Capoeira $lave Ritual

by Mestre Jeronimo

Overview

I write Capoeira $lave Ritual with the tongue of Australian, Brazilian, French, Spanish, Italian and German taxpayers.

Brazilian Capoeira (Capuêra, Kaapoera, Capoera, Capuera…) was born as a warfare culture to oppose oppression and racism. Present-day Capoeira produces sports, music, crafts, meditative conditions and therapy to improve the well-being of our body and mind.

It was slavery that generated taxpayers/capueristas in Brazil. Hence, using a dollar sign [$] instead of the letter [s] I name the citizen's en$laved by rental, bank debts, credit cards, tax offices... as the real "$lave", aka capuerista, from Capoeira.

The author informs how $laves with a messy ID sponsor irresponsible schooling and cause the bankruptcy of the Capoeira businesses.

Enjoy a divergent game in a "Capoeira Opera" that endorses the educational call of the movie "Monty Python Holy Grail" and the English TV series "Horrible Histories". The Capoeira Opera plays 3 Acts staged by educators, capueristas, TV and movie celebrities, athletes, artists and our employees in political, church, army jobs.

Capoeira Mestres History: Rei Zumbi, Pastinha, Bimba... and several photos of capueristas in action.

Via data and photos, look into the business and educational purpose of the Aussie Capoeira Schools and the history of the creation in 1994 of the Brazilian Community Council of Australia (BRACCA) in Sydney.

I teach music and write the Toques (rhythm and melody) of Capoeira in classical scores making updates to improve classical music notation that discriminates against other cultures.

Historical maps and my research add evidence about the traditions and beliefs of the oldest and new inhabitants of South America, Brazil, Australia, Europe, Africa, India and the USA associated with the bilingual and multi-ethnic culture and business of Capoeira.

The book features personal utterance from Mestre Bimba in Brazil and add speeches from former Capoeira champions (Mestre Acordeon Bira Almeida in the US and Gilson de Jesus living in Sydney-AU) that raise questions about the training of athletes and valuing of sports products that entrepreneurs of the Brazilian Federations and World Capoeira Federation (WCF) want to trade for the Olympic Games.

Product Details

BN ID:	2940165968532
Publisher:	Mestre Jeronimo
Publication date:	12/17/2022
Sold by:	Smashwords
Format:	eBook
File size:	13 MB
Note:	This product may take a few minutes to download.

About the Author

MESTRE JERONIMO (Artiste & Author)

Born and raised in the Brazilian Amazon jungle, I have been active since 1974 performing and producing creative music and arts. I hold an extensive unique experience with the culture of Capuêra (Kaa-poera, Capoeira Capuera, Capoera), Brazilian music, classical, folk, jazz, rock and commercial performance.

I consider my top achievement in live the education I generate to inspire the welfare of my dear daughter Marina, born and raised in Bondi Beach.

I am a bilingual person. Living in Brazil, Europe and Australia, I studied Brazilian, French, Spanish, English, German, and Italian languages.

I spent 20 years working as a full time and part-time bassist in symphonic orchestras and have been a member and conductor in classical and folkloric vocal and instrumental ensembles, in Brazil and Australia.

In my youth, I achieved national volleyball rank in Brazil. Nowadays my best hobby is to enjoy beach volley in Bondi Beach, playing it with my family and friends.

I pioneered the establishment of the first Australian School of Capoeira in Sydney at the Bondi Pavilion Community Cultural Center, in 1988. Since that time, I teach and perform Capoeira and music for a variety of events in Australia and internationally.

In 1994 in Sydney, I became a foundation member for the Brazilian Community Council of Australia (B.R.A.C.C.A.).

I have recorded my original works in various genres and toured extensively.

I write artistic and educational books.

MY BILINGUAL BOOK & E-BOOK PUBLICATION

10.Title: CAPOEIRA $LAVE RITUAL TOTAL RECALL – © December 2022 to June 2023 –– (I published six books in the tongue of Aussie, Brazilian, French, Spanish, Italian and German taxpayers)

9.Title: CAPOEIRA INTERNET ROD@ VIRTUAL 2021 – ISBN 9781005207939 © September 2021 (Brazilian & English)

8.Title: BIRIMBAU BRASILEIRO Método de Percussão – ISBN: 9781005830106 & 9781700225795 © October 2019 (Brazilian & English)

7.Title: GUITAR TAB CHART Bilingual Divergent Music Education – ISBN: 9781005873196 & 9781081293833 © July 2019 (Brazilian & English)

