The New York Times Book Review - Meg Medina
…once again, Williams-Garcia…artfully explores the landscape of old family resentments and our search for peace with the imperfect people who raise us…Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man. Williams-Garcia avoids the damaging tropes we often attach to stories about black boys…There are no short cuts in growing up, as Clayton finds out, neither musically nor as a young man. There are no easy ways to sidestep the sad losses that are part of life. Williams-Garcia shows us once again that the only answer is to lean into those burdens, name them, and bend them into our own score.
Publishers Weekly
★ 04/03/2017
This slim novel strikes a strong chord. Clayton Byrd revels in playing the blues harp (harmonica) with his grandfather, Cool Papa Byrd, and other blues musicians in New York City’s Washington Square Park, and he longs to play his own solo: “Twelve bars. That was all.” Cool Papa is Clayton’s favorite relative and ally, and his sudden death throws Clayton into an emotional spiral, especially as his mother’s unresolved feelings toward her father cause her to sell off his possessions. Newbery Honor–winner Williams-Garcia (One Crazy Summer) creates a memorable cast and sketches complex, nuanced relationships, especially between Clayton and his mother, contrasting Clayton’s closeness with his grandfather to the complicated absence of Clayton’s own father. Clayton’s grief causes dustups at school and church, and the stakes and tension rise considerably as Clayton meets a band of teenage subway performers, who get him to join their show then steal his grandfather’s treasured hat. It’s a holistic portrait of a family in pain, a realistic portrait of grief and reconciliation, and a reminder that sadness and loss are wrapped up in the blues. Ages 8–12. (May)
From the Publisher
★ “Clayton’s love of his grandfather and his music is wonderfully drawn, as is his grief when he loses them.... Strong characterizations and vivid musical scenes add layers to this warm family story.” — Kirkus Reviews (starred review)
★ “With the precision of a surgeon, Williams-Garcia lifts and examines layers of Clayton’s hurt and anger: the loss, but also the inability of his dismissive mother to understand... The book’s through line, though, is the music, and Garcia-Williams skillfully finds melody in words.” — Booklist (starred review)
★ “This slim novel strikes a strong chord... [A] holistic portrait of a family in pain, a realistic portrait of grief and reconciliation, and a reminder that sadness and loss are wrapped up in the blues.” — Publishers Weekly (starred review)
★ “An appealing, realistic story with frequent elegant turns of phrase. The third-person voice helps to keep Clayton’s story from becoming self-absorbed, as he learns to navigate the literal and figurative underworld and then find his way back to the everyday world of family, friends, and school.” — Horn Book (starred review)
★ “Williams-Garcia packs a lot of story in this slim book... This complex tale of family and forgiveness has heart.” — School Library Journal (starred review)
“Like a classic blues riff, Clayton Byrd Goes Underground is deceptively simple yet profoundly deep. It wails, rattles, and roars in unexpectedly heartfelt and joyous ways.” — G. Neri, Coretta Scott King Honor-winning author of Yummy and Tru & Nelle
“Set to the low-down howl of the blues and cool thump of hip-hop, this story is so full of heart and soul it boogies right off the page. Read it right now!” — Daniel José Older, author of Shapeshifter
“Williams-Garcia writes with keen sympathy about a boy who lost the key adult figure in his life and his rage at his mother’s making the loss worse.” — Bulletin of the Center for Children’s Books
“In Clayton Byrd Goes Underground, three-time Coretta Scott King Medal winner Rita Williams-Garcia has crafted an endearing family drama with all the wit, wisdom and resonance of the best blues songs.” — BookPage
“Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man...Williams-Garcia shows us once again that the only answer is to lean into [our] burdens, name them, and bend them into our own score.” — Meg Medina, writing in the New York Times Book Review
“This lovely novel, poignant as a blues song, explores a child’s experience of profound grief, and how lonely that can be when adults don’t comprehend the enormity of the loss.” — Buffalo News
Horn Book (starred review)
★ “An appealing, realistic story with frequent elegant turns of phrase. The third-person voice helps to keep Clayton’s story from becoming self-absorbed, as he learns to navigate the literal and figurative underworld and then find his way back to the everyday world of family, friends, and school.
BookPage
In Clayton Byrd Goes Underground, three-time Coretta Scott King Medal winner Rita Williams-Garcia has crafted an endearing family drama with all the wit, wisdom and resonance of the best blues songs.
G. Neri
Like a classic blues riff, Clayton Byrd Goes Underground is deceptively simple yet profoundly deep. It wails, rattles, and roars in unexpectedly heartfelt and joyous ways.
