Children of the Storm (Amelia Peabody Series #15)

Children of the Storm (Amelia Peabody Series #15)

by Elizabeth Peters
Children of the Storm (Amelia Peabody Series #15)

Children of the Storm (Amelia Peabody Series #15)

by Elizabeth Peters

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Overview

Once again, the New York Times bestselling author of the Amelia Peabody novels “kicks up a desert storm.”—People

The “grande dame of historical mystery” (Washington Post) is back with a thrilling new tale featuring America’s favorite archaeologist turned sleuth.

At last the Great War is over. Amelia Peabody, her distinguished Egyptologist husband Emerson, and their extended family are preparing for another season of excavation in Egypt. To everyone’s great joy, their son, Ramses, and his wife, Nefret, have become parents. Amelia, enjoying the role of fond (yet firm) grandmother, hopes that for once this will be a quiet year with Ramses no longer undertaking perilous missions for British intelligence and no old enemies on their trail.

Yet the hazards of the past will be overshadowed by new danger and a new adversary—unlike anything Amelia’s ever encountered—who will pursue her in a battle that puts innocent young lives at stake.


Product Details

ISBN-13: 9780061800412
Publisher: HarperCollins
Publication date: 10/13/2009
Series: Amelia Peabody Series , #15
Sold by: HARPERCOLLINS
Format: eBook
Pages: 576
Sales rank: 80,983
File size: 1 MB

About the Author

About The Author

Elizabeth Peters earned her Ph.D. in Egyptology from the University of Chicago’s famed Oriental Institute. During her fifty-year career, she wrote more than seventy novels and three nonfiction books on Egypt. She received numerous writing awards and, in 2012, was given the first Amelia Peabody Award, created in her honor. She died in 2013, leaving a partially completed manuscript of The Painted Queen.

Hometown:

A farm in rural Maryland

Date of Birth:

September 29, 1927

Place of Birth:

Canton, Illinois

Education:

M.A., Ph.D. in Egyptology, Oriental Institute of the University of Chicago, 1952

Read an Excerpt

Children of the Storm

Chapter One

The encrimsoned sun sank slowly toward the crest of the Theban mountains. Another glorious Egyptian sunset burned against the horizon like fire in the heavens.

In fact, I did not at that moment behold it, since I was facing east. I had seen hundreds of sunsets, however, and my excellent imagination supplied a suitable mental picture. As the sky over Luxor darkened, the shadows of the bars covering doors and windows lengthened and blurred, lying like a tiger's stripes across the two forms squatting on the floor. One of them said, "Spoceeva."

"Russian," Ramses muttered. scribbling on his notepad. "Yesterday it was Amharic. The day before it sounded like -- "

"Gibberish," said his wife.

"No," Ramses insisted. "It has to mean something. They use root words from a dozen languages, and they obviously understand one another. See? He's nodding. They are standing up. They are going ... " His voice rose. "Leave the cat alone!"

The Great Cat of Re, stretched out along the back of the settee behind him, rose in haste and climbed to the top of his head, from which position it launched itself onto a shelf. Ramses put his notepad aside and looked severely at the two figures who stood before him. "Die Katze ist ganz verboten. Kedi, hayir. Em nedjeroo pa meeoo."

The Great Cat of Re grumbled in agreement. He had been a small, miserable-looking kitten when we acquired him, but Sennia had insisted on giving him that resounding appellation and, against all my expectations, he had grown into his name. His appearance was quite different from those of our other cats: longhaired, with an enormous plume of a tail, and a coat of spotted black on gray. With characteristic feline obstinacy he insisted on joining us for tea, though he knew he would have to go to some lengths to elude his juvenile admirers, who now burst into a melodious babble of protest, or, perhaps, explanation.

"Darling, let's stick to one language, shall we?" Nefret said. She was smiling, but I thought there was a certain edge to her voice. "They'll never learn to talk if you address them in ancient Egyptian and Anglo-Saxon."

"They know how to talk," Ramses said loudly, over the duet. "Recognizable human speech, however -- "

"Say Papa," Nefret coaxed. She leaned forward. "Say it for Mama."

"Bap," said the one whose eyes were the same shade of cornflower-blue.

"Perverse little beggars," said Ramses. The other child climbed onto his knee and buried her head against his chest. I suspected she was trying to get closer to the cat, but she made an engaging picture as she clung to her father. They were affectionate little creatures, much given to hugging and kissing, especially of each other.

"They're over two years old," Ramses went on, stroking the child's black curls. "I was speaking plainly long before that, wasn't I, Mother?"

"Dear me, yes," I said, with a somewhat sickly smile. To be honest -- which I always endeavor to be in the pages of my private journal -- I dreaded the moment when the twins began to articulate. Once Ramses learned to talk plainly, he never stopped talking except to eat or sleep, for over fifteen years, and the prolixity and pedantry of his speech patterns were extremely trying to my nerves. The idea of not one but two children following in the paternal footsteps chilled my blood.

