Bruce Davidson: The Way Back

Nearly four decades of unpublished works from a master of documentary photography

Consisting solely of previously unpublished photographs, The Way Back is a deep dive through Bruce Davidson's more than 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson's exceptional versatility--from his earliest assignments to later seminal bodies of work including his yearlong study of teenage members of a Brooklyn Gang (1959), his extensive coverage of the American Civil Rights Movement in Time of Change (1961-65) and his breakthrough portraits of the residents of a single block in Harlem in East 100th Street (1966-68). Series such as Subway (1980) and Central Park (1992) confirm Davidson as a quintessential chronicler of New York City.
What emerges through this retrospective is Davidson's overt sensibility and empathy for his subjects and his commitment to documenting them in depth over time. Unlike his peers who photographed historical events, Davidson focused on the people within these histories. Now, drawing near the end of his long career, Davidson offers this book as a parting look at his artistic passage, an elegiac goodbye as well as a requiem.
Bruce Davidson (born 1933, Oak Park, IL) became a member of the Magnum Photos agency in 1958; since then his photographs and photo series have been widely published to great acclaim. At Yale University, he studied under photographer Alexey Brodovitch and artist Josef Albers, the latter of whom encouraged him to pursue his work among marginalized people and communities. His artistic influences include Robert Frank and Henri Cartier-Bresson.

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Bruce Davidson: The Way Back

Nearly four decades of unpublished works from a master of documentary photography

Consisting solely of previously unpublished photographs, The Way Back is a deep dive through Bruce Davidson's more than 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson's exceptional versatility--from his earliest assignments to later seminal bodies of work including his yearlong study of teenage members of a Brooklyn Gang (1959), his extensive coverage of the American Civil Rights Movement in Time of Change (1961-65) and his breakthrough portraits of the residents of a single block in Harlem in East 100th Street (1966-68). Series such as Subway (1980) and Central Park (1992) confirm Davidson as a quintessential chronicler of New York City.
What emerges through this retrospective is Davidson's overt sensibility and empathy for his subjects and his commitment to documenting them in depth over time. Unlike his peers who photographed historical events, Davidson focused on the people within these histories. Now, drawing near the end of his long career, Davidson offers this book as a parting look at his artistic passage, an elegiac goodbye as well as a requiem.
Bruce Davidson (born 1933, Oak Park, IL) became a member of the Magnum Photos agency in 1958; since then his photographs and photo series have been widely published to great acclaim. At Yale University, he studied under photographer Alexey Brodovitch and artist Josef Albers, the latter of whom encouraged him to pursue his work among marginalized people and communities. His artistic influences include Robert Frank and Henri Cartier-Bresson.

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Bruce Davidson: The Way Back

Bruce Davidson: The Way Back

Bruce Davidson: The Way Back

Bruce Davidson: The Way Back

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Overview

Nearly four decades of unpublished works from a master of documentary photography

Consisting solely of previously unpublished photographs, The Way Back is a deep dive through Bruce Davidson's more than 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson's exceptional versatility--from his earliest assignments to later seminal bodies of work including his yearlong study of teenage members of a Brooklyn Gang (1959), his extensive coverage of the American Civil Rights Movement in Time of Change (1961-65) and his breakthrough portraits of the residents of a single block in Harlem in East 100th Street (1966-68). Series such as Subway (1980) and Central Park (1992) confirm Davidson as a quintessential chronicler of New York City.
What emerges through this retrospective is Davidson's overt sensibility and empathy for his subjects and his commitment to documenting them in depth over time. Unlike his peers who photographed historical events, Davidson focused on the people within these histories. Now, drawing near the end of his long career, Davidson offers this book as a parting look at his artistic passage, an elegiac goodbye as well as a requiem.
Bruce Davidson (born 1933, Oak Park, IL) became a member of the Magnum Photos agency in 1958; since then his photographs and photo series have been widely published to great acclaim. At Yale University, he studied under photographer Alexey Brodovitch and artist Josef Albers, the latter of whom encouraged him to pursue his work among marginalized people and communities. His artistic influences include Robert Frank and Henri Cartier-Bresson.


Product Details

ISBN-13: 9783969992319
Publisher: Steidl, Gerhard Druckerei und Verlag
Publication date: 01/28/2025
Pages: 144
Product dimensions: 11.50(w) x 11.50(h) x 0.00(d)

About the Author

     Bruce Davidson worked as a freelance photographer for Life Magazine and joined Magnum Photos in 1958. As a documentary photographer, he produced two photo essays, "Brooklyn Gang" and the "Freedom Rides."  He photographed the Civil Rights Movement, including a rally in Harlem, Ku Klux Klan cross burnings, and the marches in Birmingham and Selma, Alabama. In 1966 he won the first photography grant from the National Endowment for the Arts to document East 100th Street in Harlem; this work was exhibited at the Museum of Modern Art.

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