The emergence of lesbian film in the first decade of the twenty-first century symbolizes a breakthrough through the creation of new cinema that opens up a space that was not previously available or accessible in China. These motion pictures present a new breed of characters—namely, lesbians—as well as a new sexual subject on the screen for the first time in the history of Chinese cinema. Blending historicist and comparative approaches, this book begins with a critical genealogy of Chinese homosexual traditions in the first two chapters. This strategy allows the author to examine a number of films individually through contextualizing their historical and cultural articulations and interpretations through the remainder of the book.