Booklist (starred review)
★ “With the precision of a surgeon, Williams-Garcia lifts and examines layers of Clayton’s hurt and anger: the loss, but also the inability of his dismissive mother to understand... The book’s through line, though, is the music, and Garcia-Williams skillfully finds melody in words.
Bulletin of the Center for Children’s Books
Williams-Garcia writes with keen sympathy about a boy who lost the key adult figure in his life and his rage at his mother’s making the loss worse.
Meg Medina
Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man...Williams-Garcia shows us once again that the only answer is to lean into [our] burdens, name them, and bend them into our own score.
Daniel José Older
Set to the low-down howl of the blues and cool thump of hip-hop, this story is so full of heart and soul it boogies right off the page. Read it right now!
Buffalo News
This lovely novel, poignant as a blues song, explores a child’s experience of profound grief, and how lonely that can be when adults don’t comprehend the enormity of the loss.
Bulletin of the Center for Children's Books
Williams-Garcia writes with keen sympathy about a boy who lost the key adult figure in his life and his rage at his mother’s making the loss worse.
New York Times
Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man...Williams-Garcia shows us once again that the only answer is to lean into [our] burdens, name them, and bend them into our own score.
School Library Journal
★ 05/01/2017
Gr 4–6—Clayton Byrd has some complicated relationships in his family. His strict, demanding mother refuses to marry his father, but allows him to be a presence in Clayton's life. Clayton adores his grandfather, "Cool Papa," though his mother does not. Cool Papa nurtures Clayton in many ways—cooking his favorite foods, reading to him each night, and teaching him the harmonica and the blues. He's allowed to tag along with Cool Papa when he and his band, the Bluesmen, busk in Washington Square Park. When Cool Papa dies unexpectedly, in a scene that is understated and heartbreaking, Clayton is devastated. His mother not only sends Clayton back to school too soon but sells or gives away all of Cool Papa's belongings, some of which were promised to Clayton. School becomes complicated when Clayton is assigned to read the very book that Cool Papa read to him every night. Clayton's plea for another book is ignored. When his frustration and grief become overwhelming, he cuts school and takes the subway, intent on finding and joining the Bluesmen. Williams-Garcia packs a lot of story in this slim book. Clayton's an appealing character, and his anger and loss are palpable. The neighborhood scenes are so vivid, one does not need to be a denizen of New York City to appreciate them. VERDICT This complex tale of family and forgiveness has heart. A first purchase.—Brenda Kahn, Tenakill Middle School, Closter, NJ
MAY 2017 - AudioFile
Narrator Adam Lazarre-White’s musical rhythms enhance the author’s lyricism. His soft tones express the intergenerational tenderness between Clayton and his grandfather, Cool Papa Byrd. They share a passion for music and the routine of a nightly story as Clayton drifts off to sleep. All that changes when Clayton wakes to discover that his grandfather has died. Clayton’s mother’s difficult past has left her no affection for the blues, or her father. She rids their home of the records and guitars that were intended for Clayton. In trouble at school and miserable at home, Clayton runs away, seeking musical connection. Instead he finds trouble that brings everything to a climax. Lazarre-White’s even tone captures Clayton’s circumspect temperament. His occasionally dissonant emotional notes reflect Clayton’s quiet grief in a way that is honest and poignant. S.W. © AudioFile 2017, Portland, Maine
Kirkus Reviews
★ 2017-03-06
An African-American youngster is happiest when he can play his harmonica with his bluesman grandfather until tragedy removes the music from his life.Clayton Byrd idolizes his grandfather, a popular bluesman. But his mother disapproves of her father's music and of Clayton's joining Cool Papa Byrd and other bluesmen in the park. Clayton's father tries to make a place in his life, but the things he likes to do cannot compare to the music. When Cool Papa Byrd dies suddenly, Clayton's pain is almost unbearable, made worse when his mother gets rid of the records and instruments that Clayton expected would be his way of maintaining that special connection. School becomes as difficult as home, and counseling with the church pastor doesn't help. Hoping to find a place with the remaining bluesmen, he meets up with a group of street boys making their way with beat music and dance. When he plays his harmonica and the crowd responds, the boys form an uneasy alliance that is threatened when the police intervene. Clayton's love of his grandfather and his music is wonderfully drawn, as is his grief when he loses them. His mother's unresolved issues with her own childhood inform the story appropriately for young readers. The conjunction of two African-American music genres, both born of struggle, is a colorful backdrop for this lively story. Strong characterizations and vivid musical scenes add layers to this warm family story. (Fiction. 8-12)
