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Overview
J'écris Capoeira $lave Ritual dans les langues des contribuables australiens, brésiliens, français, espagnols, italiens et allemands.
La Capoeira Brésilienne (Capuêra, Kaapoera, Capoera, Capuera…) est née comme une culture de guerre pour s'opposer à l'oppression et au racisme. La Capoeira d'aujourd'hui produit des sports, de la musique, de l'artisanat, des conditions méditatives et des thérapies, pour améliorer le bienêtre de notre corps et de notre esprit.
C'est l'esclavage qui a procréé des contribuables/capueristas au Brésil et en utilisant un signe dollar [$] au lieu de la lettre [s] je nomme logiquement le citoyen asservi par les loyers, les dettes bancaires, les cartes de crédit, le Revenu Fédéral... comme le authentique "$lave", alias capuerista.
L'auteur raconte comment $laves avec une identité culturelle désordonnée parraine une scolarité irresponsable et provoque la faillite des entreprises de Capoeira.
Profitez d'un Jeu Divergent dans un "Opéra de Capoeira" qui approuve l'appel éducatif du film "Monty Python Holy Grail" et de la série de télé anglaise "Horrible Histories". L'Opéra de Capoeira joue 3 Actes mis en scène par des éducateurs, des capueristas, des célébrités de la TV et du cinéma, des athlètes, des artistes, nos employés occupant des postes politiques, religieux, militaires...
Histoire de Mestres de Capoeira: Rei Zumbi, Pastinha, Bimba... et de nombreuses photos de capueristas en action.
A travers des données et des photos, découvrez l'objectif commercial et pédagogique des "Aussie Capoeira Schools" et l'histoire de la création en 1994 du "Brazilian Community Council of Australia", le Conseil Communautaire Brésilien d'Australie (BRACCA) à Sydney.
J'enseigne la musique et j'écris les Toques (rythme et mélodie) de Roda de Capoeira sur des partitions classiques en faisant des mises à jour pour améliorer la notation de la musique classique qui discrimine les autres cultures.
Les cartes historiques et mes recherches ajoutent des preuves sur les traditions et les croyances des habitants les plus anciens et les plus récents d'Amérique du Sud, du Brésil, d'Australie, d'Europe, d'Afrique, d'Inde et des États-Unis associées à la culture et aux affaires bilingues et multiethniques de la Capoeira.
Le livre apporte des déclarations personnels de Mestre Bimba au Brésil et ajoute des discours d'anciens champions de Capoeira (Mestre Acordeon Bira Almeida aux USA et Gilson de Jesus vivant à Sydney-AU) qui soulèvent des questions sur la formation des athlètes et l'appréciation des produits sportifs qui des hommes d'affaires des Fédérations Brésiliennes et de la Fédération Mondiale de Capoeira (WCF) visent à vendre pour les Jeux Olympiques.
Product Details
| BN ID: | 2940166041630 |
|---|---|
| Publisher: | Mestre Jeronimo |
| Publication date: | 03/24/2023 |
| Sold by: | Smashwords |
| Format: | eBook |
| File size: | 21 MB |
| Note: | This product may take a few minutes to download. |
| Language: | French |
About the Author
MESTRE JERONIMO (Artiste & Author)
Born and raised in the Brazilian Amazon jungle, I have been active since 1974 performing and producing creative music and arts. I hold an extensive unique experience with the culture of Capuêra (Kaa-poera, Capoeira Capuera, Capoera), Brazilian music, classical, folk, jazz, rock and commercial performance.
I consider my top achievement in live the education I generate to inspire the welfare of my dear daughter Marina, born and raised in Bondi Beach.
I am a bilingual person. Living in Brazil, Europe and Australia, I studied Brazilian, French, Spanish, English, German, and Italian languages.
I spent 20 years working as a full time and part-time bassist in symphonic orchestras and have been a member and conductor in classical and folkloric vocal and instrumental ensembles, in Brazil and Australia.
In my youth, I achieved national volleyball rank in Brazil. Nowadays my best hobby is to enjoy beach volley in Bondi Beach, playing it with my family and friends.
I pioneered the establishment of the first Australian School of Capoeira in Sydney at the Bondi Pavilion Community Cultural Center, in 1988. Since that time, I teach and perform Capoeira and music for a variety of events in Australia and internationally.
In 1994 in Sydney, I became a foundation member for the Brazilian Community Council of Australia (B.R.A.C.C.A.).
I have recorded my original works in various genres and toured extensively.
I write artistic and educational books.
MY BILINGUAL BOOK & E-BOOK PUBLICATIONS
10.Title: CAPOEIRA $LAVE RITUAL TOTAL RECALL - © December 2022 / June 2023 ––– *(I published six books in the tongue of Aussie, Brazilian, French, Spanish, Italian and German taxpayers.)
