★ 03/24/2014
Childhood friends pursue lives on opposite sides of the law in this sweeping literary crime novel from Davidson (Rust and Bone). Owen Stuckey and Duncan Diggs meet as children, growing up on the streets of Cataract City, on the Canadian side of Niagara Falls. One night, during the chaos of a brawl, the 12-year-old boys are abducted, and spend a hellish week lost in the woods. From this point on, their trajectories split: Owen becomes a high school basketball star, and later a cop; Duncan becomes a boxer and small-time hood. Yet they remain tethered, not only by friendship and shared trauma but also by Edwina, a fiery free spirit they both love. When dogfighting, smuggling, and then murder ratchet up the stakes between the two men, old bonds are pitted against current loyalties. Davidson makes Cataract City itself a character, and brilliantly evokes life in a gritty industrial town—the men and women smell like their respective product lines at the local Nabisco factory, and drink at the same bleak bars their entire lives. Although Davidson takes a few small missteps—as children, the boys have confusingly similar nicknames, and some plot points strain credulity—the characters, audacious sweep of the story, and propulsive noir writing make this novel a standout. To live in Cataract City, Duncan observes, is “to accept many disappointments”; Davidson’s novel, on the other hand, lives up to its promise. (July)
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Cataract City
Narrated by James Colby, Graham Winton
Craig DavidsonUnabridged — 13 hours, 9 minutes
![Cataract City](http://vs-images.bn-web.com/static/redesign/srcs/images/grey-box.png?v11.12.4)
Cataract City
Narrated by James Colby, Graham Winton
Craig DavidsonUnabridged — 13 hours, 9 minutes
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Overview
Editorial Reviews
Davidson writes fearlessly about cruelty, gleaming cartilage and a friendship built of broken bones.” —Time Out New York
“A master of boxing and fight scenes, Davidson knows that behind those violent moments lurk the layers of emotion and dysfunction that hold many relationships together.” —BuzzFeed, "15 Highly Anticipated Books from (Mostly) Small Presses"
“Davidson makes Cataract City itself into a character, and brilliantly evokes life in a gritty industrial town. . . . The characters, audacious sweep of the story, and propulsive noir writing make this novel a standout. To live in Cataract City, Duncan observes, is ‘to accept many disappointments'; Davidson's novel, on the other hand, lives up to its promise.” —Publishers Weekly, starred review
“The icy chase scene that brings things to a head is worthy of Hitchcock, and Davidson's writing is assured and nuanced even while giving tough-guy noir a good working over. ‘It's a big world out there,' our narrator tells us. So it is, and while you wouldn't want to live in this corner of it, it's well worth a visit.” —Kirkus Reviews
“Craig Davidson not only dives headfirst into the deep end of thriller fiction, but perfects it while showing the dedication and skill needed to jump in the first place.” —The Summerset Review
★ 06/01/2014
Growing up in Canada near Niagara Falls, close friends Owen Stuckey and Duncan Diggs become even closer after their abduction by a broken-down wrestler they had admired. Duncan's plunge into the criminal world as an adult puts pressure on Owen, now a cop. VERDICT A swiftly told, matter-of-fact unfolding of lives threatening to derail, this Scotiabank Giller Prize finalist will be appreciated by most fiction readers.
