Casebook: A Novel

by Mona Simpson Narrated by Nick Podehl

Overview

From the acclaimed and award-winning author of Anywhere But Here and My Hollywood, a powerful new novel about a young boy's quest to uncover the mysteries of his unraveling family. What he discovers turns out to be what he least wants to know: the inner workings of his parents' lives. And even then he can't stop searching.

Miles Adler-Hart starts eavesdropping to find out what his mother is planning for his life. When he learns instead that his parents are separating, his investigation deepens, and he enlists his best friend, Hector, to help. Both boys are in thrall to Miles's unsuspecting mother, Irene, who is “pretty for a mathematician.” They rifle through her dresser drawers, bug her telephone lines, and strip-mine her computer, only to find that all clues lead them to her bedroom, and put them on the trail of a mysterious stranger from Washington, D.C.

Their amateur detective work starts innocently but quickly takes them to the far reaches of adult privacy as they acquire knowledge that will affect the family's well-being, prosperity, and sanity. Burdened with this powerful information, the boys struggle to deal with the existence of evil and concoct modes of revenge on their villains that are both hilarious and naïve. Eventually, haltingly, they learn to offer animal comfort to those harmed and to create an imaginative path to their own salvation.

Casebook brilliantly reveals an American family both both coming apart at the seams and, simultaneously, miraculously reconstituting itself to sustain its members through their ultimate trial. Mona Simpson, once again, demonstrates her stunning mastery, giving us a boy hero for our times whose story remains with us long after the the novel's end.

Editorial Reviews

From the Publisher

A heart-breaker. . . . [Has] enormous emotional power. . . . Simpson’s story unfolds with magnetic force.” —The Boston Globe

“Lovely. . . . Hit[s] just the right notes of charm, humor, satire, sincerity. . . . Casebook is about a mother’s legacy to her son—important life lessons, well learned.” —San Francisco Chronicle

“Captivating. . . . Lyrically capture[s] the time between childhood and adulthood, as fleeting and delicate as the golden-hour light that filmmakers chase.” —The Washington Post
 
“Simpson’s beautifully crafted novel shows us a reconfigured California family through the eyes of a smart, funny adolescent longing to keep hope alive.” —People

“Singular and haunting. . . . Filled with the quirky and succinct descriptions for which Simpson’s celebrated.” —NPR

“[A] wonderful novel. . . . A funny and sad drama about intimacies, deception and growing up.” —The Guardian (London)
 
“Simpson’s sixth novel is full of insight, even as it showcases her deft touch with character creation.” —The Christian Science Monitor

“Adult relationships are the true mystery here. Simpson manipulates the tropes of suspense fiction astutely, and the touches of noir are delicate.” —The New Yorker

“A hybrid of Harriet the Spy and Chandler’s Phillip Marlow books.” —Los Angeles Times

“Deftly tracks the unraveling of a family through the eyes of a child and then young teenager. . . . The childlike simplicity of Simpson’s prose juxtaposes touchingly with the mature themes with which she’s dealing.” —The Huffington Post

“Displays Simpson’s signature impressionism. . . . Charming, sure-footed and as engaging as ever.” —Star Tribune (Minneapolis)

“Just as in Anywhere But Here, Simpson’s central, complicated relationship of parent and child is both a motif and a window into bared hearts. . . . Miles is an extraordinary character—exceptionally intuitive, observant, feeling.” —Los Angeles Review of Books

“Remarkable. . . . Simpson effortlessly snares readers inside a full, intimate world. . . . Simpson allows readers to relish the innocence of childhood and the intense yearning to discover the secrets of life.” —The Miami Herald

“Simpson once again proves herself a master.” —The New York Journal of Books

“Extraordinary. . . . Bracingly astute. . . . Brisk, beautifully modulated writing. . . . [Simpson] create[s] real kids in all their uniqueness and aching vulnerability.” —The Toronto Star

“A classic coming-of-age novel, a beautifully written example of the genre. . . . A word of warning: this is not a book to finish in a public space. Save the final few pages for private reading. This family romance deserves your undivided, teary attention.” —PopMatters

Product Details

BN ID:	2940169730203
Publisher:	Brilliance Audio
Publication date:	04/15/2014
Edition description:	Unabridged

Read an Excerpt

1 ​• ​Under the Bed

I was a snoop, but a peculiar kind. I only discovered what I most didn’t want to know.

