Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

by Charles O'Brien
ISBN-10:
0253217202
ISBN-13:
9780253217202
Pub. Date:
01/18/2005
Publisher:
Indiana University Press (Ips)
ISBN-10:
0253217202
ISBN-13:
9780253217202
Pub. Date:
01/18/2005
Publisher:
Indiana University Press (Ips)
Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

by Charles O'Brien

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Overview

The conversion to sound cinema is routinely portrayed as a homogenizing process that significantly reduced the cinema's diversity of film styles and practices. Cinema's Conversion to Sound offers an alternative assessment of synchronous sound's impact on world cinema through a shift in critical focus: in contrast to film studies' traditional exclusive concern with the film image, the book investigates national differences in sound-image practice in a revised account of the global changeover from silent to sound cinema. Extending beyond recent Hollywood cinema, Charles O'Brien undertakes a geo-historical inquiry into sound technology's diffusion across national borders. Through an analysis that juxtaposes French and American filmmaking, he reveals the aesthetic consequences of fundamental national differences in how sound technologies were understood. Whereas the emphasis in 1930s Hollywood was on sound's intelligibility within a film's story-world, the stress in French filmmaking was on sound's fidelity as reproduction of the event staged for recording.


Product Details

ISBN-13: 9780253217202
Publisher: Indiana University Press (Ips)
Publication date: 01/18/2005
Pages: 216
Product dimensions: 6.12(w) x 9.25(h) x (d)
Age Range: 18 Years

About the Author

Charles O'Brien is Assistant Professor of Film Studies at Carleton University in Ottawa. He is co-translator (with Nell Andrew) of Francesco Casetti's Inside the Gaze: The Fiction Film and Its Spectator (IUP, 1998).

Table of Contents

Introduction: National Cinema after Recorded Sound
1. Sound's Impact on Film Style: The Case for Homogenization
2. Film History after Recorded Sound: From Crisis to Continuity
3. The Talkies in France: Imported Films as Exemplars
4. Sound-Era Film Editing: International Norms, Local Commitments
5. Shooting and Recording in Paris and Hollywood
6. Hollywood Indigenized: Pathé-Natan and National Popular Cinema
Conclusion: Sound and National Film Style—Past and Present
Notes
Filmography: French Films, 1930–1933
Index

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