2014-06-15
Snowmobile chases, cigarettes and snub noses: Canadian novelist Davidson’s (The Fighter, 2007, etc.) latest is a down-and-dirty look at life on the quiet side of Niagara Falls.Canadians are reserved, polite and law-abiding,non? Not so. Davidson opens as if with a country song, as Duncan Diggs is preparing to leave prison after 2,912 nights, of which “two were the longest: the first and the last.” Even if the prison is glad to see him gone, and even if he makes a halfhearted vow to get things right this time, Dunk can’t help but be a screw-up; he’s a jailbird now—“a distance had settled into his eyes,” our narrator says—and about the first thing he does is look for fresh trouble. He finds it. How could he not in a town where everyone’s high on bath salts or malt liquor, where the only growth industries are bare-knuckle boxing and petty crime? Dunk aims to improve his lot with a slightly better class of criminal, a reservation rat who runs counterfeit cigarettes from one side of the Niagara River to the other, grabbing at whatever other illicit opportunities present themselves. If Dunk is somewhat one-dimensional and elements of Davidson’s storyline are predictable—of course his childhood friend is going to be a cop, of course they’re both going to have their eye on the same woman, of course things aren’t going to end well—criminal mastermind Lemmy Drinkwater is a fully rounded hoot. It stands to reason, too, that any character named Bovine is a font of comic possibilities, if not ones for the squeamish. The story goes on a few beats too long, especially its protracted conclusion. Still, the icy chase scene that brings things to a head is worthy of Hitchcock, and Davidson’s writing is assured and nuanced even while giving tough-guy noir a good working over.“It’s a big world out there,”our narrator tells us. So it is, and while you wouldn’t want to live in this corner of it, it’s well worth a visit.
Product Details
BN ID: | 2940170497775 |
---|---|
Publisher: | Recorded Books, LLC |
Publication date: | 07/08/2014 |
Edition description: | Unabridged |
Read an Excerpt
Cataract City
A Novel
By Craig Davidson
GRAYWOLF PRESS
Copyright © 2013 Craig DavidsonAll rights reserved.
ISBN: 978-1-55597-674-3
CHAPTER 1
DOGS IN SPACE
OWEN STUCKEY
After dropping Duncan at his folks' house, I drove south, stopping at a lookout a few miles upriver from the Falls. A spit of land arrowed into the river; the ground closest to shore was overhung with willows whose ripening buds perfumed the evening air. In the summer families would colonize the picnic tables, stoking fires in old tire rims, grilling tube steaks and corn on the cob. Children would splash in the river under the watchful gaze of their folks; the wild boys who swam from the shallows would earn a cuff on the ear from their fathers—the Niagara turned black and snaky twenty yards from shore, and the river basin was littered with the bones of men and boys who'd pitted their will against it.
Was this where Bruiser Mahoney had regaled us with the tale of Giant Kichi? If not, Dunk and I had surely been here before. As boys, we'd investigated every crest and dip in this city. No place was unknown to us.
I remembered the still pools behind the gutted warehouses on Stillwell Road teeming with bullfrogs—Dunk and I would watch tadpoles push themselves out of translucent egg sacs, their iridescent bodies glittering like fish scales. Bizarre to realize that a creature so large, carbuncled and fucking ugly could begin its life so tiny, so radiant.
The oxbow lake we visited must be west of here, but its exact location was lost to me now ... it struck me that a man inevitably surrenders his boyhood sense of direction, as if it were a necessary toll of adulthood. Boys weren't dependent on atlases or cross streets—a boy's interests lay off the city grid, his world unmapped by cartographers. Boys navigated by primitive means, their compass points determined by scent and taste and touch and sense-memory, an unsophisticated yet terribly precise method of echolocation.
If I couldn't find that oxbow now, I could still remember how afternoon sunshine would fill the slack water, which was bathwater-warm on high August afternoons. A car was submerged at the bottom of the lake; local legend held it was haunted: its occupants, a family from out of town, had been driving through a snowstorm and crashed through the ice. In the schoolyard it was whispered that at the stroke of midnight, three apparitions would hover over the water: the car's damned occupants, who were rumoured to have been atheists—a filthy word in Cataract City—and probably vegetarians to boot. Having never received a godly Christian burial, their forlorn ghosts were damned to haunt the lake.
