(Re)Positioning Site Dance: Local Acts, Global Perspectives

(Re)Positioning Site Dance: Local Acts, Global Perspectives

(Re)Positioning Site Dance: Local Acts, Global Perspectives

(Re)Positioning Site Dance: Local Acts, Global Perspectives

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Overview

Site-based dance performance and sited movement explorations implicate dance makers, performers and audience members in a number of dialogical processes between body, site and environment. This book aims to articulate international approaches to the making, performing and theorising of site-based dance. Drawing on perspectives from three practitioner-academics based in three distinct world regions – Europe, North America and Oceania – the authors explore a range of practices that engage with sociocultural, political, ecological and economic discourses, and demonstrate how these discourses both frame and inform processes of site dance making as well as shape the ways in which such interventions are conceived and evaluated.

Intended for artists, scholars and students, (Re)Positioning Site Dance is an important addition to the theoretical discourse on place and performance in an era of global sociopolitical and ecological transformation.


Product Details

ISBN-13: 9781789380132
Publisher: Intellect Books
Publication date: 07/15/2019
Sold by: Barnes & Noble
Format: eBook
File size: 14 MB
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About the Author

Karen Barbour is an Associate Professor in the School of Arts, Te Kura Kete Aronui, at the University of Waikato in Aotearoa New Zealand.

Victoria Hunter is a practitioner-researcher and Reader in Site Dance and Choreography at the University of Chichester, UK.

Melanie Kloetzel is an Associate Professor of Dance at the University of Calgary, Canada, and the Artistic Director of the dance theatre company kloetzel&co.


Karen Barbour is an associate professor in dance in the School of Arts at The University of Waikato in Aotearoa New Zealand. Her teaching, performance and research focuses on embodied ways of knowing particularly feminist choreographic practices in dance, site-specific, digital dance and pedagogical movement contexts. Her book publications include Dancing Across the Page: Narrative and Embodied Ways of Knowing (Barbour 2011), (Re)Positioning Site Dance: Local Acts, Global Perspectives (Barbour et al. 2019) and Ethnographic Worldviews: Transformations and Social Justice (Rinehart et al. 2014). Karen is editor of the journal Dance Research Aotearoa, presents regularly at international conferences and has published her writing in a range of books and journals.


Victoria Hunter is a practitioner-researcher and Reader in site dance and choreography at the University of Chichester, UK. Her practice-based research explores site-specific dance performance and the body-self’s relationship with space and place encountered through corporeal, material, spatial and kinetic engagement with lived environments. Her writing on site dance has been published in Literary Geographies, New Theatre Quarterly, Performance Research, and Contemporary Theatre Review. Her edited volume Moving Sites: Investigating Site-Specific Dance Performance was published by Routledge in 2015 and she is co-author of (Re) Positioning Site-Dance (Intellect 2019) with Melanie Kloetzel (Canada) and Karen Barbour (New Zealand). Her forthcoming monograph publication, Site, Dance and Body: Movement, Materials and Corporeal Engagement, explores human-environment synergies through material intra-actions and is due for publication with Palgrave in 2020.


Melanie Kloetzel is the artistic director of kloetzel&co, a dance theatre company founded in New York City and now based in Canada. Committed to research that links performance, place, text and characterization, the company’s work has appeared in theatre venues, film festivals and alternative spaces across three continents. Kloetzel’s publication credits include her anthology with Carolyn Pavlik, Site Dance: Choreographers and the Lure of Alternative Spaces, the co-written (Re)Positioning Site Dance: Local Acts, Global Perspectives and articles in Dance Research Journal, New Theatre Quarterly, Dance Research and the International Journal of Performance Arts and Digital Media, among others. She is an associate professor of dance at the University of Calgary.

Table of Contents

List of Illustrations

Introduction: (Re)positioning site dance: Local acts, global perspectives

Karen Barbour, Victoria Hunter, Melanie Kloetzel

Section One: Historical lineages and contemporary concerns: Tactics, encounters and contexts

Chapter 1: From recontextualisation to protest: 50 years of site dance practice in North America

Melanie Kloetzel

Chapter 2: Activism, land contestation and place responsiveness

Karen Barbour

Chapter 3: Sited English folk dance as a form of site dance: Heritage, tradition and resistance

Victoria Hunter

Section Two: Practice into theory: Materials, dialogues and affect

Chapter 4: Dancing gardens, Phenomenology and affective practices 

Karen Barbour 

Chapter 5: Material touchstones: Weaving histories through site-specific dance performance

Victoria Hunter

Chapter 6: Lend me an ear: Dialogism and the vocalising site 

Melanie Kloetzel

Section Three: Moving towards the global: Ethics, morality and marginalisation

Chapter 7: Performing parks and squares

Victoria Hunter

Chapter 8: Site-specific dance and environmental ethics: Relational fields in the Anthropocene

Melanie Kloetzel

Chapter 9: Dancing in Foreign places: Practices of place and tropophilia

Karen Barbour

Conclusion

References 

Index

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