Library Journal - Audio
03/01/2022
Johnny Cash's music often reflected the plight of Native Americans, prisoners, and minorities, yet at times his image and actions projected contradictory messages. Foley (Confronting the War Machine) examines Cash and his music, arguing that Cash did not lean to any partisan group but instead was a champion of "a new model of public citizenship based on empathy." Digging into untapped archives and an examination of social movements and grassroots activism, this book presents a fresh view of the influential artist. The author combines biographical detail and an analysis of Cash's comments and actions during his live performances and on The Johnny Cash Show (which aired from 1969 to 1971) to illustrate how the musician viewed his political and social ideas. The narration by Greg Littlefield is smooth and clear and moves at a satisfying pace. VERDICT A unique and interesting perspective that will be of particular interest to Cash fans.—Phillip Oliver
FEBRUARY 2022 - AudioFile
Cultural historian Michael Stewart Foley employed previously unavailable archives and research to examine the life, politics, and multiple cultural personas of entertainer Johnny Cash, who died in 2003. The author sensitively, carefully, and tenderly sets the tone and scope of the work by narrating the lengthy introduction. Sadly, the microphone is then handed to Greg Littlefield, who uses the stereotypical news anchor’s distant, controlled style. At various moments, listeners may think they left the radio on across the room. Had Foley narrated the entire work, this thoughtful and intelligent look at the “Man in Black” would have been vastly improved. W.A.G. © AudioFile 2022, Portland, Maine
From the Publisher
‘Citizen Cash’ succeeds winningly. Foley is a well-regarded historian and does an excellent job of placing Cash’s life and career within the contexts of his time.”—Jack Hamilton, Washington Post
"The book is a welcome corrective to the tendency to treat the man as so internally contrary as to be a complete enigma."—Stephen Metcalf, The Atlantic
"Citizen Cash usefully combines biographical detail and cultural analysis with music history to provide an in‑depth portrait of the ways Cash acquired his political and social ideas and wove them into the fabric of his music." —Henry L. Carrigan, Jr., Bookpage
"Foley’s energetic and consistent examination of how Cash’s music and life express a politics of empathy offers a fresh reading of an iconic artist about whom it seems that everything has already been written."—No Depression
“Foley—through extensive access to hitherto untapped archives—reveals as an artist’s fundamental commitment to empathy, in both his work and his life.” —Jonny Diamond, Lit Hub Editor in Chief
"Foley skillfully weaves anecdotes about Cash’s stances throughout the book to illustrate the singer’s sometimes hard‑to‑define political positions."—Washington Independent Review of Books
“[A] deeply researched, unique examination, Foley looks at the many reasons Cash was drawn to particular issues … With sufficient detail and a gift for storytelling, Foley explores these and many other aspects of Cash’s complex life. A powerful biography that will leave fans with a newfound respect for the Man in Black.”—Kirkus (starred review)
“Michael Stewart Foley has written a book about Johnny Cash, and I cannot think of a better match of an author and subject. Foley shows how Cash’s deep reserves of empathy and insight made him an artist for his time (and ours). This book will change how you think about Johnny Cash.” —John McMillian, professor of history at Georgia State University and author of Beatles Vs. Stones
“In this compelling biography, Michael Stewart Foley recovers the ‘Man in Black’ as a prophetic political voice who used his microphone to plead the case of ordinary Americans, criticize the powerful, and prod his listeners to envision a better world. He shows how Johnny Cash combined empathy and entertainment, bringing together religion, a country vernacular, and lyricism to challenge injustice and inequality in a country that he loved. This is a moving, important book.” —Thomas J. Sugrue, New York University
“History is written for an era as much as about one, and historian Michael Foley has given us a Johnny Cash that speaks to our divided nation. Foley’s Cash offers a ‘politics of empathy’ that transcends political division; he is a man shaped by the particulars of history, but also a man capable of change. Foley beautifully combines historical biography with his knowledge of Cash’s music and its context. This is masterful work!” —Beth Bailey, author of Sex in the Heartland
“Citizen Cash is a big-hearted book about a big-hearted artist making his way through a complicated nation. A refreshing, healing examination of what Michael Foley calls Cash’s ‘politics of empathy.’ In Foley’s compassionate take on the Man in Black, we get an earthy sense of public citizenship that was as deep as the man’s voice. Read it and feel better about who we are as a diverse people in a troubled land.” —Jefferson Cowie, author of Stayin’ Alive: The 1970s and the Last Days of the Working Class
“What does it mean to be a political artist? For an artist to ‘be political’? In a timely and finely researched meditation on Cash’s takes on incarceration, Native rights, racism, and the war in Vietnam, Foley embraces the messiness of politics in public. We get Cash the researcher, Cash the documentarian, Cash the curator, and Cash the empath. We get a book that re-establishes Cash as a fascinating prism for looking though some of the most urgent issues still haunting American political life.” —Josh Kun, author of Audiotopia: Music, Race, and America
FEBRUARY 2022 - AudioFile
Cultural historian Michael Stewart Foley employed previously unavailable archives and research to examine the life, politics, and multiple cultural personas of entertainer Johnny Cash, who died in 2003. The author sensitively, carefully, and tenderly sets the tone and scope of the work by narrating the lengthy introduction. Sadly, the microphone is then handed to Greg Littlefield, who uses the stereotypical news anchor’s distant, controlled style. At various moments, listeners may think they left the radio on across the room. Had Foley narrated the entire work, this thoughtful and intelligent look at the “Man in Black” would have been vastly improved. W.A.G. © AudioFile 2022, Portland, Maine
Kirkus Reviews
★ 2021-10-07
Rather than a conventional biography, cultural historian Foley digs deep into the political views of the iconic musician.
Johnny Cash (1932-2003) rarely shied away from discussing politics. In fact, he devoted much of his musical career to spotlighting issues faced by minorities and other groups that he felt were underrepresented. However, as the author demonstrates, Cash was often misunderstood. At times, his views appeared incongruent to members of his audience, such as when he paid tribute to Confederate soldiers and endorsed equality for Black Americans in the same episode of his eponymous show or when he publicly expressed support for Nixon’s handling of Vietnam while at the same time calling for peace. In this deeply researched, unique examination, Foley looks at the many reasons Cash was drawn to particular issues: Cash “rarely took ‘stands’ on political issues in conventional ways; instead, he approached each issue based on feeling.” Cash released several concept albums that largely focused on marginalized groups—e.g., Bitter Tears: Ballads of the American Indian. Since his youth, he had been told that his ancestry included Cherokee, but he later learned that it wasn’t true. Nonetheless, his songs and performances continued to reflect great sympathy for the plight of Indigenous people. “Whether Cherokee blood pumped from his heart or not did not really matter,” writes Foley. “In the marginalized lives of Native peoples, Cash saw something of his own experience as a poor kid.” Cash was also well known as a strong advocate for prison reform, a stance made widely known via his At Folsom Prisonand At San Quentinalbums. Furthermore, given his childhood as “an Arkansas farm boy,” he appeared as part of the supergroup known as the Highwaymen when Willie Nelson organized the first Farm Aid concert in 1985. With sufficient detail and a gift for storytelling, Foley explores these and many other aspects of Cash’s complex life.
A powerful biography that will leave fans with a newfound respect for the Man in Black.
