"Born in a Mighty Bad Land": The Violent Man in African American Folklore and Fiction

by Jerry H. Bryant

"Born in a Mighty Bad Land": The Violent Man in African American Folklore and Fiction

by Jerry H. Bryant

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Overview

The figure of the violent man in the African American imagination has a
long history. He can be found in 19th-century bad man ballads like
"Stagolee" and "John Hardy," as well as in the black convict
recitations that influenced "gangsta" rap. "Born in a Mighty Bad
Land" connects this figure with similar characters in African American fiction.
Many writers -- McKay and Hurston in the Harlem Renaissance; Wright, Baldwin, and
Ellison in the '40s and '50s; Himes in the '50s and '60s -- saw the "bad
nigger" as an archetypal figure in the black imagination and psyche.
"Blaxploitation" novels in the '70s made him a virtually mythical
character. More recently, Mosley, Wideman, and Morrison have presented him as ghetto
philosopher and cultural adventurer. Behind the folklore and fiction, many theories
have been proposed to explain the source of the bad man's intra-racial violence.
Jerry H. Bryant explores all of these elements in a wide-ranging and illuminating
look at one of the most misunderstood figures in African American culture.


Product Details

ISBN-13: 9780253109897
Publisher: Indiana University Press
Publication date: 04/03/2003
Series: Blacks in the Diaspora
Sold by: Barnes & Noble
Format: eBook
Pages: 256
File size: 486 KB

About the Author

Jerry H. Bryant is Emeritus Professor of English at California State University.

Table of Contents

Preliminary Table of Contents: Introduction1. The Classic Badman and the BalladThe Badman BoasterThe Faces of Stagolee2. Postbellum Violence and Its Causes: "Displaced Rage" in a Preindustrial Culture3. Between the Wars: The Genteel Novel, Counter Stereotypes, and Initial ProbesReligion, Romance, and RacePaul Laurence Dunbar: Southern Innocence, Northern SinJames Weldon Johnson: Murder in RagtimeJames D. Corrothers and The Black Cat Club4. From the Genteel to the Primitive: The Twenties and ThirtiesThe "New Negro" Finds the FolkRudolph Fisher's Harlem TourClaude McKay's Home to HarlemArna Bontemps's "Don't-Care Folk"Zora Neale Hurston: Country Men and Women5. The Ghetto Bildungsroman: From the Forties to the SeventiesRichard Wright: Bigger Thomas and a New ConsciousnessJames Baldwin: Escaping from ViolenceRalph Ellison's RinehartThe Ghetto SettingThe Nurturing Ghetto I (Mark Kennedy and Herbert Simmons)The Nurturing Ghetto II: The Autobiographical Vision (Claude Brown)The Struggle for Moral Character (Ronald Fair and George Cain)The Code of the Street: The Bildungsroman World Updated6. Toasts: Tales of the "Bad Nigger"The Toast and Its MysteriesReturn to StagoleeThe Put-DownThe Fall7. Chester Himes: Harlem AbsurdA Man of AngerThe Harlem NovelsThe BadmenCoffin Ed and Grave Digger8. A "Toast" Novel: Pimps, Hoodlums and Hit MenThe Struggle Between the "Hip" and the "Lame"The "Hip" VictoriousAnger Over White RacismThe Violent StyleThe Fantasy of Sexual DominanceInstinct, Justice, and the Allure of The LifeA Special Kind of Squalor, A Special Kind of GuiltIceberg Slim and Donald Goines9. Walter Mosley and the Violent Men of WattsSocrates FortlowRaymond "Mouse" AlexanderEasy Rawlins10. Rap: Going Commercial11. The Badman and the Storyteller: John Edgar Wideman's Homewood TrilogyBrothers and Keepers: A Family MatterHiding Place: Looking for ManhoodRot and RenewalSent for You Yesterday: The Skeins of History and the Sacrament of Storytelling12. Toni Morrison: Ulysses, Badmen, and Archetypes: Abandoning Violence OutlawsLaying the Foundation: The Bluest Eye and SulaInto the Limelight: Song of Solomon and Tar BabyTrilogy: Three Stages of the Badman Loving

Appendix: Analysis of Thirty Prototype Ballads

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