BTS, The Best

by BTS

Overview

For decades, leaders have relied on hard skills to make smart decisions, while dismissing the importance of emotional intelligence. Soft skills, like self-awareness and curiosity, aren't quantifiable; they can't be measured on a spreadsheet and aren't taught in B-schools or emphasized in institutions. We've been taught that emotional intelligence is a "nice to have" in business, not a requirement. But soft skills can actually accelerate business success, Gary Vaynerchuk argues. For analytical minds, it's challenging to understand how to get better at being self-aware, curious, or empathetic-or even why it's important to try. In this wise and practical book, Gary explores the twelve human ingredients that have led to his success and happiness and provides exercises to help you develop these traits yourself. He also shares what the "half" is-that emotional component of leadership he's weakest in and makes the most effort to improve. Working through the ideas and exercises in the book, he teaches you how to discover your own halves and offers insight on how to strengthen them. Gary's secret to success is using these twelve traits in varying mixtures, depending on the situation. But how do we know when to balance patience with ambition? Humility with conviction? Gary provides real-life examples involving common business scenarios to show how to use them together for optimum results. This iconoclastic book will help you refine your ingredients and improve your leadership capabilities. When implemented in the proper situation, these ingredients can help leaders land promotions, retain core employees, move faster than competitors, win the loyalty of customers, and build successful organizations that last.

Product Details

Release Date:	08/06/2021
Label:	Geffen
UPC:	0602435988559
Rank:	8574

Tracks

Disc 1

1. Film Out
2. DNA [Japanese Version]
3. Best of Me [Japanese Version]
4. Lights
5. Blood Sweat & Tears [Japanese Version]
6. Fake Love [Japanese Version]
7. Black Swan [Japanese Version]
8. Airplane, Pt. 2 [Japanese Version]
9. Go Go [Japanese Version]
10. IDOL [Japanese Version]
11. Dionysus [Japanese Version]
12. MIC Drop [Japanese Version]
13. Dynamite

Disc 2

14. Boy With Luv [Japanese Version]
15. Stay Gold
16. Let Go
17. Spring Day [Japanese Version]
18. ON
19. Don¿¿¿t Leave Me
20. Not Today [Japanese Version]
21. Make It Right [Japanese Version]
22. Your Eyes Tell
23. Crystal Snow

Album Credits

Performance Credits

BTS   Primary Artist
Michael Stranieri   Horn
June   Choir/Chorus,Vocals (Background)
Fred   Keyboards,Synthesizer
Jung Jaeil   Guitar
Lee Shinsung   Choir/Chorus,Vocals (Background)
Chris Badross   Horn
Sam   Horn
Shaun   Guitar,Guitar
Yuya Yanagihara   Violin
Shoko Oki   Violin
Tomomi Tokunaga   Violin
Yuki Mizuno   Cello
Shoko Mabuchi   Viola
Ayaka Notomi   Violin
Zekiya Young   Vocals (Background)
Moiro Kochellah   Vocals (Background)
Marcus Peres   Horn
Jung Kook   Vocal Group,Choir/Chorus,Vocals (Background),Rap,Vocals
Kass   Vocals,Vocal Group,Choir/Chorus,Vocals (Background)
Hiss Noise   Vocal Group
Chadae McAlister   Choir/Chorus,Vocals (Background)
Cherene Cexil   Choir/Chorus,Vocals (Background)
Chris Badroos   Horn
Christopher Calles   Horn
Collin McCrary   Horn
Dedrick Bonner   Conductor,Choir/Chorus,Choir Director,Choir Conductor,Vocals (Background)
KM-Markit   Rap,Vocal Director
Yohei   Vocals (Background)
Diana Greenwood   Drums
Emma Atkins   Drums
Enniss Harris   Horn
Haley Breland   Horn
Jason De Leon   Drums
Joshua von Bergmann   Drums
Justin Cole   Drums
Katie Osborn   Horn
Kayla Collins   Choir/Chorus,Vocals (Background)
Ken Sarah   Drums
Kia Dawn Fulton   Choir/Chorus,Vocals (Background)
Marcus Perez   Horn
Matthew Chin   Horn
Matthew Espinoza   Horn
Meloney Collins   Conductor,Choir Conductor
Gustav Mared   Guitar,Keyboards,Synthesizer
Jin   Vocals,Vocals
Tsuyoshi Yamada   Vocal Director
J-Hope   Vocals,Vocal Group,Vocals (Background)
Sam Kredich   Horn
Samuel Pounds   Choir/Chorus,Vocals (Background)
Siobhan Chapman   Drums
Spencer Hart   Horn
Summer Greer   Choir/Chorus,Vocals (Background)
Tym Brown   Choir/Chorus,Vocals (Background)
Zakiya Young   Choir/Chorus
V   Vocals
David Stewart   Drums,Piano,Percussion,Synthesizer,Guitar (Bass),Synthesizer Bass,Synthesizer Pads,Guitar (Electric),Vocals (Background)
Young   Guitar
Eaisung Shin   Violin
Soma Genda   Choir/Chorus,Vocals (Background),Guitar,Keyboards,Synthesizer
Lee Jooyoung   Bass
UTA   Keyboards,Synthesizer,Guitar
Melanie Fontana   Vocals (Background)
Jung Jaepil   Guitar
Kevin McKeown   Director
Arlissa Ruppert   Choir/Chorus,Vocals (Background)
Sam Klempner   Choir/Chorus,Vocals (Background)
ADORA   Vocals (Background)
Lee Taewook   Guitar
Andrew Taggart   Keyboards,Synthesizer,Guitar
Evan Mackey   Horn
Fred Gibson   Drums,Keyboards,Synthesizer
Rastine Calhoun   Horn
RM   Vocals,Vocal Group,Choir/Chorus,Vocals (Background)
James Ford III   Horn
Jesus Martinez   Horn
Blanca Arriaga   Drums
Brenden Kersey-Wilson   Horn
Supreme Boi   Vocal Group,Choir/Chorus,Vocals (Background),Rap,Vocals
John Thirkell   Horn
Phil X   Guitar
Walter Simonsen   Drums
Duane Benjamin   Conductor,Music Direction
Krysta Youngs   Guitar
Masami Horisawa   Cello
Masato Ishinari   Guitar (Acoustic)
Ken Fisher   Conductor
Moiro Konchellah   Choir/Chorus
Shin Sung Lee   Choir/Chorus,Vocals (Background)
Jimin   Vocals,Choir/Chorus,Vocals (Background)
Koichiro Muroya   Violin
Rina Odera   Violin
Akira Murata   Piano
Bang Si Hyuk AKA "Hitman" Bang   Keyboards
P-Dogg   Vocals,Vocoder,Keyboards,Rap,Synthesizer,Vocal Group,Vocals (Background)
Hanako Uesato   Violin
Masaya Wada   Vocal Director
Tomoko Shimaoka   Viola
Amber Wright   Choir/Chorus,Vocals (Background)
Ashton Foster   Choir/Chorus,Vocals (Background)
Iyori Shimizu   Guitar (Electric)
Lee Joo Hyoung   Guitar (Bass)
Clayton Cameron   Drums
Del Atkins   Bass,Guitar (Bass)
Suga   Vocals

