Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom
Chopin's Second Ballade, Op. 38 is frequently performed, and takes only seven or so minutes to play. Yet the work remains very poorly understood—disagreement prevails on issues from its tonic and two-key structure to its posited relationship with the poems of Adam Mickiewicz. Chopin's Polish Ballade is a reexamination and close analysis of this famous work, revealing the Ballade as a piece with a powerful political story to tell.

Through the general musical styles and specific references in the Ballade, which use both operatic strategies and approaches developed in programmatic piano pieces for amateurs, author Jonathan Bellman traces a clear narrative thread to contemporary French operas. His careful historical exegesis of previously ignored musical and cultural contexts brings to light a host of new insights about this remarkable piece, which, as Bellman shows, reflects the cultural preoccupations of the Polish émigrés in mid-1830s Paris, pining with bitter nostalgia for a homeland now under Russian domination. This vital connection to the extramusical culture of its day forms the basis for a plausible relationship with the nationalistic poetry of Mickiewicz. Chopin's Polish Ballade also solves the long-standing conundrum of the two extant versions of the Ballade, making an important point about the flexible notion of "work" that Chopin embraced.
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Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom
Chopin's Second Ballade, Op. 38 is frequently performed, and takes only seven or so minutes to play. Yet the work remains very poorly understood—disagreement prevails on issues from its tonic and two-key structure to its posited relationship with the poems of Adam Mickiewicz. Chopin's Polish Ballade is a reexamination and close analysis of this famous work, revealing the Ballade as a piece with a powerful political story to tell.

Through the general musical styles and specific references in the Ballade, which use both operatic strategies and approaches developed in programmatic piano pieces for amateurs, author Jonathan Bellman traces a clear narrative thread to contemporary French operas. His careful historical exegesis of previously ignored musical and cultural contexts brings to light a host of new insights about this remarkable piece, which, as Bellman shows, reflects the cultural preoccupations of the Polish émigrés in mid-1830s Paris, pining with bitter nostalgia for a homeland now under Russian domination. This vital connection to the extramusical culture of its day forms the basis for a plausible relationship with the nationalistic poetry of Mickiewicz. Chopin's Polish Ballade also solves the long-standing conundrum of the two extant versions of the Ballade, making an important point about the flexible notion of "work" that Chopin embraced.
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Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom

Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom

by Jonathan D. Bellman
Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom

Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom

by Jonathan D. Bellman

Hardcover

$88.00 
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Overview

Chopin's Second Ballade, Op. 38 is frequently performed, and takes only seven or so minutes to play. Yet the work remains very poorly understood—disagreement prevails on issues from its tonic and two-key structure to its posited relationship with the poems of Adam Mickiewicz. Chopin's Polish Ballade is a reexamination and close analysis of this famous work, revealing the Ballade as a piece with a powerful political story to tell.

Through the general musical styles and specific references in the Ballade, which use both operatic strategies and approaches developed in programmatic piano pieces for amateurs, author Jonathan Bellman traces a clear narrative thread to contemporary French operas. His careful historical exegesis of previously ignored musical and cultural contexts brings to light a host of new insights about this remarkable piece, which, as Bellman shows, reflects the cultural preoccupations of the Polish émigrés in mid-1830s Paris, pining with bitter nostalgia for a homeland now under Russian domination. This vital connection to the extramusical culture of its day forms the basis for a plausible relationship with the nationalistic poetry of Mickiewicz. Chopin's Polish Ballade also solves the long-standing conundrum of the two extant versions of the Ballade, making an important point about the flexible notion of "work" that Chopin embraced.

Product Details

ISBN-13: 9780195338867
Publisher: Oxford University Press
Publication date: 10/26/2009
Pages: 216
Product dimensions: 6.20(w) x 9.30(h) x 0.80(d)

About the Author

Jonathan D. Bellman, a pianist and musicologist, earned his doctorate at Stanford University and is now Professor and Head of Academic Studies in Music at the University of Northern Colorado. He has published articles in a variety of musicology journals. His primary research interests include nineteenth-century musical style and performance practices, especially involving Frederic Chopin and musical exoticism.

Table of Contents

List of Musical ExamplesIntroduction1. Two Versions, Two Keys, and Certain Poems of MickiewiczTwo VersionsTwo Keys"Certain Poems of Mickiewicz"2. Genesis of a Narrative ProcessStories in TonesAmateur Program MusicBallad Poetry and Musical Form3. Hearing Konrad Wallenrod: Chopin's Ballade No. 1, Op. 23Overview and Stylistic Summary of the First BalladeKonrad Wallenrod: Plot and StructureKonrad Wallenrod as Ballade ScenarioiThe Lay of Aldona's Fate/i4. Op. 38 and the Genre IssueA Formal Overview of Chopin's Second BalladeThe Second Ballade and the Sonata ProblemBallade as GenreThe Operatic Ballade to 18315. The Polish Pilgrims and the Operatic ImperativeA Pilgrims' Ballade; A Polish BalladeThe Great Migration and Polish Culture in ExilePersonal Anguish and Literary ApotheosisiSapienti Pauca/i6. Martyrdom and Exile: The Narrative of Chopin's F Major BalladeInternal Evidence I-The A Material: SicilianoInternal Evidence II-The B Material: StormInternal Evidence III-The C ThemeOp. 38 as Narrative of National MartyrdomVersions, Tonic Keys, and Mickiewicz RevisitedThe Forest and the TreesAppendix: "À M. F. Chopin, sur sa Ballade Polonaise," by Félicien Mallefille.BibliographyIndex
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