There was the starlit field behind Land of Oceans, a marine mammal park where the corpses ofwhales and sea lions and dolphins were heaped into mass graves. One night Dunk and I hopped the chain-link fence and kicked through dry scrub to the graveyard, finding nothing untoward apart from the smell wafting from the ground, earthy and fungal like certain exotic cheeses you couldn't buy at the local Pack N' Save. Duncan led us up what we both believed to be an isolated hummock until we were perched perilously at its lip, staring into a hole. At the bottom, curled like a smelt in a bowl, was Peetka, the performing bottlenose dolphin. Her body was stiffening with rigor mortis—I'd imagined the sly creak of floorboards in an abandoned house—a bloody hole in her head eight inches from the crusted blowhole where a veterinarian had excised a twitching nugget of brain. A dusting of quicklime ate into the milky blue of her eyes. When headlights bloomed over the curve of the earth we'd fled into the long grass, blood booming in our ears, not stopping until we were in the sheltering woods, where we'd collapsed in hysterical, adrenalized giggles—the only way to dispel that terrible pressure.
The two of us had barely spoken on the ride home from prison. My eyes kept skating off Dunk. Prison had reduced him in some unfathomable way. You wouldn't know to look at him—he was freakishly muscular, a condom stuffed with walnuts—but a distance had settled into his eyes. He'd been banged up eight years. Ten percent of the average human lifespan. Ten percent he'd never reclaim. Ten percent that I'd stolen from him?
I drove back to the Niagara Parkway, swinging around the city hub and turning onto Sodom Road, motoring between grape fields in the alluvial shadow of the escarpment. My department-issued .38 dug under my armpit. I'd carved an X into the soft lead of each bullet, fashioning dumdum rounds. A year ago I'd barrelled through the cheap pressboard door in a lowrise apartment off Kaler to find some fucko smashed on bath salts pressing a carpet knife to his girlfriend's neck. I shot him three times—textbook centre of mass, a neat isosceles in his chest—yet he'd still managed to nearly saw her head off. From then on I told myself I'd have stopping power, whether or not the department condoned it.
I pulled into a weedy cut-off. The land rolled away from me in swathes of deepening darkness; I spotted a trembling finger of flame burning someplace in the trees. I'd been here before—this exact spot, always at night. Some nights I'd lie in bed listening to my fingernails grow until I couldn't stand the sound, then get up and drive through the heart of Cataract City. Past the Memorial Arena and down Clifton Hill, skirting the Falls that threw up their endless spray. I didn't need that primitive boyhood sonar to guide me anymore.
Presently I stepped from the car and flexed my knee; it always throbbed in the springtime and lately it'd been acting up in the winter, too. The clean smell of the forest: cut-potato scent of earth, dry leaves leaving a taste of cinnamon on the tongue.
"Home again, home again, jiggedy jig."
The wind curled under my trouser cuffs. Worried for no reason I could pinpoint, I glanced over my shoulder and saw the distant glimmer of Clifton Hill. The city makes you; in a million little ways it makes you, and you can't unmake yourself from it.
When I was twelve I spent three nights in these woods with my best friend—Duncan Diggs. It wasn't that we were assing around after dark and got waylaid far from our safe streetlit world—lost someplace in the lovely woods, dark and deep, like Frost wrote in that old poem. We were kidnapped: that's what the papers would write and that was what happened, strictly speaking. But it didn't feel that way. The man who did it ... looking back, I can say he was thoughtless. His actions put us in danger; we could've died. But I wouldn't say he was evil. He was just broken in the way some men can become broken, and failed to see how it might also break those around him.
Was I scared? Shit, yeah. We were lost and cold and hungry and terrified that we'd be torn apart by the makers of those soft, sinister noises that rebounded within the night pines. But I wasn't scared of the man who'd brought us there. If you were to ask Dunk he'd say the same.
But all this happened a long time ago, when we were kids. If there's one time in your life you want to remember fondly, it's those years.
The man who took us into the woods was our hero, back when we were young enough to believe in those. Big heroes, you know? Larger than life. As you grow up you find most heroes are the same size as anyone else; their heroics are small, selfless and continual. Back then we believed in the ruddy breed of heroism depicted in the G.I. Joe comics we'd read on rainy afternoons in my basement, water trickling through the downspouts like clicking marbles. We believed heroes like that existed because the world seemed huge enough to hold them. The world still seems huge now, but in a sometimes depressing way that I can't quite explain. As boys, it was only hugely unknown. Just because we'd never met such men wasn't proof that they didn't exist.
