Cheap Trick's eponymous debut is an explosive fusion of
Beatlesque melodic hooks,
Who-styled power, and a twisted sense of humor partially borrowed from
the Move. But that only begins to scratch the surface of what makes
Cheap Trick a dynamic record. Guitarist
Rick Nielsen has a powerful sense of dynamics and arrangements, which gives the music an extra kick, but he also can write exceptionally melodic and subversive songs. Nothing on
Cheap Trick is quite what it seems. While the songs have hooks and attitude that
arena rock was sorely lacking in the late '70s, they are also informed by a bizarre sensibility, whether it's the driving
"He's a Whore," the dreamy
"Mandocello," or the thumping
Gary Glitter perversion
"ELO Kiddies." "The Ballad of TV Violence" is about mass murder, while
"Daddy Should Have Stayed in High School" concerns pedophiles. All of it is told with a sense of humor, but it doesn't come off as cheap or smirking because of the group's hard-rocking drive and
Robin Zander's
pop-idol vocals. Even
"Oh, Candy," apparently a love song on first listen, is an affecting tribute to a friend who committed suicide. In short,
Cheap Trick revel in taboo subjects with abandon, devoting themselves to the power of the hook, as well as sheer volume and gut-wrenching
rock & roll -- though the record is more musically accomplished than
punk rock, it shares the same aesthetic. The combination of off-kilter humor, bizarre subjects, and blissful
power pop made
Cheap Trick one of the defining albums of its era, as well as one of the most influential. [A 2008 CD re-release added five outtakes: "Lovin Money" and "I Want You to Want Me," and the previously unreleased "Lookout," "You're All Talk," and "I Dig Go-Go Girls." ~ Stephen Thomas Erlewine