immigrant amassing a fortune printing money. The clueless widow trying to unload a world-class collection of fake artwork. These are just some of the characters whose lives intersect in unlikely ways, all of them nearly overwhelmed by the rocketing real-estate market and the hard-charging broker who holds the key to their futures.

As he interweaves these often suspenseful and frequently comical stories, Margolis captures the zeitgeist of a cultural moment, keeping us listening with the rise and fall of his characters' fortunes.

Editorial Reviews

Booklist

Fans of Tom Wolfe and Jonathan Franzen will revel in this zesty tale of penthouse envy and dot-com detumescence set in Manhattan's lofty world of up-and-coming millionaires and down-and-out billionaires. Riding the wave of heady success of his software firm's initial IPO, Guy and Rosemary Pierce are in the market for a larger home for their equally burgeoning family. They're headed uptown, to a condo belonging to the parents of Lily Gimmel Grantham, wife of Wall Street investor Barnett Grantham. The Granthams, meanwhile, are evicted from their Park Avenue penthouse in the wake of a multimillion-dollar stock scandal that causes Barnett to flee the country and Lily to move into her parents' new, but decidedly smaller, downtown apartment. Orchestrating this co-op cha-cha is uberrealtor, Lucinda Wells, a brittle dynamo whose early childhood bedtime stories must have been written by Donald Trump rather than Mother Goose. From Lucinda's IM-speak dialogue to Lily's couturier wardrobe, Margolis adroitly targets New York society's egregious excesses with laserlike accuracy.
&&151;(Carol Haggas Copyright © American Library Association. All rights reserved)

Publishers Weekly

The white-hot Manhattan real estate market forms the backdrop for Margolis's fifth novel, a pithy but slow-moving ensemble character study that weaves together the tales of several Manhattan couples trying to survive on the housing bubble's uncertain edge. The novel opens with Lucinda Wells, a gorgeous, high-power real estate maven, orchestrating the buying and selling of upscale apartments. Her most intriguing clients are the Granthams, who have to sell their digs after the Feds arrest Barnett Grantham for allegedly embezzling millions from his employer. He soon flees the country, leaving his wife, Lily (and the G-men) to track him down. Unfortunately, the other story lines are less lively; in a far more ordinary subplot, the upwardly mobile Guy and Rosemary Pearson see their future (and apartment financing) wither when Pearson's software company stock tanks and he becomes the victim of a corporate ouster. The well-drawn characters complement Margolis's wry observations on Manhattan life and the ups and downs of marriage and career, and though the real estate angle may fail to pique those living west of the Hudson, it will certainly resonate with New Yorkers. (Aug.) Copyright 2006 Reed Business Information.

Product Details

BN ID: 2940169087871
Publisher: Penguin Random House
Publication date: 08/08/2006
Edition description: Unabridged

Read an Excerpt

Chapter One

"It's time to sell," Peggy Gimmel announced to her husband, Monroe, at the kitchen table on the second Tuesday morning in May.

"Not in this market," he said without looking up from the stock tables in the Times. "We're about to hit bottom. This is a buying opportunity."

"The apartment, Monroe," she said with slow emphasis. "It's time...to sell...the apartment."

He grunted and slowly moved the magnifying glass down the column of stock prices. Luckily their kitchen faced the sunless courtyard or he'd start a fire.

Monroe was obsessed with the stock market. All the financial experts on cable talked about needing a long-term outlook to make money in the market. But what kind of long-term outlook could a man of eighty-two have? Listen, at my age I don't buy green bananas. How many times a week did she hear that line at the bridge table or supermarket? Now Monroe was buying stocks in companies with unpronounceable names stuffed with x's and z's. Companies that could use a few more vowels, in Peggy's opinion. Who knew what these outfits did for a living, other than take investors' hard-earned money? True, for a few years there he was actually making money—-on paper, of course; God forbid he should sell anything. There was no talking to him, really, he was so full of himself and his fancy investing skills. "I made more this week from Z-linq than I made in a year selling blouses," he'd say. What the hell was Z-linq, she wanted to ask, and what's with that q, anyway? Then the markets turned sour and so did Monroe. He rarely spoke anymore, and when he did he sounded angry and resentful. All day he watched the stock prices march across the bottom of the TV screen as if it were an EKG reading. His EKG.

"Sonia at the bridge club thinks we could get nine-fifty."