Technical Credits

Nu Kim   Visual Concept
Paul Addleman   Associate Director
June   Composer,Recording,Composer,Engineer
Fred   Producer,Programming
J. Pearl   Editing,Digital Editing
Hiro   Composer
Bang   Composer
Ahn Da Soul   Management
Asumi Kajisaki   Translation
Choi Hyo Jin   Management
Kento Kubota   Marketing
Kim Yeong Jun   Photography
Lee Hyeon Ki   Management
Risa Kihara   A&R
Shizu Matsuo   Marketing
Kyoko Teradate   Project Coordinator
Takeshi Fujita   Project Coordinator
Tomo Fukazawa   Project Coordinator
Yuko Ishizeki   Project Coordinator
Shaun   Engineer,Recording,Recording
Jessica Agombar   Composer
Park Eun Jeong   Engineer,Recording
Jung Kook   Composer,Arranger
Kass   Composer
Jacob Richards   Assistant,Assistant Engineer
Mike Seaberg   Assistant,Assistant Engineer
Hiss Noise   Editing,Digital Editing
Roman Campolo   Composer
Jung Wooyoung   Engineer,Recording
Kim Shin Gyu   Management
Lee Hyeok   A&R
Park Jin Se   Recording
El Capitxn   Editing,Digital Editing
Lee Sun Kyoung   Visual Concept
Moon Soo Jeong   Editing
KM-Markit   Arranger,Composer,Lyricist,Translation,Vocal Arrangement
Yohei   Composer
Kim Jee Yeon   Recording
Meloney Collins   Associate Director
Munehito Ito   A&R
Slow Rabbit   Engineer,Recording,Vocal Arrangement
Gustav Mared   Composer,Producer
Juan "Saucy" Pena   Vocal Engineer
Benjy Gibson   Composer
Seventeen   Vocal Arrangement
Ray Michael Djan, Jr.   Composer
Rashawn McLean   Assistant,Assistant Engineer
David Stewart   Composer,String Programming
Iiba Daishi   Engineer,Recording
Ahn Jong Hun   Management
Kim Jeeyeon   Engineer
Lee Seung Byung   Management
Park Jun Tae   Management
Lim Hyung Ju   A&R
Kim Su Bin   Management
Park Jinse   Engineer
Ben Milchev   Assistant,Mixing Assistant
Cha Yeonhwa   Visual Concept
UTA   Recording,Digital Editing,Editing,Composer,Engineer,Producer
Ali Tamposi   Composer
Melanie Fontana   Composer
Vince Nantes   Composer
James F. Reynolds   Mixing Engineer
Kim Min Sun   Editing
Back Number   Producer
Woo Young   Recording
Arlissa Ruppert   Composer
Sam Klempner   Composer,Engineer,Recording
Park Kiwon   Engineer,Recording
Jun   Composer
ADORA   Composer
DJ Riggins   Assistant,Assistant Engineer
Moon Soojeong   Digital Editing
Lee Jung Min   Management
Andrew Taggart   Producer,Composer
Ou Shimazu   Marketing
Fred Gibson   Composer,Producer,Programming
RM   Composer
Ghstloop   Editing,Digital Editing
Kang Ju Eun   Visual Concept
Clyde Kelly   Composer
Supreme Boi   Recording,Digital Editing,Vocal Arrangement,Editing,Arranger,Composer,Engineer
Toshihiro Watanabe   Engineer,Recording
Shigenobu Otsuji   Project Coordinator
Emily Weisband   Composer
Suga   Composer
Antonina Armato   Composer
Jaycen Joshua   Mixing Engineer
Pete Ibsen   Composer,Engineer,Recording
Jordan "DJ Swivel" Young   Mixing Engineer
Sunny Boy   Composer,Composer
Krysta Youngs   Composer
Naoki Yamada   Mixing Engineer
Ken Fisher   Associate Director
J-Hope   Composer
Ga Eun Kim   Visual Concept
Bang Si Hyuk AKA "Hitman" Bang   Composer,Assistant Producer,Executive Producer
17   Vocal Arrangement
August Rigo   Composer
Jenna Andrews   Vocal Producer
Ken Fischer   Associate Director
Do Hoon Kim   Composer
David Nakaji   Assistant,Mixing Assistant
Hiro-A-Key   Composer
Liza Owen   Composer
Naoshi Fujikura   Executive Producer
Soma Genda   Composer,Producer
Soohyeon Lee   Translation,Marketing
Keita Joko   Editing,Digital Editing
Hitomi Miyamoto   Artwork,Coordination
P-Dogg   Arranger,Composer,Engineer,Producer,Recording,Vocal Ad-Libs,Choir Arrangement,Vocal Arrangement,Vocal Programming,Assistant Producer,Rhythm Arrangements
Masaya Wada   Vocal Arrangement
Julia Ross   Composer
Ed Sheeran   Composer
Ashton Foster   Composer
Taku Nakamura   Executive Producer
Kanata Okajima   Composer
Iyori Shimizu   Composer
Michel Schulz   Composer,Engineer,Recording
Serban Ghenea   Mixing Engineer
Jo Hill   Composer
D.O.I.   Mixing Engineer
Erik Reichers   Engineer,Recording
John Hanes   Assistant