6.Title: CANTA CAPUÊRA Compilation of Capoeira Songs – ISBN: 9781005537869 & 9781096477297 © May 2019 (Brazilian & English)

5.Title: SINFONIA DE BIRIMBAU Culture of Capoeira in Classical Music – ISBN 9781513625577 © August 2017 (English)

4.Title: SINFONIA DE BIRIMBAU Cultura da Capoeira em Música Clássica – ISBN 9781513625584 © September 2017 (Brazilian)

3.Title: SINFONIA DE BIRIMBAU Cultura de la Capoeira en Música Clásica – ISBN 9781513625560 © November 2017 (Spanish)

2.Title: CAPOEIR@ INTERNET – ISBN 0 646 37351-X © 1999 (Brazilian & English)

1.Title: CAPOEIRA $LAVE RITUAL – ISBN 0 646 263838 © 1995 (English)

CD PRODUCTION:

5. CD ENCHENTE © 2007 made in BR
4. CD SEED OF FREEDOM © 2004 made in AU
3. CD CAPOEIRA ART & RITUAL © 2002 made in AU
2. CD WARRIORS DANCING © 1997 made in AU
1. CD PALMARES IN AUSTRALIA © 1989 made in AU

EXPERIENCE IN WORLDWIDE EVENTS:

•Internationally (from 1985 to 2020) I've been teaching and performing music and Capoeira in Europe; Australia; New Zealand; Brazil; New Caledonia; USA; Canada and South Africa
•Sydney (1990-2004) Festival of Sydney
•Sydney (1992-2002) bassist performing classical music with: Sydney Opera House Orchestra; Willoughby Symphony Orchestra and Penrith Symphony Orchestra
•Sydney (1993-2000) teaching children aged 3 to 10 at the Bondi Pavilion
•Adelaide (1999 and 2002) WOMAD Festival
•Sydney (from November1987 to 2006) Capoeira and Music Teacher at: Bondi Pavilion Community Cultural Centre; Sydney Conservatorium of Music; NSW University; University of Sydney and SBS Radio
•New Zealand (1994) The University of Wellington
•Auckland (1992) Asia Pacific Festival / New Zealand Arts Foundation
•Brazil (1978 to 1983) Amazon Theatre Choir and Choir Madrigal Jovem de Brasília
•Brazil (1981-84) bassist employed full time at State Youth Orchestra of Rio de Janeiro
ACADEMIC EDUCATION:

•Certificate IV TESOL, TESOL Australia (2019)
•Master of Music (Composition), University of Sydney (2018)
•Graduate Diploma of Music (Performance), AMPA, Sydney (2017)
•Diploma of Music (Performance), TAFE NSW (2015)
•Diploma of Music (Business), TAFE NSW (2014)
•Bachelor of Music (Contrabass Major), Brazil (1983)
•Qualified Music Teacher, Brazil (1983)

PROFESSIONAL PROFICIENCY:

Teaching; composition; singing; recorder-flute; guitar, bass; piano; percussion; drum; and gumbark (aka didgeridoo); recording and mixing, programming music notation editors and Logic Pro digital audio workstation and sound effects; ePub digital conversion and validation for eBooks.

Erudition in Brazil included teachers: João Maciel (guitar), George Geszti-student of Béla Bartók (recorder and theory), Dirson Costa and Levino Alcantara-students of Villa Lobos (choir and orchestra), Tony Botelho, Sandrino Santoro, Guido Bianchi (double bass), Nelson Aires, Roberto Sion (jazz/composition), amid others.

Ever since living in Australia, Mestre Jeronimo has been sharing concerts and educational matters in conjunction with: Mike Nock (piano-jazz), Riley Lee (Japanese shakuhachi-flute), Mark Atkins (gumbark-didjeridu), Mike Ryan (trumpet-Latin/jazz), Jane Butler Andino (piano-Latin/classical/jazz), Monica Trapaga (singer, TV Presenter), Steve Reeves (double bass-Melbourne Symphony orchestra), Kees Boersma (double bass-Sydney Symphony orchestra), Guy Strazullo (guitar-jazz), Miroslav Bukovsky (trumpet-jazz), Leon Gaer (bass-jazz), Gordon Rytmeister (drums-jazz/rock), Fabian Hevia (drums-Latin/jazz) and Dón Burrows (clarinet-jazz), among others.