Can't We Talk about Something More Pleasant?

by Roz Chast

Overview

#1 New York Times Bestseller

2014 National Book Award Finalist

Winner of the inaugural 2014 Kirkus Prize in nonfiction

Winner of the National Book Critics Circle Award

Winner of the 2014 Books for a Better Life Award

Winner of the 2015 Reuben Award from National Cartoonists Society

In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.

While the particulars are Chast-ian in their idiosyncrasies—an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades—the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; and hiring strangers to provide the most personal care.

An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant shows the full range of Roz Chast's talent as cartoonist and storyteller.

Product Details

ISBN-13:	9781632861016
Publisher:	Bloomsbury USA
Publication date:	09/13/2016
Pages:	240
Sales rank:	79,489
Product dimensions:	7.50(w) x 9.20(h) x 0.70(d)

About the Author

Roz Chast grew up in Brooklyn. Her cartoons began appearing in the New Yorker in 1978. Since then, she has published more than one thousand cartoons in the magazine. She has written and illustrated many books, including the national bestseller Going into Town, What I Hate: From A to Z, and the collections of her own cartoons The Party After You Left and Theories of Everything. She is the editor of The Best American Comics 2016 and the illustrator of Calvin Trillin's No Fair! No Fair! and Daniel Menaker's The African Svelte, all published in Fall 2016. She was awarded the Harvey Award Hall of Fame Award.

Table of Contents

Introduction 1

1 The Beginning of the End 9

2 Return to the Fold 21

3 The Elder Lawyer 37

4 Galapagos 43

5 The Fall 51

6 Maimonides 61

7 Sundowning 69

8 The End of an Era 83

9 The Move 99

10 The Old Apartment 105

11 The Place 125

12 The Next Step 135

13 Kleenex Abounding 147

14 Postmortem 161

15 Elizabeth, Alone 165

16 Bedtime Stories 181

17 Chrysalis 195

18 The End 203

Epilogue 223

Editorial Reviews

"By turns grim and absurd, deeply poignant and laugh-out-loud funny. Ms. Chast reminds us how deftly the graphic novel can capture ordinary crises in ordinary American lives." —Michiko Kakutani, New York Times

"A tour de force of dark humor and illuminating pathos about her parents’ final years as only this quirky genius of pen and ink could construe them." —Elle

"An achievement of dark humor that rings utterly true." —Washington Post

"One of the major books of 2014 . . . Moving and bracingly candid . . . This is, in its original and unexpected way, one of the great autobiographical memoirs of our time." —Buffalo News

"Better than any book I know, this extraordinarily honest, searing and hilarious graphic memoir captures (and helps relieve) the unbelievable stress that results when the tables turn and grown children are left taking care of their parents. . . [A] remarkable, poignant memoir." - San Francisco Chronicle

"Very, very, very funny, in a way that a straight-out memoir about the death of one’s elderly parents probably would not be . . . Ambitious, raw and personal as anything she has produced." —New York Times

"Devastatingly good . . . Anyone who has had Chast’s experience will devour this book and cling to it for truth, humor, understanding, and the futile wish that it could all be different." —St. Louis Post Dispatch

"Gut-wrenching and laugh-aloud funny. I want to recommend it to everyone I know who has elderly parents, or might have them someday." —Milwaukee Journal Sentinel

"Joins Muriel Spark's Memento Mori, William Trevor's The Old Boys, and Kingsley Amis's Ending Up in the competition for the funniest book about old age I've ever read. It is also heartbreaking." —Barnes & Noble Review

"Revelatory… So many have faced (or will face) the situation that the author details, but no one could render it like she does. A top-notch graphic memoir that adds a whole new dimension to readers’ appreciation of Chast and her work." —Kirkus Reviews (starred review)

"Chast is at the top of her candid form, delivering often funny, trenchant, and frequently painful revelations -- about human behavior, about herself -- on every page." —David Small, author of STITCHES

"Roz Chast squeezes more existential pain out of baffled people in cheap clothing sitting around on living-room sofas with antimacassar doilies in crummy apartments than Dostoevsky got out of all of Russia’s dark despair. This is a great book in the annals of human suffering, cleverly disguised as fun." —Bruce McCall, author of BRUCE MCCALL'S ZANY AFTERNOONS

"It is in that sense of having 'nailed it' - of providing a detailed, funny, heart breaking and true description of what it is like to care for and lose elderly patients - that this book will find its greatest impact. As points for discussion and for reflection, and as a means of reassurance, this work will offer to many the validation and support of their imperfect roles as imperfect caregivers. It is a great resource." —Kenneth Rockwood, University of Manchester, UK, Age and Ageing

"Never has the abyss of dread and grief been plumbed to such incandescently hilarious effect. The lines between laughter and hysteria, despair and rage, love and guilt, are quavery indeed, and no one draws them more honestly, more . . . unscrimpingly, than Roz Chast." —Alison Bechdel, author of FUN HOME

From the Publisher

…Ms. Chast tackles the subject of her parents, writing with a new depth and amplitude of emotion. Her account of growing up with them in Brooklyn as an only child and her efforts, decades later, to help them navigate the jagged shoals of old age and ill health, is by turns grim and absurd, deeply poignant and laugh-out-loud funny…With Can't We Talk About Something More Pleasant?, Ms. Chast reminds us how deftly the graphic novel can capture ordinary crises in ordinary American lives, how a mixture of cartoons and photographs and text can create a family portrait with all the intimacy and emotional power of a conventional prose memoir.

