Bunnyman: Post-War Kid to Post-Punk Guitarist of Echo and the Bunnymen

Bunnyman: Post-War Kid to Post-Punk Guitarist of Echo and the Bunnymen

by Will Sergeant
Bunnyman: Post-War Kid to Post-Punk Guitarist of Echo and the Bunnymen

Bunnyman: Post-War Kid to Post-Punk Guitarist of Echo and the Bunnymen

by Will Sergeant

Paperback

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Overview

Will Sergeant is a sonic master of the universe. - Courtney Love

This is the true story of one small boy, me, Will Sergeant, navigating the 60’s and 70’s, a woolly-back (hick) spawned one drunken night on the outskirts of a Nazi pocked and battered Liverpool, growing up with the spectre of WW2 still creeping about most adults padlocked minds. I trudge on into a piss wet 1970s, just as the pustules of teenage years approach popping point. It is a heady time of power cuts, strikes, flying pickets, bread shortages, skinhead gangs, IRA bomb scares, nuclear war fears, rock gigs, glam clothes, drowned motorbikes, explosives, dead-end jobs and the usual school lessons of chicken strangulation. With the help of music, I manage to navigate myself through the sinking sand of prog rock and into the safety of punk. My boots still muddy with a bad attitude, I head into the winter of discontent to become a post-punk trailblazer worshipped all over the world as a god. Well? An inventive and influential guitarist of some note at the very least.

Will Sergeant is a true original. — Robert Smith

Will Sergeant helped me understand how to translate a psychedelic vision to rhythm and melody. Thrilled to read this! - Flea.

Will Sergeant is one of those people that music fans know is just great. - Johnny Marr

Will Sergeant will always be the perfect guitarist for the perfect band; no more, and no less. - Billy Corgan, Smashing Pumpkins

Any great guitar band needed to have a Will Sergeant. The charismatic front man with his words and voice is all well and good but…without the blackness of the night the moon would not be killing. Will Sergeant was that blackness. He was also the confrontation, the no compromise, the purity of purpose, the beauty of simplicity. He was also always there, up at dawn to capture the first light coming in from the East. - Bill Drummond, The KLF


Product Details

ISBN-13: 9781734842289
Publisher: Third Man Books
Publication date: 01/11/2022
Pages: 336
Sales rank: 627,784
Product dimensions: 6.00(w) x 8.90(h) x 0.80(d)

About the Author

Will Sergeant is best known for his work as songwriter and guitarist with Echo & The Bunnymen with whom he has recorded and performed world-wide for thirty years. He also has long-term ties with the experimental side of life, in the fields of performance, recording and the visual arts. He has produced solo and collaborative works since the 1980s, His first major solo art show 'My Own Worst Enemy' debuted at the Liverpool Penny Lane Gallery in 2011 and at the Substrate Gallery in Los Angeles, California, 2012.

Read an Excerpt

It's November1965. It had started snowing heavily at about 9 PM. My Dad will be at the pub till last orders, so the coast is clear for now. Mum lets me go out into the road and play with some of the other kids that have also been allowed this late-night treat. I can still remember the light cast down onto the snow from the streetlamp that stood outside number fifteen, like a standard lamp. Up the street, the lights reflected off the snow, and the night is almost as bright as the grey winter days. Snowball fights are kicking off all over the grass, now white as milk. On my hands: socks in place of gloves. Some kids are building a snowman, starting off with a small ball of snow, then rolling it along the ground to pick up more snow. Eventually, you have a big enough ball for a rather portly snow person (just keeping the PC brigade happy there). We are allowed to play for an hour or so until our fingers can't take it anymore and the sopping socks I have on instead of gloves have become more of a discomfort than a solution to the cold and wet. My fingers are stiff and painful pink with cold. I reluctantly go back to the house.

After a while and still up way past my bedtime, the dreaded sound of the front door key being inserted into the Yale lock. Shit, its past kicking out time, only ten thirty back then. Quick as a flash Mum says, “Quick Willie, turn the telly over to BBC.” I do as I am instructed, pushing the clunky buttons on the rented TV set. I can feel heat emanating from the hot tubes encased within. The channels switch, my dad flings the door open and immediately without a word turns the telly back to ITV- the channel my mum was watching a couple of seconds ago. He has no clue what’s on or even is even interested in watching any telly; he is too pissed to focus on anything. He’s just asserting his authority in his household. He turns to me and says, “You. Bed. Now.” Without any protest, off I scurry up to my bed, impressed by what I was later to learn is called reversed psychology that my mum had employed- genius. This is a valuable lesson that I never forget.