Then we met our first hero in the flesh. He was the sort of creature who didn't seem like a man at all. He gave no sense of being made out of the same ever-failing parts that other men—our own fathers—were cobbled together from. He looked every inch the superhero, with muscles where there shouldn't rightly be muscles. He inhaled the same air as we did, but I wouldn't have been surprised to find out he had gill-flaps on his neck that helped him breathe under water or microscopic barbs on his fingertips that let him climb the tallest buildings without fear. He was perfection in the raw. A perfection that was undisciplined and maybe even unwanted: he'd occasionally frown during a match—a fleeting frown as if to say the expectations his perfection created were a small burden. But surely now and then even Superman wished he could ditch the red cape and settle down in the suburbs, right?
On the first Saturday of every month the two of us would head to the old Memorial Arena with our fathers. Our hero would high-step through a blistering fan of fireworks wearing a fur-edged robe, dark hair whipping round his face like a lion's mane. You couldn't have convinced me he was anything less than a minor god who, having disrupted the order of Olympus, had been cast down to earth for a thousand years of penance amongst the fallen.
His name was Bruiser Mahoney. Dade was the name his mother gave him. Rathburn is the name on his tombstone. But he told us to call him Bruiser.
It was Bruiser Mahoney who took us into these very woods. We went willingly. That's what we mortals do with our heroes: we follow.
A bat flashed across the headlights, wings spread from its black walnut body, chittering on its way to the hunting grounds.
"Behold zee creatures of zee night," I said, a bad Bela Lugosi. "Vhat bee-ootiful music zey make."
My voice was a croak; I laughed, and the sound travelled past the headlights, hit a wall of darkness and echoed back at me. I sat back inside the car and cranked the heater against the chill that had settled into my flesh. The antenna pulled in a station south of Buffalo; the DJ cued up "Who'll Stop the Rain." The heat made me sluggish; I shut my eyes to the sound of Fogerty's wounded baritone, letting it carry me back.
* * *
THE NAME ON MY BIRTH CERTIFICATE reads Owen Gregory Stuckey, but as a kid everyone called me Dutchie. Later it would become Dutch, but for the early years of my life there was always that extra ie.
People used to ask if I got the nickname because my family was from Holland, but that wasn't it. Before I was even a year old I had a brown mop that grew straight down. Mom chopped it below my ears, so the thick ends looked like the bristles of a broom. Mom thought I looked like the little Dutch Boy on the cans of paint.
On the first day of school Mom introduced me to the kindergarten teacher: "This is my son, Owen, but everyone calls him Dutchie." Never mind the fact that maybe I didn't dig the nickname. I was five years old. It's not like I cut my own hair or insisted it be styled into a horrible Prince Valiant, right?
The teacher called me Dutchie. Kids called me Dutchie. The die was cast. In the end, I didn't really mind; it's not like Dutchie was so much worse than Owen, which is kind of a nelly name. A few years later Mom named our new puppy Kyle. Our dog got a human name while mine was more suited to a dog.
Duncan was the one kid who called me Owen. But usually he shortened it to Owe. I called him Dunk, same as everybody else.
We grew up in Niagara Falls, also known as Cataract City—a nickname based on the Latin word for waterfall, I learned in class. But my mother, a nurse, said there was an above-average rate of actual cataracts in the city, the eye kind, which often led to glaucoma. For this reason Mom was in favour of legalizing medical marijuana. She'd never smoked pot herself but hated to see people in pain.
"The worst they'd get is a bad case of the munchies after smoking those doobs," she once said, earning a raised eyebrow from Dad.
