Changing My Mind: Occasional Essays

by Zadie Smith

Overview

"[These essays] reflect a lively, unselfconscious, rigorous, erudite, and earnestly open mind that's busy refining its view of life, literature, and a great deal in between." —Los Angeles Times

Split into five sections—Reading, Being, Seeing, Feeling, and Remembering—Changing My Mind finds Zadie Smith casting an acute eye over material both personal and cultural. This engaging collection of essays, some published here for the first time, reveals Smith as a passionate and precise essayist, equally at home in the world of great books and bad movies, family and philosophy, British comedians and Italian divas. Whether writing on Katherine Hepburn, Kafka, Anna Magnani, or Zora Neale Hurston, she brings deft care to the art of criticism with a style both sympathetic and insightful. Changing My Mind is journalism at its most expansive, intelligent, and funny—a gift to readers and writers both.

Product Details

ISBN-13:	9780143117957
Publisher:	Penguin Publishing Group
Publication date:	10/26/2010
Pages:	320
Sales rank:	375,221
Product dimensions:	5.40(w) x 8.40(h) x 0.80(d)
Age Range:	18 Years

About the Author

Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW and Swing Time, as well as a novella, The Embassy of Cambodia, and a collection of essays, Feel Free. She is also the editor of The Book of Other People. Zadie was elected a fellow of the Royal Society of Literature in 2002, and was listed as one of Granta's 20 Best Young British Novelists in 2003 and again in 2013. White Teeth won multiple literary awards including the James Tait Black Memorial Prize, the Whitbread First Novel Award and the Guardian First Book Award. On Beauty was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction, and NW was shortlisted for the Baileys Women's Prize for Fiction. Zadie Smith is currently a tenured professor of fiction at New York University and a Member of the American Academy of Arts and Letters.

Hometown:

London, England

Date of Birth:

October 27, 1975

Place of Birth:

Willesden, London, England

Education:

B.A. in English, King's College at Cambridge University, 1998

Editorial Reviews

Smith writes with a beguiling mix of assurance and solemnity, borrowing her vocabulary from many intellectual and cultural sources… Smith’s native intelligence, however, seems so formidable that you can’t help hoping she’ll change her mind yet again.” —The New York Times Book Review
 
“Smith brings her novelist’s gifts— an eye for detail, a languid turn of phrase— to the essay form.” —The Boston Globe
 
“Taken together, [these essays] reflect a lively, unselfconscious, rigorous, erudite and earnestly open mind that’s busy refining its view of life, literature and a great deal in between… Smith shows herself in more ways than one to be a very old, empathetic head on ridiculously young shoulders… It’s in her impassioned, compulsively dialectical and endearingly wonkish inquiry into literature that Smith really takes off.”—Los Angeles Times
 
“It doesn’t seem to matter what she’s writing about—Kafka, her father, Liberia, George Clooney. Just placing anything within the magnetic field of her restlessly intelligent brain is enough to make it fascinating. Smith (White Teeth) has the gift…of showing you how she reads and thinks; watching her do it makes you feel smarter and more observant just by osmosis.”—Time
 
“Warmly insightful pieces that tease apart knotty strands of human experience… She has an uncanny eye for detail, on the streets of Liberia or at an Oscar gala in Los Angeles.” —O Magazine
 

From the Publisher

Smith (White Teeth; On Beauty) had a successful debut as a writer shortly after completing college; reading her essays, one understands why. Her examinations of a wide range of subjects confirm her writing talents with wit, candor, occasional self-deprecation, and insight. In this collection, Smith demonstrates her knack for recognizing and appreciating different points of view. Organized into five sections—"Reading," "Being," "Seeing," "Feeling," and "Remembering"—these essays, most of which were previously published, address an eclectic range of topics, including Italian cinema, visiting Liberia, Hollywood on Oscar night, writing advice, Katharine Hepburn, and President Obama, that will appeal to everyone. The collection features lectures on writing, movie reviews, and literary criticism such as examinations of Franz Kafka, Roland Barthes, Vladimir Nabokov, E.M. Forster, and George Eliot's Middlemarch; Smith pays homage to the late David Foster Wallace and his writing genius. Her essays on her family, especially about her father and his wartime experiences, are candid and touching. VERDICT Recommended for readers of nonfiction, creative writing enthusiasts, and literary scholars. [See Prepub Alert, LJ 7/09.]—Erica Swenson Danowitz, Delaware Cty. Community Coll., Media, PA

Library Journal

Rarely does a book that seems to promise so little deliver so much. Even the subtitle, Occasional Essays, of Zadie Smith's nonfiction collection Changing My Mind, carries a whiff of modest ambitions. This isn't, it seems to say, nearly as substantial as Smith's novels. Yet rather than the usual clean-out-the-closets collection-the miscellany of articles that fills the publication gap between big books-this volume, which includes previously published material, offers the sort of insight that will not only enlighten fans but should provide plenty of illumination for anyone who appreciates fiction and words and the interplay between writer and reader as much as Smith plainly does. The best of these essays are as concerned with the essence of reading well as writing well. And they are written so incisively, and with so much empathy and warm-hearted humor, that they show how reading has made Smith the writer that she is. Rather than a critic advancing an argument or an academic analyzing in code, she's a writer who understands the reader's perspective, a reader who understands the writer's. When she praises the "broad sympathetic sensibility" of E.M. Forster (who provided the template for her novel On Beauty), she could well be describing her own. Much of her writing on literature doesn't directly critique other writers, but critiques the critiques, as Smith sees Middlemarch through Henry James's eyes while inviting the reader to read (or re-read) George Eliot's classic through Smith's. Whether she's describing how she initially resisted the seminal influence of Zora Neale Hurston, perhaps the first of the great authors about whom Smith has changed her mind, or celebrating the late DavidFoster Wallace ("he was my favorite living writer") through a close reading of his Brief Interviews With Hideous Men, Smith shows a universalist's, omnivorous appetite for literature. The book's title implies more than arriving at a different verdict. As the author matures, becomes more educated and experienced, she reads with a mind that is different than it was. As reading fiction leads to writing it, she develops a more profound understanding of those different, symbiotic roles. "Reading has always been my passion, my pleasure, and I am constitutionally drawn to any thesis that gives power to readers . . . ," she writes. "But when I became a writer, writing became my discipline, my practice, and I felt the need to believe in it as an intentional, directional act, an expression of individual consciousness."These essays aren't all about literature. The most moving one is pure memoir, linking the death of her father and her family's appreciation for comedy. (The weakest are the film reviews, some little more than capsules.) But even when delving into politics, Smith brings a novelist's attention to language, style and tone. If she'd never written a novel, this collection alone would make me eager to read more of her work.

Kirkus Reviews

In this eclectic collection of essays, Zadie Smith (WHITE TEETH, ON BEAUTY) explores a variety of literary masterworks, including Zora Neale Hurston's THEIR EYES WERE WATCHING GOD, George Eliot's MIDDLEMARCH, and E.M. Forster's HOWARDS END. She offers a terrific essay on Barthes and Nabokov; but lest listeners think this is an audiobook solely for literature lovers, Smith also praises Barack Obama's artful use of language, profiles several Hollywood luminaries, and cogently tackles racism and feminism. Barbara Rosenblat’s intelligent narration highlights Smith’s focus on fluidity and change. She brings clarity to each section in the collection: "Reading," "Being," "Seeing," and "Feeling.” Barbara Rosenblat could read a menu and keep her audience entranced, and with exceptional material like Smith's, she provides a high-quality listening experience. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2009, Portland, Maine

DECEMBER 2009 - AudioFile