Carnivalizing Reconciliation: Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm
Transitional justice and national inquiries may be the most established means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that the pitfalls and promises of reconciliation are laid bare. This book analyzes, within the realms of literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is problematic, reproducing simplistic narratives and identities defined by victimization. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.

"1138898536"
Carnivalizing Reconciliation: Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm
Transitional justice and national inquiries may be the most established means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that the pitfalls and promises of reconciliation are laid bare. This book analyzes, within the realms of literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is problematic, reproducing simplistic narratives and identities defined by victimization. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.

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Carnivalizing Reconciliation: Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm

Carnivalizing Reconciliation: Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm

by Hanna Teichler
Carnivalizing Reconciliation: Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm

Carnivalizing Reconciliation: Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm

by Hanna Teichler

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Overview

Transitional justice and national inquiries may be the most established means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that the pitfalls and promises of reconciliation are laid bare. This book analyzes, within the realms of literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is problematic, reproducing simplistic narratives and identities defined by victimization. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.


Product Details

ISBN-13: 9781805397496
Publisher: Berghahn Books
Publication date: 01/01/2025
Series: Worlds of Memory , #8
Pages: 274
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Hanna Teichler is a research associate in the department of Anglophone Literatures and Cultures at Goethe University, Frankfurt. With Rebekah Vince, she is co-editor of Brill’s Mobilizing Memories series and their Handbook Series in Memory Studies. She is also a member of the Memory Studies Association Executive Committee and Astrid Erll’s Frankfurt Memory Studies Platform.

Table of Contents

Introduction: Carnivalizing Reconciliation

Chapter 1. Justice through Storytelling? Australian and Canadian Reconciliation and the Victim Paradigm
Chapter 2. Carnivalizing Reconciliation: Beyond the Victim Paradigm
Chapter 3. Beyond the Partisan Divide: Transcultural Recalibrations of National Myths in Joseph Boyden’s Three Day Road and Gail Jones’s Sorry
Chapter 4. “Double Visions”: Intimate Enemies and Magic Figures in Kim Scott’s Benang and Tomson Highway’s Kiss of the Fur Queen
Chapter 5. From Victimology to Empowerment? Zacharias Kunuk’s Atanarjuat and Baz Luhrmann’s Australia

Conclusion: Fictions of Reconciliation

Bibliography

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