Bollingen: An Adventure in Collecting the Past - Updated Edition

by William McGuire, William McGuire (Preface by)

Overview

This lively, intimate, sometimes disrespectful, but always knowledgeable history of the Bollingen Foundation confirms its pervasive influence on American intellectual life. Conceived by Paul and Mary Mellon as a means of publishing in English the collected works of C. G. Jung, the Foundation broadened to encompass scholarship and publication in a remarkable number of fields. Here are wonderful portraits of the central figures, including the Mellons, Jung himself, Heinrich Zimmer, Joseph Campbell, D. T. Suzuki, Natacha Rambova, Vladimir Nabokov, Gershom Scholem, Herbert Read, and Kurt and Helen Wolff.

Product Details

ISBN-13:	9780691018850
Publisher:	Princeton University Press
Publication date:	10/21/1989
Series:	Bollingen Series , #108
Edition description:	Updated Edition
Pages:	364
Product dimensions:	5.50(w) x 8.50(h) x (d)

Editorial Reviews

Because we know so little about the role of foundations in American intellectual life, we welcome . . . William McGuire's delightful chronicle of the Bollingen Foundation. Mr. McGuire . . . writes as a participant, not as an outside historian. But he makes the most of his particular perspective. . . And he tempers his sympathetic attachment with a winning sense of irony, even irreverence.

The New York Times Book Review - Thomas Bender

Because we know so little about the role of foundations in American intellectual life, we welcome . . . William McGuire's delightful chronicle of the Bollingen Foundation. Mr. McGuire . . . writes as a participant, not as an outside historian. But he makes the most of his particular perspective. . . And he tempers his sympathetic attachment with a winning sense of irony, even irreverence.
— Thomas Bender

The New York Times Book Review

Because we know so little about the role of foundations in American intellectual life, we welcome . . . William McGuire's delightful chronicle of the Bollingen Foundation. Mr. McGuire . . . writes as a participant, not as an outside historian. But he makes the most of his particular perspective. . . And he tempers his sympathetic attachment with a winning sense of irony, even irreverence.—-Thomas Bender, The New York Times Book Review

From the Publisher