Cinematic Sociology: Social Life in Film / Edition 2

Cinematic Sociology: Social Life in Film / Edition 2

ISBN-10:
1412992842
ISBN-13:
9781412992848
Pub. Date:
04/17/2012
Publisher:
SAGE Publications
ISBN-10:
1412992842
ISBN-13:
9781412992848
Pub. Date:
04/17/2012
Publisher:
SAGE Publications
Cinematic Sociology: Social Life in Film / Edition 2

Cinematic Sociology: Social Life in Film / Edition 2

$95.0
Current price is , Original price is $95.0. You
$95.00 
  • SHIP THIS ITEM
    This item is available online through Marketplace sellers.
  • PICK UP IN STORE
    Check Availability at Nearby Stores
  • SHIP THIS ITEM

    Temporarily Out of Stock Online

    Please check back later for updated availability.

This item is available online through Marketplace sellers.


Overview

Cinematic Sociology is a one-of-a-kind resource that helps students recognize and critique sociological concepts as they appear in blockbuster Hollywood films. In addition, it provides pedagogy for instructors who use film in their classes. . In this engaging text the authors take readers beyond watching movies and demonstrate how to "read" films sociologically. In the process, students are exposed to major substantive areas of sociology and encouraged to critically think about their social world. The book's 27 essays from expert scholars in sociology and cultural studies explore the ways social life is presented—distorted, magnified, or politicized— in popular film.

Product Details

ISBN-13: 9781412992848
Publisher: SAGE Publications
Publication date: 04/17/2012
Edition description: Second Edition
Pages: 496
Product dimensions: 7.00(w) x 9.90(h) x 0.90(d)

About the Author

Jean-anne Sutherland is an associate professor at the University of North Carolina, Wilmington. For several years her primary research and teaching interests have centered on teaching sociology through film. Other areas of research include gender, mothering, and social psychology.

Kathryn Feltey is associate professor and director of undergraduate studies in sociology at the University of Akron. She has taught sociology through film several times and also taught masculinity in contemporary society and sociology of motherhood through the use of feature films. She is currently the Gender Section Editor of Sociology Compass.

Table of Contents

Chapter 1: Introduction - Jean-Anne Sutherland and Kathryn Feltey
Chapter 2: Theory
Sitting in the Dark with Max: Classical Sociological Theory Through Film - Michael Kimmel
Decoding Modern Society: The Matrix Trilogy and the Realm of Alienation - Harry Dahms
Outtake: Lights, Camera, Theory: Picturing Hollywood through Multiple Sociological Lenses - Mark Rubinfeld
Chapter 3: Social Class
Understanding Social Mobility through the Movies - James J. Dowd
Class in the Classroom: Hollywood’s Distorted View of Inequality - Robert Bulman
Outtake: Social Class in America and People Like Us - Kathy Feltey
Chapter 4: Race & Ethnicity
The Spectacle of Black Violence as Cinema - Ed Guerrero
Don't Worry, We are all Racists!: Crash and the Politics of Privatization - Henry A. Giroux and Susan Searls Giroux
Latinos/as Through the Lens - Carleen R. Basler
Outtake: Pocahontas and Intersectionality: A Sociologist Reflects - Teresa Martinez
Chapter 5: Gender & Sexuality
The Masculinity of the Governator: Muscle and Compassion in American Politics - Michael Messner
Constructing Empowered Women: Cinematic Images of Power, and Powerful Women - Jean-Anne Sutherland
Boundary Work: Bisexuality and Transgender on Film - Betsy Lucal and Andrea Miller
Outtake: Geena Davis Institute on Gender in Media - Jean-Anne Sutherland
Chapter 6: Public & Private Social Worlds
Service, Smiles and Selves: Representations of Labor and the Sociology of Work - Karla Erickson
Reel Families: Family Life in Popular Film - Janet Cosbey
Outtake: Seeing the Emotional Dimensions of Work and Family Life - Rebecca Erickson
Chapter 7: Deviance, Crime & Law
The Caped Crusader: What Batman Films Tell Us About Crime & Deviance - Robert Wonser and David Boyns
Crime, Film and Criminology - Nicole Rafter
The Hero, the Law, and the People in Between: Models of the Legal System in Hollywood Films - Valerie Callanan
Outtake: Corporate Crime and The Informant! - Mike Maume
Chapter 8: Life Course: Childhood, Adulthood & Old Age
"Look Out New World, Here We Come”? Race, Racialization, and Sexuality in Four Children’s Animated Films by Disney, Pixar, and Dream Works - Carmen R. Lugo-Lugo and Mary K. Bloodsworth-Lugo
First comes the Baby Carriage?: Non-Normative Transitions to Parenthood in Film - Jeanne Holcomb
Battles & Balloons: Old Manhood in Film - Neal King
Outtake: Growth of the Nonlinear Life Trajectory - Erica Orange
Chapter 9: Social Institutions – Religion, Sports, Medical and War
Seeing Religion Sociologically Through Film - Sue Monahan
Sport as Social Institution: Football Films and the American Dream - Jeff Montez de Oca
In Sickness and In Health: Medical Sociology through Celluloid Stories - Bernice Pescosolido and Kathleen Oberlin
The 1991 Iraq Invasion in Cinematic Perspective: Jarhead and Three Kings - Elizabeth E. Martinez
Outtake: Zombies Apocalypse: Understanding the Perceptions of Health vs. Non-Health - Andrew Hund
Chapter 10: Global Connections
Dirty Pretty Things: The State, Global Migration and Survival in Contemporary Cities - Roberto G. Gonzales
Slumdog or Millionaire—May I phone a Friend?: Neoliberalism and Globalizing the American Dream - Alison Moss and Jerome Hendricks
Outtakes: Arabs in Film - Jack Shaheen
Chapter 11: Social Change – Technology, Collective Behavior & Social Movements
From Earth to Cosmos: Environmental Sociology and Images of the Future in Science Fiction Film - Christopher Podeschi
The Only Possible Solution?: The Challenge of Nonviolence to the Hegemony of Violence in Film - Kathryn Feltey
’We Will No Longer Sit Quietly:’ Social Movements through Film - Jeffrey A. Langstraat
Outtakes: Thoughts on Activist Movies (Excerpt) - John Farr
From the B&N Reads Blog

Customer Reviews