9.Title: CAPOEIRA INTERNET ROD@ VIRTUAL 2021 – ISBN 9781005207939 © September 2021 (Brazilian & English)
8.Title: BIRIMBAU BRASILEIRO Método de Percussão – ISBN: 9781005830106 & 9781700225795 © October 2019 (Brazilian & English)
7.Title: GUITAR TAB CHART Bilingual Divergent Music Education – ISBN: 9781005873196 & 9781081293833 © July 2019 (Brazilian & English)
6.Title: CANTA CAPUÊRA Compilation of Capoeira Songs – ISBN: 9781005537869 & 9781096477297 © May 2019 (Brazilian & English)
5.Title: SINFONIA DE BIRIMBAU Culture of Capoeira in Classical Music – ISBN 9781513625577 © August 2017 (English)
4.Title: SINFONIA DE BIRIMBAU Cultura da Capoeira em Música Clássica – ISBN 9781513625584 © September 2017 (Brazilian)
3.Title: SINFONIA DE BIRIMBAU Cultura de la Capoeira en Música Clásica – ISBN 9781513625560 © November 2017 (Spanish)
2.Title: CAPOEIR@ INTERNET – ISBN 0 646 37351-X ©1999 (Brazilian & English)
1.Title: CAPOEIRA $LAVE RITUAL – ISBN 0 646 263838 ©1995 (English)
CD PRODUCTION:
5. CD ENCHENTE © 2007 made in BR
4. CD SEED OF FREEDOM © 2004 made in AU
3. CD CAPOEIRA ART & RITUAL © 2002 made in AU
2. CD WARRIORS DANCING © 1997 made in AU
1. CD PALMARES IN AUSTRALIA © 1989 made in AU
EXPERIENCE IN WORLDWIDE EVENTS:
•Internationally (from 1985 to 2020) I've been teaching and performing music and Capoeira in Europe; Australia; New Zealand; Brazil; New Caledonia; USA; Canada and South Africa
•Sydney (1990-2004) Festival of Sydney
•Sydney (1992-2002) bassist performing classical music with: Sydney Opera House Orchestra; Willoughby Symphony Orchestra and Penrith Symphony Orchestra
•Sydney (1993-2000) teaching children aged 3 to 10 at the Bondi Pavilion
•Adelaide (1999 and 2002) WOMAD Festival
•Sydney (from November1987 to 2006) Capoeira and Music Teacher at: Bondi Pavilion Community Cultural Centre; Sydney Conservatorium of Music; NSW University; University of Sydney and SBS Radio
•New Zealand (1994) The University of Wellington
•Auckland (1992) Asia Pacific Festival / New Zealand Arts Foundation
•Brazil (1978 to 1983) Amazon Theatre Choir and Choir Madrigal Jovem de Brasília
•Brazil (1981-84) bassist employed full time at State Youth Orchestra of Rio de Janeiro
ACADEMIC EDUCATION:
•Certificate IV TESOL, TESOL Australia (2019)
•Master of Music (Composition), University of Sydney (2018)
•Graduate Diploma of Music (Performance), AMPA, Sydney (2017)
•Diploma of Music (Performance), TAFE NSW (2015)
•Diploma of Music (Business), TAFE NSW (2014)
•Bachelor of Music (Contrabass Major), Brazil (1983)
•Qualified Music Teacher, Brazil (1983)
PROFESSIONAL PROFICIENCY:
Teaching; composition; singing; recorder-flute; guitar, bass; piano; percussion; drum; and gumbark (aka didgeridoo); recording and mixing, programming music notation editors and Logic Pro digital audio workstation and sound effects; ePub digital conversion and validation for eBooks.
Erudition in Brazil included teachers: João Maciel (guitar), George Geszti-student of Béla Bartók (recorder and theory), Dirson Costa and Levino Alcantara-students of Villa Lobos (choir and orchestra), Tony Botelho, Sandrino Santoro, Guido Bianchi (double bass), Nelson Aires, Roberto Sion (jazz/composition), amid others.
Ever since living in Australia, Mestre Jeronimo has been sharing concerts and educational matters in conjunction with: Mike Nock (piano-jazz), Riley Lee (Japanese shakuhachi-flute), Mark Atkins (gumbark-didjeridu), Mike Ryan (trumpet-Latin/jazz), Jane Butler Andino (piano-Latin/classical/jazz), Monica Trapaga (singer, TV Presenter), Steve Reeves (double bass-Melbourne Symphony orchestra), Kees Boersma (double bass-Sydney Symphony orchestra), Guy Strazullo (guitar-jazz), Miroslav Bukovsky (trumpet-jazz), Leon Gaer (bass-jazz), Gordon Rytmeister (drums-jazz/rock), Fabian Hevia (drums-Latin/jazz) and Dón Burrows (clarinet-jazz), among others.