He didn't react—-what was a million dollars to a Wall Street macher like Monroe? But $950,000 was exactly $925,000 more than they'd paid thirty-six years earlier, when the apartment went co-op. Back then everyone told them they were crazy to buy an apartment in Manhattan. A piece of paper, that's what you'll own, they told her. Co-op, schmo-op, get yourself a real house with some ground if you want to throw your money away on real estate. But it was buy or move out—-an eviction plan, they called it; the term nearly gave her a coronary, even back then when she was young (well, younger)—-so they borrowed from Peggy's brother and took the plunge. Oh, how she wished she could tell those people what the place was worth now. Monroe's parents. The Fishmans, who had rented next door but moved to Bayside rather than throw their money away on a piece of paper. Her friend Frieda Brand, who thought the whole world was out to swindle her and every other Jew on the planet. Even her brother, who lent her the money after hocking her to China about what a mistake they were making. But they were all gone, them and half the people she knew. It was like crossing the finish line of some long, exhausting race, then turning around, ready for the applause, only to find that all the contestants and all the spectators had already left the field. Old age isn't for wimps—-who was the genius who said that?

"Lily recommended the broker she used to buy her place," she told Monroe.

Still no reaction.

Their daughter's apartment on Park Avenue was roughly three times the size of their place, but Lily said the broker she'd used wouldn't mind. Her actual words, "wouldn't mind." Some world, when people wouldn't mind collecting the commission on a million dollars. Then again, Lily's husband, Barnett, probably earned that much in one day on Wall Street.

"Who needs three bedrooms, anyway? When was the last time we had overnight visitors?" The grandchildren never spent the night, probably thought you needed a passport to come to the West Side. Or shots. "We'll buy a smaller place, or we'll rent." Monroe had put down the magnifying glass and picked up a pen. He circled something, his hand trembling as it always did. He'd probably circle the wrong stock, she thought, and maybe then they'd make some money.

"We'll invest the difference," she said to get his attention.

"Invest?" He glanced at her. His blue eyes had faded in the fifty-two years they'd been married, but they were still the youngest thing about him, like the sequins on that Anne Klein II cocktail dress she'd paid a fortune for that still glittered like diamonds every time she opened her closet even though the dress itself was faded and limp. His eyes still glittered like diamonds, at least for her.

"In Treasury bonds, Monroe. Think of the income."

He frowned and turned back to his portfolio. She'd call the real-estate broker at nine-thirty; she certainly didn't need Monroe's permission for something as unimportant as selling their home! Peggy smiled and got up for a second cup of decaf. Sometimes she wanted to tell Lily not to worry so much about what Barnett did or said. She was a strong, intelligent woman who danced around him like a geisha. Maybe she was grateful for the big apartment and the trainer and the drapes in the living room that cost $750 a yard, but Don't overdo the gratitude, she wanted to say, just wait until you're both old like us. Then you'll see that the women always get the upper hand in the end. And it's worth the wait, she'd say, getting last licks in life. They get terrified you'll die before them, these husbands, that's why when the wife goes first, they either remarry in a hurry or drop dead in six months. But her women friends, when their husbands went they threw a nice funeral at Riverside Chapel, settled the estate lickety-split, and then hit the road. Package tours to Europe first, to get their feet wet, then Asia and Africa and even the Galapagos, for God's sake, with bridge games and theater subscriptions and concerts at Lincoln Center to keep them occupied between cab rides to JFK.

Relax, she wished she could tell Lily, relax and wait. But the last thing her daughter wanted from her was advice. She sat down with her coffee, took the phone from its cradle, and dialed her daughter's number.

Lily Grantham heard the phone ring from the bathroom, where she was toweling off after her morning shower. Barnett had long since left for his office downtown.

"Let it ring!" she shouted. But her voice died somewhere in the long hallway that connected the master bedroom suite to the nine other rooms in the apartment. After two rings someone picked up.

"I'm not here!" she shouted, again futilely. Only one person ever called her before nine o'clock.

Awaiting the inevitable summons to the phone, she tossed the wet towel in a corner and began her daily appraisal before the mirror. Face: almost wrinkle free, thanks to a bit of work around the eyes (her high forehead had always been smooth). Breasts: she wouldn't pass the pencil test, but they hadn't hit her navel yet, and in the right bra they still looked great. Tummy: flat, as well it should be, thanks to the tightly regulated diet prescribed by her nutritionist, Lori LaChant, and the eight million sit-ups a day with D'Arcy, her trainer, who'd lately added a dash of sadism to her regimen by hurling a medicine ball at her abdomen mid—sit-up. Legs: long as ever, incipient saddlebags taken care of by Dr. Nabaladan last year. The battle won another day, she thought with the usual surge of anxious relief.

"Mrs. Grantham, it's your mother." Nanny's nasally British voice had no trouble finding its way through the bedroom and into her bathroom.

"Tell her I'll be right there."

"I'll finish up the children's breakfast," Nanny said unnecessarily. She never missed an opportunity to remind Lily that she handled most of the child-related chores on the ninth floor at 913 Park Avenue.

She slipped on a white, floor-length terry-robe and went to the phone on her side of the bed.