The next day, I'm waiting with the usual gang of kids from the Village at the bus stop to take us to school. The snow is still coming down fast and it's getting towards 8:45 AM. It looks like the bus is not gonna turn up. Too scared to just go home, me, Davo, Bill Besant and a few others decide to walk to school. We trek the mile or so up the little path of the Pads across Mathew’s farm fields. My feet are soaking wet and freezing. I am wearing the only shoes I have at the time, brown leather sandals with socks pulled up to the knee; shorts, the standard itchy grey thick flannel school uniform kind; a black duffel coat; and a knitted balaclava on my head. My little frosty face sticks out of the opening into the chilly morning. The cold grasping at my feet is nothing compared to the excitement of going to school in the snow. My mind is racing with thoughts of all the fun we can have at playtime.

The slightly higher aspect of the path gives a good view across the farm and on towards Liverpool. The whitewashed landscape is a wonder to behold. Large flakes slowly drift down, softening the scene. The huge cranes normally standing to attention at the far away docks in Liverpool are now just a hint of grey, fragile twigs in the distance. I notice that the world’s sound is changed; silence has replaced the background drone that generally accompanied life. The choked and belching growl of Ford Anglias, Consuls and Zodiacs, Morris Minors, Hilman Imps and Hunters, all now sleep still tucked up in flagged driveways or outside houses on the street, still and silent under cosy snow eiderdowns; they are going nowhere today. Any sound is dampened down, becoming part of the strange stillness that accompanies heavy snowfall. The outdoor world now has the same sound as the indoor world; near sounds are intensified and distant sounds faded and muffled. The view from the Pads over the fields is like looking through a misty window, the snow silently bleaching the landscape pure white.

When we get to school, there are only a few teachers that have made it in. One is Mr Carradine, the new headmaster. He seems almost as excited as the kids and throws a snowball at us. The kids retaliate, and a full-on fight ensues. The headmaster is pelted with snow till he, smiling, holds his hands up to surrender. I had never seen a teacher display this off-duty manner before, letting slip the stern-faced mask and allowing a glimpse of a human being; teachers were to be feared at all times.

As hardly any of the staff had turned up, we were allowed to go home early. Bill Roberts from the local shop had been called up and he came and got us in his canvas-covered ex-army Land Rover.

It seemed to snow a lot back then in wintertime. A couple of years earlier in ‘62 and on into ’63, Britain had one of the worst winters recorded. The papers called it “the big freeze”. The canals and rivers froze, the snow and ice sticking around from December till February. The stillness was always the thing I liked most. The snow clouds were like a ceiling above, creating the magical feeling of being indoors when outdoors. After the failure of the bus turning up, a new rule is made by the headmaster. If the bus doesn't turn up by a quarter to nine, we are permitted to go home. Every morning after that, we stand at the bus stop hoping for the bus to have broken down or been late, even by a few seconds

Table of Contents

1 Fried Beans 1

2 Caterpillar Rash 15

3 Achtung Billy 29

4 Kirkby Skins Rule OK 43

5 Caveman Freakbeat Scene 55

6 Look Wot You Dun 73

7 Glam-rock Gardening 87

8 Day Trips to the Spirit World 99

9 Venus in Flares 115

10 Zookeeper and Supernatural Elsie 129

11 Battling the Grim Sweeper 143

12 Beanbags and Dead Goats 149

13 Motorbike Goes for a Swim 157

14 The Birth and Death of Punk 165

15 Discovering Eric's 175

16 Punk Royalty 185

17 Frozen Chips and Pasty Nightmare 201

18 Nutjobs 215

19 Welcome David 223

20 Rock 1 plus Bossa Nova 231

21 The Invisible Becomes Visible 243

22 Tea at the MVCU 257

23 Quatermass and the Hit 271

24 YMCA 289

25 Deckchairs Down the M1 313

Acknowledgements 331

About the Author 333

Photo Credits 337

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