Table of Contents
Preface 9
The Future of Butoh 12
Teaching Method 20
Part 1 Body training: basic exercises
1.1 Seiza, breathing and relaxation technique 26
1.2 The back 36
1.3 Arms, shoulders and neck 45
1.4 The torso, the lower back and the intercostal muscles 52
1.5 Feet, legs and hip joint 59
1.6 The face 69
1.7 Hands-fingers 82
1.8 Handstand and headstand 90
1.9 Relevant elements in dance instruction 99
1.10 Dancing as a professional 106
Part 2 Qi training, improvisation
2.1 Qi training, improvisation 116
2.2 Waving 129
2.3 About improvisation 138
2.4 Qi transmission, connections 147
2.5 Standing up, walking 158
2.6 The baby, the beast 174
2.7 Quality of movement 187
2.8 The spiral, the 8 197
2.9 Disassociated movements (Activation of brain functions/training the prefrontal cortex) 204
Part 3 Application
3.1 Immobility 212
3.2 Creating a picture (Dealing with space) 220
3.3 Sounds (The relationship between dance and music) 229
3.4 Voice, training 239
3.5 Transmission games 244
3.6 About reproduction and imitation 250
3.7 Strengthening the five senses 254
3.8 Developing the sense of time and space 260
3.9 Kosoku Mai 267
3.10 Creation and evaluation 277
Afterword 285
Bibliography 291
Biography 293