As a kid, I found it tough to get a grip on my hometown's place in the world. What could I compare it to? New York, Paris, Rome? It wasn't even a dot on the globe. The nearest city, Toronto, was just a hazy smear across Lake Ontario, downtown skyscrapers like values on a bar graph. I figured most places must be a lot like where I lived: dominated by rowhouses with tarpaper roofs, squat apartment blocks painted the colour of boiled meat, rusted playgrounds, butcher shops and cramped corner stores where you could buy loose cigarettes for a dime apiece.
When I was seven or so, riding the bus with my mom, I heard an old geezer rattling on about our city. He had webs of shattered veins in his nose and carried his anger like a pebble in his shoe. Later I'd discover that my city was full of men like him, haunting the Legion Halls and barbershops. I recall what he said verbatim—partly because of the weird mix of venom and resignation in his voice, and partly because of his inventive use of cuss words.
"You want to know how Niagara Falls came to be?" he said. "America swept all its shit north, Canada swept all its shit south, and the dregs of the dregs washed up in a string of diddly-ass border towns, of which Cataract City is undoubtedly the diddliest. Who else takes one of the seven wonders of the world—the numero uno wonder, the Grand Canyon can kiss my pimpled ass—and surrounds it with discount T-shirt shops and goddamn waxwork museums? May as well mount the Hope Diamond in a setting of dog turds. Can't hack it in Toronto? Come to Cataract City. Can't hack it in Buffalo? Cataract City's waiting. Jumped-up Jesus Kee-rist! Can it get much sadder? It's like finding out you can't hack it in purgatory and getting your ass shipped straight to hell."
He'd stared out the bus window, lip curling to touch his nose. "Welcome to hell, suckers."
I remember, too, how nobody on that bus rose to the city's defence.
My father worked at the Nabisco factory on Grand Avenue. The Bisk, as it was known. If you grew up in Cataract City and earned a university degree, chances are you left town. If you grew up in Cataract City and managed to finish high school, chances are you took a job at the dry docks, Redpath Sugar, the General Motors plant in St. Catharines or the Bisk. Plenty of the jobs were simple enough that any half-competent person could master them by the end of their first shift. One of my schoolmates' dads filled sacks of iced tea mix. Another drilled holes in ignition-collar locks. The only question was whether you could do that same task eight hours a day for the next forty years.
The first seven years of my life, my father worked on the Nilla Wafers line. I don't know what he did beyond that. When you're a kid all you know is that your dad puts on his suit or overalls and vanishes from your life until nightfall. Sometimes my pops came back exhausted and scarlet-eyed, as if he'd been engaged in a low-wattage war someplace. If you asked how work was he might say: "Work's work." Unless your dad was an astronaut or a cowboy—and nobody's dad in Cataract City had a gig like that—whatever he did for those hours held slim appeal.
Dunk's father worked at the Bisk, too. Chips Ahoy line. Our dads carried the smell of their lines back home with them. It became a forever quality of their clothes. It crept under their skin and perfumed the sweat coming from their pores. I used to keep score at the Bisk's company softball games; after a while I knew the batting order by smell alone: first up was Triscuits, second was Fig Newtons, third was Cheese Nips. The mighty Nutter Butter batted cleanup.
My father wasn't ambitious by nature—a more aww, shucks man you would not meet—but he was willing to work his ass off, had a supportive wife and a working-class chip on his shoulder. That chip was a familiar accessory on a lot of Cataract City men, but unlike other guys my dad didn't nurse his grudge impotently over beers at the Double Diamond. He looked at the men above him—literally: at the Bisk, management offices were glassed-in boxes overlooking the factory floor—and said to himself: Why not me?
He studied nights and by the time I was eleven he'd earned a business degree. He rolled this into a job as line supervisor, which led to a promotion to day-shift super.
Years later I asked him why he worked so hard to get that degree. He said: "I didn't want to smell like a Nilla Wafer in my coffin."
(Continues...)
Excerpted from Cataract City by Craig Davidson. Copyright © 2013 Craig Davidson. Excerpted by permission of GRAYWOLF PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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