"Hello, Mother."

"Did I wake you up?" Peggy Gimmel asked, as she always did when calling before noon. Lily sighed. That made two people with censure in their voices, and it wasn't even nine o'clock.

"I'm just getting out of the shower."

"Listen, sweetie, you said you knew a real-estate broker."

"Lucinda Wells."

"Good, give me her number."

"Are you sure about this? You've lived there so long, and it's not as if you have a mortgage to pay."

"It's just too big. The other day I found dust on the radiator in the guest room. Dust!"

Her mother had always looked on dust as something animate, an Anschluss of tiny living creatures who invaded her home the moment her back was turned.

"You could get a cleaning lady."

"Or I could move."

"I just think you should give it some more thought. Lucinda's very aggressive. Once you get her involved, you'll find it hard to turn back."

She couldn't explain it even to herself, but the thought of her parents moving made Lily very uneasy.

"I know it's hard to think of us selling the home you grew up in."

"That's not it," she said quickly, but she felt a shiver of vulnerability. They lived in two different worlds now, but Peggy could still read her mind. The truth was, she found her childhood home depressing, from the half-century of accumulated cooking odors that greeted her on the elevator landing to the thirty-year-old rust-colored shag carpet on the living-room floor—-she always half expected to see John Travolta disco into the room in a white suit. And yet the idea of someone else living in 6D brought on something that felt close to panic.

"Listen, you don't have to pretend with me."

"Mother, I don't—-"

"What's her phone number?"

Lily tossed the phone onto the unmade bed and went to get her address book.

Rosemary Pierce opened the door to her apartment and let in a tornado. Lucinda Wells blew past her into the tiny foyer, its floor all but obliterated by the twins' baby paraphernalia: double stroller, car seats, diaper bag, toys. Rosemary had meant to clean up. She was always meaning to clean up. She peeled off the "Knock lightly, no doorbell—-babies sleeping" note she'd taped to the front door and closed it.

"This is faaaaabulous," Lucinda said. She turned around slowly but pointlessly, as the entire, patently unfabulous apartment was all too visible from a single angle: cramped living room, alcove kitchen, two small, dark bedrooms, one darker bedroom. "I love what you've done with it."

What they'd done with it was allow an invasion of stuff since the twins, Patrick and Edward, were born four months earlier. The focal point of the living room was two battery-operated swings in which the boys had been sleeping for five minutes. If Rosemary played her cards right, twice a day she could get both babies asleep simultaneously and have some time to herself. Yesterday she'd pulled off a full nine minutes of serenity.

"It's a bit of a mess, really."

"You'll move a few things out for the open house," Lucinda said. "I'll get someone in to help you."

Lucinda Wells had been recommended by a friend whose friend had used her to find an apartment. She looked about thirty-five, tall and leggy with a long, lean face to which she'd expertly applied a diverse palette of makeup, particularly around her jutting cheekbones and large, deep-set eyes. Her dark-brown, blond-highlighted hair fell to her shoulders. She wore a lavender cotton sweater that showcased small but shapely breasts, along with khaki linen pants and a pair of aggressively pointy high-heeled pumps.

"Just a few things have to go for the open house. We'll leave one of the swings here—-buyers like to know that an apartment can handle an infant, even if they don't already have one. But two might be off-putting."

Two children or two swings? Rosemary was just five pounds above her prepregnancy weight but felt enormous and logy next to the coiled spring of Lucinda Wells.

"How big a place are you looking for?" she asked as she headed through the living room into the master bedroom. "I forgot how small the bedrooms are in this line. That's a king-size bed, am I right?"

"Yes."

"How big?"

"Oh, well, we'd like at least two bedrooms and two bathrooms. Anything bigger would be great, though we understand in this market—-"

"How far north are you willing to go?" Lucinda sat on the unmade king-size bed and took a Palm Pilot from a leather satchel.

How far north—-was she looking for a geographical or financial response? Rosemary was a graduate of Wellesley and had a Ph.D. in art history from Columbia. She'd been a specialist in twentieth-century decorative arts at Atherton's, the auction house, but had to take a medical leave in her eighth month when pregnancy-related high blood pressure had been diagnosed. Five months out of the workforce—-the paid workforce, she reminded herself—-and she already felt hopelessly out of touch. So five minutes ago, to use an expression she had employed to deride clients who just didn't get it. Now she feared she was the one not getting it. Even so five minutes ago seemed so five minutes ago.

"If you mean how far uptown, we'd like to stay below Ninety-sixth Street if possible, on the West Side. My husband's office is near Union Square."

"Internet?"

"Actually, e-business infrastructure." Rosemary heard an edge of defensiveness in her voice. People were still mourning the death of dot-com stocks. "Positano Software...the stock's held up quite well."

