★ 09/13/2021
In Irish writer Harding’s blistering U.S. debut, a former London stage actress finds her life in Dublin derailed by disappointment and alcoholism. Sonya is the single mother of four-year-old Tommy, and, one day while playing with him, she gets blackout drunk, goes for a dip in the ocean, and wakes up the next morning with neither son nor dog in sight. Panicked, she wanders the neighborhood asking people, “Have you seen a big black dog and a little boy?” As it turns out, both are fine, but Sonya isn’t, and her father sends her to rehab. She promises herself not to drink around her son again, though that pledge will be disastrously hard to keep. Harding brilliantly captures both the hilarity and wisdom of Sonya’s 12-step program, with her time in rehab poignantly complicated by Sonya’s separation from Tommy and her fear she might not be reunited with him. When Sonya views the world through sober eyes, the real struggle starts, and she movingly confronts the traumas that helped put the bottle to her lips in the first place. This unflinching portrait of a troubled, tender soul takes readers to the depths of the human heart. Agent: Clare Alexander, Aitken Alexander Assoc. (Dec.)
"Absolutely dazzling. While the subject matter is dear to my heart, I'd have loved it even if I knew nothing about addiction. It's instantly engrossing. Sonya's emotional interiority is fascinating and compelling."
"Absolutely dazzling. While the subject matter is dear to my heart, I'd have loved it even if I knew nothing about addiction. It's instantly engrossing. Sonya's emotional interiority is fascinating and compelling."
An unforgettable portrait of human frailty and strength.”
"Bright Burning Things is moving—humane and emotionally scrubbed raw....Both books [Shuggie Bain and Bright Burning Things] deal with addiction and the trauma that befalls the loved ones of addicts...Bright Burning Things, by contrast, offers both Sonya and the readers strands of hope."
Rich with layered character dynamics and unexpected turns, Bright Burning Things is riveting.”
I have never read a book that addresses mental health and alcoholism in as transparent and beautiful a way as ‘Bright Burning Things'."
"[A] moving story of a mother battling addiction … Bright Burning Things joins Eleanor Oliphant Is Completely Fine and Shuggie Bain as a portrait of female wreckage."
"[A] wild ride, culminating in a final scene that combines hope, fear and beauty."
"On every page, there are little shimmering bombs."
Quietly devastating . . . Reminded me repeatedly of Shuggie Bain.
"[A] propulsive heart-wrencher…an alarming yet tender portrayal of the slow-burn impact of long-repressed grief."
2021-09-29
A downtrodden single mother in Dublin shares her inner torment as alcoholism puts her at risk of losing the 4-year-old son she adores.
Sonya is a former actress who lost her career and lover when she decided to have her baby. Her narration is imbued with theatrical histrionics both mesmerizing and horrifying—mostly horrifying. The manic affection and pride with which Sonya describes her isolated life with son Tommy and dog Herbie, whom Sonya calls her other “boy,” are belied by the filth and squalor they clearly inhabit. Sonya is a mother who leaves a 4-year-old alone on the beach while she swims in her underwear with her imaginary, “lethal and irresistible…sidekick”; who drinks three bottles of wine and passes out while Tommy sits hungry in front of the television; who, in a burst of obsessive love, presses Tommy against her stomach as if to stuff him back into her womb, almost literally smothering him until he escapes her hold; who slaps him in a pizzeria, where a stranger named David Smythe steps in to pay for their food out of concern and suggests she get help. The sense of impending disaster looms until Sonya’s supposedly estranged father shows up and forces her into rehab, where she interacts with three key characters: Sister Anne, whose spirituality is hard for Sonya to accept but who sees her as redeemable; fellow addict Jimmy, who can't cure himself but offers Sonya practical support; and David Smythe, who (too) coincidentally turns out to be a former addict–turned-counselor and who may or may not offer the safe haven Sonya needs. Harding eschews sentimentality while making it clear that her characters, however warped, are complex human beings. But even after Sonya returns home and regains custody of Tommy, the reader cannot relax and trust that Tommy will be safe in her care.
A tour de force of anguish made bearable by glimmers of redemption.
"[Harding’s] writing is taut, and there is such an intensity, an urgency about the narrative that you find yourself turning the pages as if you fear Sonya might race out of sight. Bright Burning Things is a contemporary, zeitgeisty read and very satisfying.
Unputdownable: infuriating, nerve-wracking and hugely enjoyable."
Lisa Harding is a writer, actress, playwright. She received an MPhil in creative writing from Trinity College Dublin in 2014. Her short stories have been published in the Dublin Review, the Bath Short Story Anthology, HeadStuff, and Winter Papers. Her first novel, Harvesting, won the 2018 Kate O'Brien Award and was shortlisted for an Irish Book Award and the Kerry Group Irish Novel of the Year Award. She lives in Dublin.
2021-09-29
A downtrodden single mother in Dublin shares her inner torment as alcoholism puts her at risk of losing the 4-year-old son she adores.
Sonya is a former actress who lost her career and lover when she decided to have her baby. Her narration is imbued with theatrical histrionics both mesmerizing and horrifying—mostly horrifying. The manic affection and pride with which Sonya describes her isolated life with son Tommy and dog Herbie, whom Sonya calls her other “boy,” are belied by the filth and squalor they clearly inhabit. Sonya is a mother who leaves a 4-year-old alone on the beach while she swims in her underwear with her imaginary, “lethal and irresistible…sidekick”; who drinks three bottles of wine and passes out while Tommy sits hungry in front of the television; who, in a burst of obsessive love, presses Tommy against her stomach as if to stuff him back into her womb, almost literally smothering him until he escapes her hold; who slaps him in a pizzeria, where a stranger named David Smythe steps in to pay for their food out of concern and suggests she get help. The sense of impending disaster looms until Sonya’s supposedly estranged father shows up and forces her into rehab, where she interacts with three key characters: Sister Anne, whose spirituality is hard for Sonya to accept but who sees her as redeemable; fellow addict Jimmy, who can't cure himself but offers Sonya practical support; and David Smythe, who (too) coincidentally turns out to be a former addict–turned-counselor and who may or may not offer the safe haven Sonya needs. Harding eschews sentimentality while making it clear that her characters, however warped, are complex human beings. But even after Sonya returns home and regains custody of Tommy, the reader cannot relax and trust that Tommy will be safe in her care.
A tour de force of anguish made bearable by glimmers of redemption.