Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary
“A protest against the wall and a forecast about its future.”—Allison Arieff, The New York Times

"Rael’s courageous mixture of subversion and compromise is not going to hide the affront that the border represents to those who live south of it."—London Review of Books
 
Borderwall as Architecture explores how architects can undermine the wall not just structurally, but conceptually. Today, the wall symbolizes xenophobia and fear. Designs that promote social, economic, and ecological development on both sides of the border could rewrite that narrative. In the past, groups have gathered on both sides of the wall to hold yoga meetups and stage horse races. Rael draws inspiration from these and other examples to highlight opportunities for subversion and change.”—Wired
 
"Part historical account, part theoretical appraisal, and part design manifesto, Borderwall as Architecture is reminiscent of Rem Koolhaas’ Delirious New York in its sweeping assessment of both the sociocultural peculiarities and outlandish possibilities represented by a prominent structural element."—Architect Magazine
 
Borderwall As Architecture goes into keen scholarly detail on the walls at the US-Mexico border…Rael offers many such concepts in the book, which often have a whimsy about them that reminds me of Italo Calvino’s Invisible Cities.”
New Scientist
 
“[Rael’s] imagination is audacious, and he smartly frames his “grand tour” of the border as a procession of vignettes that shift easily between history, architectural what-ifs and what you might call postcards from the front.”— San Francisco Chronicle
 
"...in raising questions that not many others are asking about the relationship between two countries that share 2,000 miles of border, his book serves an important purpose."—The Daily Beast

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
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Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary
“A protest against the wall and a forecast about its future.”—Allison Arieff, The New York Times

"Rael’s courageous mixture of subversion and compromise is not going to hide the affront that the border represents to those who live south of it."—London Review of Books
 
Borderwall as Architecture explores how architects can undermine the wall not just structurally, but conceptually. Today, the wall symbolizes xenophobia and fear. Designs that promote social, economic, and ecological development on both sides of the border could rewrite that narrative. In the past, groups have gathered on both sides of the wall to hold yoga meetups and stage horse races. Rael draws inspiration from these and other examples to highlight opportunities for subversion and change.”—Wired
 
"Part historical account, part theoretical appraisal, and part design manifesto, Borderwall as Architecture is reminiscent of Rem Koolhaas’ Delirious New York in its sweeping assessment of both the sociocultural peculiarities and outlandish possibilities represented by a prominent structural element."—Architect Magazine
 
Borderwall As Architecture goes into keen scholarly detail on the walls at the US-Mexico border…Rael offers many such concepts in the book, which often have a whimsy about them that reminds me of Italo Calvino’s Invisible Cities.”
New Scientist
 
“[Rael’s] imagination is audacious, and he smartly frames his “grand tour” of the border as a procession of vignettes that shift easily between history, architectural what-ifs and what you might call postcards from the front.”— San Francisco Chronicle
 
"...in raising questions that not many others are asking about the relationship between two countries that share 2,000 miles of border, his book serves an important purpose."—The Daily Beast

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
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Overview

“A protest against the wall and a forecast about its future.”—Allison Arieff, The New York Times

"Rael’s courageous mixture of subversion and compromise is not going to hide the affront that the border represents to those who live south of it."—London Review of Books
 
Borderwall as Architecture explores how architects can undermine the wall not just structurally, but conceptually. Today, the wall symbolizes xenophobia and fear. Designs that promote social, economic, and ecological development on both sides of the border could rewrite that narrative. In the past, groups have gathered on both sides of the wall to hold yoga meetups and stage horse races. Rael draws inspiration from these and other examples to highlight opportunities for subversion and change.”—Wired
 
"Part historical account, part theoretical appraisal, and part design manifesto, Borderwall as Architecture is reminiscent of Rem Koolhaas’ Delirious New York in its sweeping assessment of both the sociocultural peculiarities and outlandish possibilities represented by a prominent structural element."—Architect Magazine
 
Borderwall As Architecture goes into keen scholarly detail on the walls at the US-Mexico border…Rael offers many such concepts in the book, which often have a whimsy about them that reminds me of Italo Calvino’s Invisible Cities.”
New Scientist
 
“[Rael’s] imagination is audacious, and he smartly frames his “grand tour” of the border as a procession of vignettes that shift easily between history, architectural what-ifs and what you might call postcards from the front.”— San Francisco Chronicle
 
"...in raising questions that not many others are asking about the relationship between two countries that share 2,000 miles of border, his book serves an important purpose."—The Daily Beast

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.

Product Details

ISBN-13: 9780520283947
Publisher: University of California Press
Publication date: 04/04/2017
Series: Ahmanson-Murphy Fine Arts Imprint
Edition description: First Edition
Pages: 200
Product dimensions: 5.70(w) x 8.10(h) x 0.60(d)

About the Author

Ronald Rael is Associate Professor in the departments of Architecture and Art Practice at the University of California, Berkeley. He is the author of Earth Architecture, a history of building with earth in the modern era that exemplifies new, creative uses of the oldest building material on the planet. The Museum of Modern Art and the Cooper Hewitt Smithsonian Design Museum have recognized his work, and in 2014 his creative practice, Rael San Fratello, was named an Emerging Voice by the Architectural League of New York.

 

Table of Contents

Foreword Borderwalls as Public Space?
Teddy Cruz

Acknowledgments

Introduction The Revolting Door
Ronald Rael

ONE Pilgrims at the Wall
Marcello Di Cintio

TWO Borderwall as Architecture: The Divided
States of North America
Ronald Rael

THREE Transborderisms: Practices That Tear
Down Walls
Norma Iglesias-Prieto

FOUR Recuerdos/Souvenirs: A Nuevo Grand Tour
Ronald Rael

FIVE Why Walls Won’t Work
Michael Dear

SIX Afterwards
Ronald Rael

Selected Bibliography
AUTHOR AND CONTRIBUTORS
CREDITS
INDEX OF RECUERDOS
INDEX
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