"Went public when, about four months ago?"

She easily guessed what Lucinda was after. Six months was the lock-up period for most new offerings. After six months insiders could start to cash out; until then, their wealth was all on paper. If the company had been public only four months, executives wouldn't have any liquidity—-meaning less borrowing power and less appeal to co-op boards.

"That's right. Guy is the founder," she added, the defensive edge sharper now.

The day Positano went public—-the company was named for the town in Italy where they'd spent their honeymoon—-Guy's stock was worth forty-seven million dollars. She'd found the amount unreal, obscene, even terrifying. Her parents were high-school teachers in a small town near Pittsburgh where the owner of the local Jiffy Lube franchise was at the top of the economic heap. They were middle class and proud of it and had bequeathed to her a deep-rooted suspicion of wealth. She felt strongly that forty-seven million dollars, even on paper, was a dangerous sum of money. You could never work hard enough to justify such an amount. It had taken Guy months of pleading before she agreed to call a real-estate broker, by which time Positano's stock had slid forty percent. They were reliving the Internet boom-and-bust all over again, but this time if felt more personal, just the two of them.

"Six rooms minimum, south of Ninety-sixth...." Rosemary tap-tapped the data into her Palm. "Can you go as high as one-point-three?"

"We could go that high—-assuming, of course, we could get a good price for this place."

Lucinda arched her pruned eyebrows. "I could get you seven-ten, seven-twenty," she said with a shrug, as if tossing off the price of a quart of milk. "Unless you want to sell quickly, in which case seven-even. I'll have queen-size brought in for the open house." She looked hopelessly around the small, cluttered bedroom.

"The closets are actually quite large," Rosemary said, opening Guy's closet to make her point. His golf bag tumbled out.

"I sold 6A and 9A," Lucinda said. "Trust me, I know the closets in this line."

Rosemary shoved the golf bag back into the closet, displacing a row of suits Guy never wore anymore. His long bathrobe, which hung on a hook behind the door, prevented the door from closing securely and the golf bag fell out again.

Lucinda got up from the bed and stepped daintily over the bag, as if avoiding a corpse. "I'll have to call you later about the open house. And I'll see what I have in inventory to show you."

Imagining a gigantic warehouse containing an inventory of dark apartments, Rosemary followed her into the living room, where Lucinda glanced at the swinging twins.

"Is that cute?" she said. "And I love the window treatment."

"I can't wait for more space," Rosemary said.

"New Yorkers dream in floor plans," Lucinda said. "No, really, it's their most recurring dream, more common than that one about studying for the wrong test. Freud said that walking in and out of rooms in a dream is really about sex—-penetration, I suppose. Did I mention I was a psych major at BU? Helps in this business, trust me. But with Manhattan apartments going for two thousand a square foot in top buildings, dreaming of walking in and out of rooms has nothing to do with fucking, it's just the desire for more space, case closed. The people I deal with would trade a year of sex for a walk-in closet with custom shelving. Make that five years! Trust me, Freud never saw a real-estate market like this one."

She handed Rosemary a business card at the door. "I'm going to love working with you," she said, as if that mattered most. She reached in her pants pocket and took out a small cell phone. "Last year I sold seventy million in co-ops, but this year I'm already ahead of that by twenty percent, and with this stock market."

Rosemary closed the door and heard the nasal beeping of a dialing cell phone from the other side. She went to the living room and sat on the sagging sleeper sofa, where she watched her boys' syncopated rocking. Back and forth, back and forth. Patrick, Edward, Patrick, Edward. She had a bad feeling about this move. They needed more space, that much was irrefutable. But with the stock market going nowhere, was this really the time to buy? Guy's salary was just over a hundred thousand a year: Positano was losing buckets of money—-truckloads—-on just a few million dollars in revenue, so anything larger would be unacceptable to investors. She felt herself frowning and imagined that she looked much like her mother at that moment, an anxious and disapproving Republican.

Patrick, Edward, Patrick, Edward, Patrick, Edward. She almost wished they'd wake up—-they always regained consciousness with a united howl—-so she'd have the distraction of changing their diapers, feeding them, burping them, then changing them again, then feeding them...

No, she'd let Lucinda Wells find them their dream home. Guy was a risk taker, and she could learn something from him about trust and optimism. Hadn't she tried to talk him out of leaving his job at the brokerage to start Positano? He'd ignored her and was now worth...what was the stock price that morning? Twelve and a half or twelve and three-quarters? Well, somewhere around twenty-five million dollars.

Oh, God. Just thinking about that number, reduced as it was, made her face flush and her stomach tighten. A number like that had to change things, and not always for the better, she felt certain. The apartment was just the start.

Copyright © 2006 by Seth Margolis

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