Table of Contents
List of Illustrations xiii
Introduction 1
Overview of the Corpus 4
Perceval Continuations and Grail Rewritings 11
Verse and Prose/Centripetal and Centrifugal Textuality 15
Key Traits of the Conte du Graal 17
On Ending and Endlessness 22
Reading (Through) Collective Authorship 25
1 Authorial Relays 32
Authors' Names 33
Anonymous Chrétien 42
Interlacing Wauchier de Denain 44
Manessier's Closing Signature 54
Collective Authorship and Gerbert 59
Back to the Story and Chrétien 72
2 Telling Tales, Of Maidens in Tents 86
Textual Intercourse and Human Development 87
Chrétien's Criss-crossing Itineraries 91
Perceval and the Tent Maiden: Simulating Rape 95
Too Little and Too Much for the Ladies' Man 98
Gauvain and the Male Pucele: Thinking About Rape 100
The First Continuation's Gauvain: Confessing Rape 105
Gerbert's Gauvain: Acting out Rape 109
Retelling Love Stories: Writing Forward and Back 112
3 Sons and Mothers, Mothers and Lovers 116
Protecting Mothers: Connections and Contradictions 119
The Sin of the Mother 124
Nature and Nurture 127
The Marginalization and Restoration of Mothers 132
Mothers and Siblings: From the Conte to the First Continuation 135
The Sexuality of Mothers 137
The Good Mother and the Beloved 143
4 Violent Swords and Utopian Plowshares 149
Violence at the Heart of Romance 149
What is a Lance? 153
Collapsing Oppositions 157
Isaiah's Utopian Vision in Arthurian Garb 163
Re-reading Oppositions 165
Unending Questions 168
Grail Quests and the Ends of Violence 173
Manessier's Resolution 179
5 Middles, Beginnings, and Ends 187
A Beginning for Middlesand Endings 187
Verbatim Repetition: A Biblical Example 192
Gerbert's Grail-like Barrels 198
Grail Castle Visits Multiplied 204
Conclusion 213
Appendix 1 229
Appendix 2 235
Bibliography 237
Index 255