The first time it happened, I was nine. I’d snaked underneath my parents’ bed when the room was empty to rig up a walkie-talkie. Then they strolled in and flopped down. So I was stuck. Under their bed. Until they got up.

I’d wanted to eavesdrop on her, not them. She decided my life. Just then, the moms were debating weeknight television. I needed, I believed I absolutely needed to understand Survivor. You had to, to talk to people at school. The moms yakked about it for hours in serious voices. The only thing I liked that my mother approved of that year was chess. And every other kid, every single other kid in fourth grade, owned a Game Boy. I thought maybe Charlie’s mom could talk sense to her. She listened to Charlie’s mom.

On top of the bed, my dad was saying that he didn’t think of her that way anymore either. What way? And why either? I could hardly breathe. The box spring made a gauzy opening to gray dust towers, in globular, fantastic formations. The sound of dribbling somewhere came in through open windows. My dad stood and locked the door from inside, shoving a chair up under the knob. Before, when he did that, I’d always been on the other side. Where I belonged. And it hurt not to move.

“Down,” my mother said. “Left.” Which meant he was rubbing her back.

All my life, I’d been aware of him wanting something from her. And of her going sideways in his spotlight, a deer at the sight of a human. The three of us, the originals, were together locked in a room.

My mom was nice enough looking, for a smart woman. “Pretty for a mathematician,” I’d heard her once say about herself, with an air of apology. Small, with glasses, she was the kind of person you didn’t notice. I’d seen pictures, though, of her holding me as a baby. Then, her hair fell over her cheek and she’d been pretty. My dad was always handsome. Simon’s mom, a jealous type, said that my mother had the best husband, the best job, the best everything. I thought she had the best everything, too. We did. But Simon’s mom never said my mother had the best son.

The bed went quiet and it seemed then that both my parents were falling asleep. My dad napped weekends.

NOOO, I begged telepathically, my left leg pinned and needled.

Plus I really had to pee.

But my mother, never one to let something go when she could pick it apart, asked if he was attracted to other people. He said he hadn’t ever been, but lately, for the first time, he felt aware of opportunities. He used that word.

“Like who?”

I bit the inside of my cheek. I knew my dad: he was about to blab and I couldn’t stop him. And sure enough, idiotically, he named a name. By second grade everyone I knew had understood never to name a name.

“Holland Emerson,” he said. What kind of name was that? Was she Dutch?

“Oh,” the Mims said. “You’ve always kind of liked her.”

“I guess so,” he said, as if he hadn’t thought of it until she told him.

Then the mattress dipped, like a whale, to squash me, and I scooched over to the other side as the undulation rolled.

“I didn’t do anything, Reen!”

She got up. Then I heard him follow her out of the room.

“I’m not going to do anything! You know me!”

But he’d started it. He’d said opportunities. He’d named a name. I bellied out, skidded to the bathroom, missing the toilet by a blurt. A framed picture of them taken after he’d proposed hung on the wall; her holding the four-inch diamond ring from the party-supply shop. On the silvery photograph, he’d written I promise to always make you unhappy.

I’d grown up with his jokes.

By the time I sluffed to the kitchen he sat eating a bowl of Special K. He lifted the box. “Want some?”

“Don’t fill up.” She stood next to the wall phone. “We’re having the Audreys for dinner.”

“Tonight?” he said. “Can we cancel? I think I’m coming down with something.”

“We canceled them twice already.”

The doorbell rang. It was the dork guy who came to run whenever she called him. He worked for the National Science Foundation and liked to run and talk about pattern formation.

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