Cass Butcher Bunting

‘Cass Butcher Bunting’ begins with an explosion and a cave in down a mine shaft. Three miners are trapped there; Cass, the local golden boy, Butcher, the mentally-heavy, stay-at-home product of a small mining community, and Bunting, the old-timer, the ‘humpy’.
The setting of the action deep in the bowels of the earth places so-called civilised man back in a primordial situation, in a closed-off cave, his only mental and moral buffer lying in having to fall back on his ownself, his own primitiveness -- and where he can only play out his own tragedy as death becomes increasingly inevitable.
Man’s fundamental inhumanity to man is a major theme explored in this play. The exchanges between Cass and Butcher and their varying reactions to each other can be seen as subtle revelations of aspects of this inhumanity in a situation as extreme as imaginable. Bunting’s ravings are reminders that in the modern world this selfsame inhumanity is most often expressed in cruelty.
Unarguably it is in the face of this impending end that man, with nothing more to lose, can step out from behind his everyday mask and reveal his needs and his weaknesses, acknowledge and accept his failures. Between the simple social comment suggested by one reviewer as a ‘powerful exposé of a small community’ and the consideration of death (‘it’s simply about dying’) put forward by the playwright lie a number of layers of meaning which the individual member of the audience or reader will find for himself.
(Mary Lord, convener, Alexander Playwriting
Competition, Monash University)
--------------

Bill Reed is an award-winning novelist, playwright and short-story writer who lived within the Australian literary and publishing worlds. He now lives outside its gates, mainly in Sri Lanka

1121921090
Cass Butcher Bunting

‘Cass Butcher Bunting’ begins with an explosion and a cave in down a mine shaft. Three miners are trapped there; Cass, the local golden boy, Butcher, the mentally-heavy, stay-at-home product of a small mining community, and Bunting, the old-timer, the ‘humpy’.
The setting of the action deep in the bowels of the earth places so-called civilised man back in a primordial situation, in a closed-off cave, his only mental and moral buffer lying in having to fall back on his ownself, his own primitiveness -- and where he can only play out his own tragedy as death becomes increasingly inevitable.
Man’s fundamental inhumanity to man is a major theme explored in this play. The exchanges between Cass and Butcher and their varying reactions to each other can be seen as subtle revelations of aspects of this inhumanity in a situation as extreme as imaginable. Bunting’s ravings are reminders that in the modern world this selfsame inhumanity is most often expressed in cruelty.
Unarguably it is in the face of this impending end that man, with nothing more to lose, can step out from behind his everyday mask and reveal his needs and his weaknesses, acknowledge and accept his failures. Between the simple social comment suggested by one reviewer as a ‘powerful exposé of a small community’ and the consideration of death (‘it’s simply about dying’) put forward by the playwright lie a number of layers of meaning which the individual member of the audience or reader will find for himself.
(Mary Lord, convener, Alexander Playwriting
Competition, Monash University)
--------------

Bill Reed is an award-winning novelist, playwright and short-story writer who lived within the Australian literary and publishing worlds. He now lives outside its gates, mainly in Sri Lanka

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Cass Butcher Bunting

Cass Butcher Bunting

by Bill Reed
Cass Butcher Bunting

Cass Butcher Bunting

by Bill Reed

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Overview

‘Cass Butcher Bunting’ begins with an explosion and a cave in down a mine shaft. Three miners are trapped there; Cass, the local golden boy, Butcher, the mentally-heavy, stay-at-home product of a small mining community, and Bunting, the old-timer, the ‘humpy’.
The setting of the action deep in the bowels of the earth places so-called civilised man back in a primordial situation, in a closed-off cave, his only mental and moral buffer lying in having to fall back on his ownself, his own primitiveness -- and where he can only play out his own tragedy as death becomes increasingly inevitable.
Man’s fundamental inhumanity to man is a major theme explored in this play. The exchanges between Cass and Butcher and their varying reactions to each other can be seen as subtle revelations of aspects of this inhumanity in a situation as extreme as imaginable. Bunting’s ravings are reminders that in the modern world this selfsame inhumanity is most often expressed in cruelty.
Unarguably it is in the face of this impending end that man, with nothing more to lose, can step out from behind his everyday mask and reveal his needs and his weaknesses, acknowledge and accept his failures. Between the simple social comment suggested by one reviewer as a ‘powerful exposé of a small community’ and the consideration of death (‘it’s simply about dying’) put forward by the playwright lie a number of layers of meaning which the individual member of the audience or reader will find for himself.
(Mary Lord, convener, Alexander Playwriting
Competition, Monash University)
--------------

Bill Reed is an award-winning novelist, playwright and short-story writer who lived within the Australian literary and publishing worlds. He now lives outside its gates, mainly in Sri Lanka


Product Details

BN ID: 2940151914857
Publisher: Bill Reed
Publication date: 05/09/2015
Sold by: Smashwords
Format: eBook
File size: 113 KB
Age Range: 18 Years

About the Author

Bill Reed is an award-winning Australian novelist, playwright and short-story writer who has won national awards in each of these categories. He has resided in Sri Lanka for the last two decades through his South Asian connections through marriage. On the back cover of his last mainstream novel, Hyland House Publishing enthused that Tusk was another novel from ‘…one of the great originals of Australian literature… and one of our few writers of genius’. But then, in those days, Reed lived within the Australian publishing and literary worlds. Now he dwells contentedly outside the gates.

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