The New York Times - Michiko Kakutani

This is a beautiful book, deeply felt, both scorchingly honest about what it feels like to love and care for a mother who has never loved you back, at least never the way you had wanted, and achingly wistful about a gentle father who could never break free of his domineering wife and ride to his daughter's rescue. It veers between being laugh-out-loud funny and so devastating I had to take periodic timeouts. Cartoons, as it happens, are tailor-made for the absurdities of old age, illness and dementia, the odd dramas and grinding repetition expertly illustrated by copious exclamation points, capital letters and antic drawings. They also limit the opportunity for navel gazing and self-pity, trapping you in the surreal moments themselves.

The New York Times Book Review - Alex Witchel

★ 03/10/2014
“Something more pleasant” than the certainty of old age and death is what Chast’s parents would prefer to talk about, in this poignant and funny text-and-cartoon memoir of their final years. (In one cartoon, the Grim Reaper declares, “The Chasts are talking about me? Why, I’ll show them!”) Chast, a cartoonist who contributes frequently to the New Yorker, describes how her parents, George and Elizabeth, try her patience as she agonizes over their past and future. She brings her parents and herself to life in the form of her characteristic scratchy-lined, emotionally expressive characters, making the story both more personal and universal. Despite the subject matter, the book is frequently hilarious, highlighting the stubbornness and eccentricities (and often sheer lunacy) of the author’s parents. It’s a homage that provides cathartic “you are not alone” support to those caring for aging parents. Like Raymond Briggs’s classic Ethel and Ernest, this is a cartoon memoir to laugh and cry, and heal, with—Roz Chast’s masterpiece. (May)

Publishers Weekly

★ 03/15/2014
Chast (Theories of Everything) draws the Moving Sidewalk of Life with a sign: "Caution—drop-off ahead." The New Yorker cartoonist had vaguely thought that "the end" came in three stages: feeling unwell, growing weaker over a month or so in bed, and dying one night. But when her parents passed 90, she learned that "the middle [stage] was a lot more painful, humiliating, long-lasting, complicated, and hideously expensive" than she imagined. Chast's scratchy art turns out perfectly suited to capturing the surreal realities of the death process. In quirky color cartoons, handwritten text, photos, and her mother's poems, she documents the unpleasant yet sometimes hilarious cycle of human doom. She's especially dead-on with the unpredictable mental states of both the dying and their caregivers: placidity, denial, terror, lunacy, resignation, vindictiveness, and rage. VERDICT Like Joyce Farmer in Special Exits (LJ 9/15/10), Chast so skillfully exposes herself and her family on the page as to give readers both insight and entertainment on a topic nearly everyone avoids. As with her New Yorker cartoons, Chast's memoir serves up existential dilemmas along with chuckles and can help serve as a tutorial for the inevitable.—M.C.

Library Journal

★ 2014-01-23
A revelatory and occasionally hilarious memoir by the New Yorker cartoonist on helping her parents through their old age. Few graphic memoirs are as engaging and powerful as this or strike a more responsive chord. Chast (What I Hate, 2011, etc.) retains her signature style and wry tone throughout this long-form blend of text and drawings, but nothing she's done previously hits home as hard as this account of her family life as the only child of parents who had never even dated anyone else and whose deep bond left little room for this intruder in their midst. Yet, "the reality was that at 95, their minds and bodies were falling apart," and these two people who had only relied on each other were forced to rely on a host of caretakers, their daughter in particular, and to move from the Brooklyn apartment that had been home for half a century into a series of facilities that provided fewer and fewer amenities at escalating expense. Chast rarely lapses into sentimentality and can often be quite funny, as she depicts mortality as "The Moving Sidewalk of Life" ("Caution: Drop-Off Ahead") or deals with dread and anxiety on the "Wheel of DOOM, surrounded by the ‘cautionary' tales of my childhood." The older her parents get, the more their health declines and the more expensive the care they require, the bleaker the story becomes—until, toward the end, a series of 12 largely wordless drawings of her mother's final days represents the most intimate and emotionally devastating art that Chast has created. So many have faced (or will face) the situation that the author details, but no one could render it like she does. A top-notch graphic memoir that adds a whole new dimension to readers' appreciation of Chast and her work.

Kirkus Reviews

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