Editorial Reviews

07/29/2019

Arnold’s debut is a lyrical but long-winded portrayal of a woman reckoning with the disappointments of her life. Ash passes her days swimming at a deserted lake with her seven-year-old daughter, Charlie. When she senses Charlie grow distant as she gets older, Ash commits an unforgivable act while trying to reconnect. This sets in motion the crumbling of Ash’s emotional world, revealing memories of an affair with her yoga instructor, a capricious bisexual woman, and a complicated relationship with her father. Ash slips into a depression that confines her to bed, forcing her husband into the arms of a family friend who comes by to care for Charlie. The narrator’s idiosyncratic, troubled personality is expressed through her obsessive interest in sounds and words. During her first date with her husband, she tells him that she collects words, stating that “finding the right word is like finding a pebble on a whole beach of pebbles.” Arnold uses language like a set of dominoes, connecting endings of sentences to beginnings with sounds and phrases to create an artful tumble of prose. However, the novel’s high style comes at the price of momentum, and it becomes opaque to the point of being inaccessible. With very little plot, Arnold’s novel asks questions of profound moral consequence that get lost in the fogginess of its narrator. (July)

Publishers Weekly

Any serious student of Reformed theology needs to sit at the feet of Petrus van Mastricht. The challenge has been that to do so you needed to know Latin or Dutch. Thanks to the herculean efforts of the folks at the Dutch Reformed Translation Society and Reformation Heritage Books, English readers can now learn the art of ‘living for God through Christ.’” —Stephen J. Nichols, president of Reformation Bible College and chief academic officer of Ligonier Ministries


“With each translation of the formative Reformed theologians of the sixteenth and seventeenth centuries comes the possibility of our churches being renewed by forgotten treasures. This is one of those gold mines. So important is van Mastricht that even Descartes felt obliged to respond to his critiques and Jonathan Edwards drew deeply from the well of his Theoretical-Practical Theology. It is a distinct pleasure to recommend this remarkable gem.” —Michael Horton, J. Gresham Machen Professor of Systematic Theology and Apologetics, Westminster Seminary California


“The very title of this work, Theoretical-Practical Theology, indicates why, three centuries ago, Petrus van Mastricht’s work appealed to Scottish ministers who studied under him or read his theology. Not least of these was his student James Hog, who would later famously republish The Marrow of Modern Divinity. In making van Mastricht’s classic available in English for a new generation of students, pastors, and scholars, the Dutch Reformed Translation Society and Reformation Heritage Books are giving a great gift to the Christian church as a whole, and to students, pastors, and scholars in particular.” —Sinclair B. Ferguson, Chancellor’s Professor of Systematic Theology, Reformed Theological Seminary; and teaching fellow, Ligonier Ministries

From the Publisher