Ever the optimist, I told myself there was no reason to anticipate such a disaster. The little dears might take after their mother, or me.

"Children learn at different rates," I explained to my son. "And twins, according to the best authorities, are sometimes slower to speak because they communicate readily with one another."

"And because they get everything they want without having to ask for it," Ramses muttered. The children obviously understood English, though they declined to speak it; his little daughter raised her head and fluttered her long lashes flirtatiously. He fluttered his lashes back at her. Charla giggled and gave him a hug.

The question of suitable names had occupied us for months. I say "us," because I saw no reason why I should not offer a suggestion or two. (There is nothing wrong with making suggestions so long as the persons to whom they are offered are not obliged to accept them.) Not until the end of her pregnancy did I begin to suspect Nefret was carrying twins, but since we had already settled on names for a male or a female child, it worked out quite nicely. There was no debate about David John; no one quarreled with Ramses's desire to name his son after his best friend and his cousin who had died in France in 1915.

A girl's name was not so easy to find. Emerson declared (quite without malice, I am sure) that between our niece and myself there were already enough Amelias in the family. It was with some hesitation that I mentioned that my mother's name had been Charlotte, and I was secretly pleased when Nefret approved.

"It is such a nice, ordinary name," she said.

"Unlike Nefret," said her husband.

"Or Ramses." She chuckled and patted his cheek. "Not that you could ever be anything else."

Charla, as we called her, had the same curly black hair and dark eyes as her father. Her brother Davy, now perched on his mother's knee, was fair, with Nefret's blue eyes and Ramses's prominent nose and chin. They did not resemble each other except in height, and in their linguistic eccentricity. Davy was more easygoing than his sister, but he had a well-nigh supernatural ability to disappear from one spot and materialize in another some distance away. The bars had been installed in all the rooms they were wont to inhabit, including the veranda, where we now sat waiting for Fatima to serve tea ...

Children of the Storm. Copyright © by Elizabeth Peters. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Interviews

All About Amelia
Over the course of her 14 previous adventures, Victorian Egyptologist Amelia Peabody Emerson has gone from being an unconventional spinster to an independent-minded wife and rather unorthodox mother. With Children of the Storm, which begins one year after World War I, she's become a delightfully eccentric grandmother -- but her insatiable curiosity and passion for justice are still as strong as ever! Ransom Notes asked Amelia's talented creator to talk a bit about Amelia's various tranformations:

Elizabeth Peters: I would say that, more than anything else, growing older has affected Amelia's views. Some people get crotchety as they age; some mellow; some gain wisdom and understanding. Dogmatic though she often sounds, Amelia is capable of learning from experience, and she has been strongly, if unconsciously, influenced by her husband's unorthodox religious and social views.

Of course, Amelia couldn't be who she is in any but this particular historical setting. It is her defiance of the customs of her time that makes her so funny and, I have been told, such an effective role model. I love doing historical research, especially about Egyptology, because that's my field. It has always been my passion, and (no false modesty here) I know a lot about it. I have to maintain a high standard of accuracy because readers are not slow to tell me when I go wrong. (I love hearing from readers. They can reach me through my web site, mpmbooks.com, or by writing me at Box l80, Libertytown MD 21762-0180.)

Ransom Notes: What do you like best about writing about Amelia and her family?

EP: One of the most interesting aspects of Amelia's development, to me, is the way in which she has come to appreciate her son, Ramses. As she admitted early on, she is not a maternal woman, and heaven knows, Ramses as a child would have tried any mother's patience. Also, Amelia's wholehearted devotion to her husband has at times made her jealous of those Emerson also loves -- even her own son. She is a typical Victorian mother in one sense, believing in discipline rather than "developing the whole child." It wasn't until Ramses showed himself a "true Briton," risking his life for his country and his principles, that she came to realize how much she loves and admires him, and was able to tell him so.

RN: In most ways you present Amelia as an extremely practical person. What made you decide to make premonitions part of her character?

EP: I like the contrast between Amelia's practicality and her "streak of superstition," as she calls it. Her premonitions are one of my little jokes, really, because half the time they are flat-out wrong. Her dreams have added a depth to her personality, a spiritual element that makes her more vulnerable and more sympathetic -- and more human.

RN: Amelia is a woman of strong opinions, wed to a man of equally strong and frequently opposed ones. What makes them such a good team, as coworkers, mates, parents, and investigators?

EP: As Amelia says, "I would not allow a man to dominate me, and I would despise a man who allowed me to dominate him." She and Emerson are perfectly matched because they accept and appreciate each other's weaknesses as well as their strengths. And of course there is that -- er -- other element that she would never name. Sex, in other words.

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