British Industrial Fictions
British Industrial Fictions is a collection of essays on the fiction which represented the contexts, aspirations and dramas experienced by the people who worked in industry in Britain over a period of two hundred years. This fictional material was usually produced in conscious resistance to the dominant culture of the day, sometimes by middle-class sympathisers, but often by workers themselves who found time, somehow, to write about their stark experiences.

Some of the essays in this collection discuss little-known aspects of industrial fiction, such as the early fiction about seamstresses, industrial writing by Welsh women authors, the largely unknown representations of ship-builders, nineteenth century nail-workers, late twentieth-century Scottish unemployed. Other essays reconsider well-known major authors and periods such as Robert Tressell, James Hanley, Alan Sillitoe, Lewis Jones, the literature of the 1926 strike; and some essays look at structural features of industrial writing such as the relation between fiction and industrial accidents in the nineteenth century, and the literary patterns of 1930s writing.

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British Industrial Fictions
British Industrial Fictions is a collection of essays on the fiction which represented the contexts, aspirations and dramas experienced by the people who worked in industry in Britain over a period of two hundred years. This fictional material was usually produced in conscious resistance to the dominant culture of the day, sometimes by middle-class sympathisers, but often by workers themselves who found time, somehow, to write about their stark experiences.

Some of the essays in this collection discuss little-known aspects of industrial fiction, such as the early fiction about seamstresses, industrial writing by Welsh women authors, the largely unknown representations of ship-builders, nineteenth century nail-workers, late twentieth-century Scottish unemployed. Other essays reconsider well-known major authors and periods such as Robert Tressell, James Hanley, Alan Sillitoe, Lewis Jones, the literature of the 1926 strike; and some essays look at structural features of industrial writing such as the relation between fiction and industrial accidents in the nineteenth century, and the literary patterns of 1930s writing.

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British Industrial Fictions

British Industrial Fictions

British Industrial Fictions

British Industrial Fictions

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Overview

British Industrial Fictions is a collection of essays on the fiction which represented the contexts, aspirations and dramas experienced by the people who worked in industry in Britain over a period of two hundred years. This fictional material was usually produced in conscious resistance to the dominant culture of the day, sometimes by middle-class sympathisers, but often by workers themselves who found time, somehow, to write about their stark experiences.

Some of the essays in this collection discuss little-known aspects of industrial fiction, such as the early fiction about seamstresses, industrial writing by Welsh women authors, the largely unknown representations of ship-builders, nineteenth century nail-workers, late twentieth-century Scottish unemployed. Other essays reconsider well-known major authors and periods such as Robert Tressell, James Hanley, Alan Sillitoe, Lewis Jones, the literature of the 1926 strike; and some essays look at structural features of industrial writing such as the relation between fiction and industrial accidents in the nineteenth century, and the literary patterns of 1930s writing.


Product Details

ISBN-13: 9780708315972
Publisher: University of Wales Press
Publication date: 03/13/2000
Series: University of Wales Press - Histories of Wales Ser.
Pages: 212
Product dimensions: 5.50(w) x 8.50(h) x 0.70(d)

About the Author

Stephen Knight is Professor of English Literature at University of Wales, Cardiff. H.Gustav Klaus is Professor of Literature of the British Isles at the University of Rostock, Germany.


Stephen Knight is retired honorary research professor at the University of Melbourne, and formerly distinguished research professor at Cardiff University.

Table of Contents

Notes on Contributors
 
1.    Introduction
          H. Gustav Klaus and Stephen Knight
 
2.    'Graphic Narratives and Discoveries of Horror': the Feminization of Labour in Nineteenth-century Radical Fiction
          Ian Haywood
 
3.    Accidents of Production: Industrialism and the Worker's Body in Early Victorian Fiction
          Mike Sanders
 
4.    'In the Darg': Fiction Nails the Midlands Metal-worker
          Valentine Cunningham
 
5.    The Shipbuilders' Story
          H. Gustav Klaus
 
6.    Highs and Lows: the Problem of 'Culture' in The Ragged Trousered Philanthropists
          Gary Day
 
7.    Fire and Horror: the Representation of Teesside in Fiction
          Andy Croft
 
8.    Tone of Voice in Industrial Writing in the 1930s
          Simon Dentith
 
9.    James Hanley's The Furys: Modernism and the Working Class
          John Fordham
 
10.  Lewis Jones's Cwmardy and We Live: Two Welsh Proletarian Novels in Transatlantic Perspective
          Rolf Meyn
 
11.  'Two Strikes and You're Out': 1926 and 1984 in Welsh Industrial Fiction
          James A. Davies
 
12.  Arthur Seaton and the Machine: a New Reading of Alan Sillitoe's Saturday Night and Sunday Morning
          Kathleen Bell
 
13.  'The Uncertainties and Hesitations that were the Truth': Welsh Industrial Fictions by Women
          Stephen Knight
 
14.  'Work as If you Live in the Early Days of a Better Nation': Scottish Fiction and the Experience of Industry
          Ian A. Bell
 
15.  People Like That: the Fiction of Agnes Owens
          Ingrid von Rosenberg
 
Index
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