Changes in Latitudes, Changes in Attitudes

Changes in Latitudes, Changes in Attitudes

by Jimmy Buffett
Changes in Latitudes, Changes in Attitudes

Changes in Latitudes, Changes in Attitudes

by Jimmy Buffett

CD

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Overview

One reason why Jimmy Buffett's sixth album, Changes in Latitudes, Changes in Attitudes, is his best record yet is simply the sound. Buffett's move from Don Gant, who produced his last four albums, to Norbert Putnam is a serious upgrade. Putnam, a bassist by trade with a talent for string arranging, specializes in working in Nashville with artists who don't quite belong in Nashville. His production of Eric Andersen's Blue River resulted in a masterpiece, and he's done quality work with the likes of Joan Baez, Neil Young, and Dan Fogelberg, creating a country-pop sound that achieves the crossover such artists crave. Putnam is a perfect fit for Buffett; he gives the music the polish Buffett's always needed. But that only explains the reason why the album works so well sonically. The main reason it's Buffett's best is the songs, most of which he wrote. Buffett has always been a good songwriter when he had the time to apply himself, and he's been developing a persona that reaches its culmination here. Or, it might be said that the persona takes a logical next step. Buffett's alter ego is something of a screwup, a guy who's on the road, sometimes defined as a traveling musician, and who fuels himself on liquor and recreational drugs. He wants to get home to his loved ones, but he's actually not in that much of a hurry to do so. The guy who sang "Come Monday" in 1974 ("I just want you back by my side") has evolved into someone who's been on the road so long that he and his pals "Wonder Why We Ever Go Home." He may, as he claims, "Miss You So Badly," but he also acknowledges, "The longer I'm gone the closer I feel to you." When he is at home, he is clearly at loose ends, and this is where Buffett's observations are most acute, as he leads off the LP's two sides with its two best songs. The title tune finds him world-weary yet ready to head off again. "If I wasn't crazy I would go insane," goes the chorus. And the culmination of it all comes on the irresistibly catchy, completely self-deprecating "Margaritaville," a guitar-strumming beach bum's declaration of purpose (or purposelessness). He can't remember how he got a new tattoo, he has cut his foot on the "pop top" of a beer can, and his heart seems to have been broken some time in the past (he doesn't seem to remember all that well), but soon his blender will finish stirring up his favorite drink and all will be well. The song is an anthem for the Buffett character and likely to prove an archetype. ~ William Ruhlmann

Product Details

Release Date: 10/25/1990
Label: Mca
UPC: 0076731107028
Rank: 3810

Tracks

  1. Changes in Latitudes, Changes in Attitudes
  2. Wonder Why We Ever Go Home
  3. Banana Republics
  4. Tampico Trauma
  5. Lovely Cruise
  6. Margaritaville
  7. In the Shelter
  8. Miss You So Badly
  9. Biloxi
  10. Landfall

Album Credits

Performance Credits

Jimmy Buffett   Primary Artist,Guitar,Vocals,Guitar (Acoustic)
Greg "Fingers" Taylor   Harmonica
Michael Jeffrey   Guitar,Vocals,Lead Guitar
Harry Dailey   Bass,Vocals
David Bryant   Vocals
Fingers Taylor   Voices,Harmonica
Michael Gardner   Drums
Mike Utley   Keyboards
Ferrell Morris   Percussion
Kenny Buttrey   Drums,Congas
Roger Bartlett   Guitar,Lead Guitar
Billy Puett   Horn,Flute,Recorder
Michael Utley   Organ,Piano

Technical Credits

Steve Burgh   Composer
Greg "Fingers" Taylor   Composer
Frank Mulvey   Art Direction
Tim Bryant   Design
Gribbitt!   Design
Michael Utley   String Arrangements,Arranger
Alex Sadkin   Assistant Engineer
Tom Corcoran   Photography
Steve Goodman   Composer
Jonathan Baham   Composer
Jesse Winchester   Composer
Jim Rothermel   Composer
Jimmy Buffett   Composer
Marty Lewis   Engineer
Norbert Putnam   Producer,String Arrangements
Billy Puett   Engineer
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